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TATTOO NEWS REVIEW

By Marisa Kakoulas

curly palm tattoo

tattooed palm

 

Tattoos above by Andreas “Curly” Moore.

Tons of tattoo news hit the headlines while we were out on vacation, so I figured I’d give y’all a run-down of some of the ones I found most interesting:

First off, I had to giggle over how the fantastic Andreas “Curly” Moore offered his own version of “Palm Sunday” (shown above) last weekend at Lionel’s Tattoo Studio in Oxford. The Oxford Mail quoted Curly saying: “It was Palm Sunday, so we thought for amusement we would do three free palms. The tattoos had no religious meaning, it was just for the sake of beautiful art.” Check more of Curly’s beautiful art here. [He's also featured in Black Tattoo Art 2.]

Then, specifically designed to kill my post-vacation buzz, The NY Times published yet another tattoo essay. It wasn’t because the word “asymptote” was used twice in an article that was not about geometry. It wasn’t because the writer used the word “tat.” Ok, maybe it was that, but it was used in this context: “I felt how much I needed, from him and everyone, a certain kind of response: to feel inspired by the tat, and tell me so.” The “tat” in question was a Latin phrase homo sum: humani nil a me alienum puto, translated, “I am human; nothing human is alien to me.” I can see how it would be interesting if the tattoo was just a hook in the article to have a discussion on what that means…but then the writer brings in all the same stale discussions about getting tattooed post-breakup as some form of reclaiming her body, a declaration of selfhood, and the tattooed body as public space in some form — all very true, but nothing new. It also neglects another real truism: no one has to break up with you for you to get a tattoo.

scott campbell free arts nyc

 

To read the full article, visit: http://www.needlesandsins.com/2014/04/tattoo-news-review-32.html

Aitchison/Gogue Collaboration Piece

jeff and guy

Back in February of this year as a part of our ongoing professional development webinar series,

TattooNOW and Off the Map Tattoo produced and broadcast an unprecedented live streaming

internet event. A collaboration tattoo from tattoo masters Guy Aitchison and Jeff Gogue,

watched as it happened by over 6000 viewers. Matt McKelvey was the lucky recipient of this

amazing tattoo. Here is his story of the experience…

 

When I saw that TattooNOW was offering the opportunity to be tattooed by Jeff Gogue and Guy

Aitchison, I spent the next few days writing my submission. I treated my entry like a resume,

which was built upon the image of the Heike Crab. I first saw the unique creature and heard its

mythology on Carl Sagan’s Cosmos. My goal was to have elements where both artists could

bring their strengths, but it would be unique enough to be exciting. A few months went by, and I

was honored to find out I had been selected.

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It just so happened that I ended up in the same exact hotel room that I stayed in when I started

my bodysuit. There was some pretty bad weather in Portland that weekend and after a phone

conversation with Jeff, I wasn’t sure if Guy’s plane would be landing. We decided if things fell

through, the least we could do would be to work on my existing tattoo.
Read the rest of this page »

The Art of the Machine Charity Show

To Benefit the Children’s Burn Foundation

I am proud to announce the first annual “The Art of the Machine,” a charity event to be held July 11th 2014 in Downtown Long Beach at the Mai Tai Bar at the historic Long Beach Pike from 6pm – 2am.

The Art of the Machine will be a celebration of the Tattoo Machine with Custom Tattoo Machines to be auctioned off to Tattoo Artists as well as pieces by world renowned artists available to the public.

The Children’s Burn Foundation is the only known foundation that offers the Full Recovery Program for child burn survivors, locally, nationally, and internationally – a unique blend of medical care, psycho-social support services, and daily living support to help young burn survivors achieve their full potential.

The complex interplay of physical and psychological trauma resulting from severe burn injuries can profoundly affect the lives of children for years to come. Through the Foundation‘s full range of programs and services, young burn survivors receive new hope, a community of supporters who understand, and a chance at a full recovery.

Program services include:

  • Medical Care & Support for Physical Recovery
  • Family Emergency Assistance
  • Camps & Retreats for Child Burn Survivors and Families
  • Teen Support Group: Young Adult Burn Survivors & Supporters (Y.A.B.S.S.)
  • Child & Family Support Groups

The night will begin at 6pm with a silent auction closing at 10pm and then followed up with live music and some special surprises until 2am.

There will be a special program highlighting the event, its donors, and sponsors with an article on the history of the Tattoo Machine and special cover art by Tattoo Artist Josh Duffy available to all attendees.

If anyone is interested in participating or sponsoring, please contact Casey Keener at casey@tattooartistmagazine.com. We are still accepting Machine donations as well as art for auction to benefit the charity.

Current Sponsors Include: TatSoul, Eternal Tattoo Supply, Tattoo Artist Magazine, Tattoo Culture Magazine, Sullen Art Collective. Sponsorships are still available. Check out our Facebook page at: https://www.facebook.com/ArtoftheMachine

Machine Builders currently committed include: Tim Hendricks, Union Machine, Chris Quidgeon, Dewey Smith, Mike Schaeffer, John Boyd, Cory Rogers, Paco Rollins and Brandon Lewis.

Tattoo Artists donating art include: Josh Duffy, Tom Berg, Scott Richardson and Tokyo Hiro.

We will also have a website up in June, roughly a month before the event starts with profiles on the Machine Builders and Artists as well as specs on the donated machines. Anything that does not sell the night of the event will be available on the sites e-store after the event for purchase.

Thank you for your support and I look forward to everyone getting involved in this special night to benefit kids in need! If we don’t, who will?

Casey Keener

310-502-9302

Changing of the Guard

 

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It is with excitement and purpose that I start as the new Editor-in-Chief of Tattoo Artist Magazine. First and foremost, I am committed to continuing the culture of excellence and quality of TAM as admirably lead by outgoing Editor-in-Chief, Crash. I recognize the importance of TAM to our community & cultural progress and envision clear potential for continued growth and innovation. In conjunction with editing every issue of TAM, I also have a vision of further integrating TAM into the hands of avid tattoo collectors and artists, fully mining the educational format of TAM to better serve artists, collectors, readers and our society as a whole.

The “changing of the guard” at TAM will bring a new perspective to the magazine. With this change comes a shift in editorial emphasis to make TAM the world’s primary outlet for tattoo culture, tattoo education and tattoo art more relevant to our industry than any other magazine in our field. As the new Editor, my aim will be to increase the availability of important articles, artists, values, social and artistic advancements in our industry.

For those of you who are unfamiliar with me, I have been with TAM since it’s inception 11 years ago. Unlike Crash, I am not a tattoo artist, but have paid my dues within the industry for well over a decade. I know the ins and outs of everything tattoo and tattoo related. I am eager to start this position and see where I can help carry TAM into the future.

I invite each and every one of you who has any questions or concerns about the future of TAM and our craft to please email me to discuss our shared future and what we can build together.

You may reach me at: kent@tattooartistmagazine.com

- Kent

 

CLAYTON PATTERSON LEAVES NYC

By Marisa Kakoulas

http://www.needlesandsins.com

clayton patterson

 

The discussion of NYC’s gentrification is nothing new, but it still stings every time I learn of another institution of art, music & grit close its door to make way for mega-store or “luxury” anything. One living institution, who has had a profound effect on NYC’s tattoo scene, is documentarian, fine artist and tattoo artist Clayton Patterson. And, as the NY Times reported this weekend, Clayton will be shutting his Outlaw Art Museum and leaving NY’s Lower East Side with his wife Elsa Rensaa, explaining, “There’s nothing left for me here.”

In a time where our own tattoo community feels gentrified — complete with “celebrity” tattooers working in glass cages — it’s understandable why Clayton and Elsa are leaving town and heading for Bad Ischl, in Austria, where, for almost 15 years, he has collaborated with the Wildstyle Tattoo Convention.

Wildstyle is one of the many projects Clayton has worked on for tattoo artists and collectors. In 1986, Clayton and Ari Roussimoff started the Tattoo Society of New York (TSNY), with the assistance of Elsa, and the group was instrumental in working to overturn the NYC tattoo ban in 1997. When asked by Vice, what about the role of TSNY, he explained:

“It was difficult to learn to tattoo in the city, but the TSNY changed much of that. Those interested in art and tattooing gathered at the Society meetings. The whole 1990s New York City new wave came out of the TSNY. The magazines came to the Society meetings. It is through the Society that Debby Ullman, who had worked at Outlaw Biker and Tattoo Review, moved over to Pat Rusians of Pink Coyote Designs, who was looking for an editor to start a new magazine. I introduced her to Jonathan Shaw, and they started, International Tattoo Magazine. At that time there were not that many photographers on the tattoo scene. Early on, there was Charles Gatewood. Then Steve Bonge started taking photos in the mid 70s. He was instrumental in getting photos of tattoos into Biker magazine. He became the lead photographer for International Tattoo.”

To read the rest of this article, visit: http://www.needlesandsins.com/2014/04/clayton-patterson-leaves-nyc.html

Ladies, Ladies! Art Show 2014

Opening reception May 15, 2014

7-11 pm

at Eight of Swords Tattoo and Gallery,

115 Grand str, 11249 Brooklyn, NY

www.wix.com/ladiesladies/artshow

Curated by Elvia Iannaccone Gezlev and Magie Serpica

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Rose Hardy

An exclusive all ladies group art show featuring some of the most talented female tattooers: from the NYC ladies to international talents, this art show displays different styles and/or techniques, but only one love: tattooing. The show was also and foremost created to pay respect to the ladies who started tattooing first and paved the way for all others to follow, (names like Debra Yarian, Pat Sinatra, Kate Hellenbrandt, Vyvyn Lazonga and few more) in a tough industry, historically male dominated.

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Tai Inglesias

Nowadays we cant help but notice the growing number and variety of skilled female talents taking over the tattoo world!!

The show is curated this year by Elvia Iannaccone Gezlev and Magie Serpica, and it’s at its 3rd edition.

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Bruna Yonashiro

Opening May 15, 2014 at Dave Wallin’s Eight of Swords- Brooklyn studio and gallery, for two months, la crème de la crème of female tattooers art will be on display and for sale.

A chance to buy original art and to meet some of the artists!

Not to be missed!

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Lara Scotton

 

Some of the artists of 2014:

  • STEPHANIE TAMEZ
  • TAI IGLESIAS
  • LARA SCOTTON
  • VICKY MORGAN
  • VIOLA VON HELL
  • MARIE SENA
  • MARIJA RIPLEY
  • DAWN COOKE
  • DEBRA YARIAN
  • HOLLY ELLIS
  • IMME BOHME
  • JACKIE DUNN SMITH
  • JACLYN REHE
  • JAMIE RUTH
  • ROSE HARDY
  • ALIX GE
  • AMY SHAPIRO

 

…… AND MANY MORE!!

How much does a full sleeve tattoo cost?

By Kevin Miller

http://www.tattoosnob.com

If you have visible tattoos, chances are that someone has asked about how much their idea cost, how much they cost you, or the worst – how much they paid. Well, this article is for those people who are curious. The article specifically talks about a sleeve, but it applies to any tattoo really.

Huge props to Dave Tedder for taking the time to answer this on Quora…

Tattoos: How much does a full sleeve tattoo (from wrist to shoulder) cost?

Your question almost has the same answer as “How much is a sackful of groceries.?” It really depends on where you make your purchase and what’s in the sack, or sleeve.

Purchasing a tattoo is the same as making any other investment into art. Sometimes you can find an incredible artist at very reasonable rates and sometimes you can buy a polished turd for tourist prices.

Many people spend far too much on sleeves or other large scale tattoos that they will forever remain unhappy with by starting out with the exact same question you have. “How much?” Because with that mentality the next logical move once you receive an answer is to look for it somewhere else for less. Price shopping for tattoos usually leaves you in a subpar artist’s chair receiving subpar art and tattoo services. Then what do you have? A sleeve that you’re unhappy with. After a few years of looking at other sleeves that are far better most people choose to go to another artist to try and salvage the bad decision they made years prior. The smart ones have done research and decided on a competent artist at the second time, but… The truth of the matter is, at this point the tattooer is entering a fight with one arm tied behind their back. Cover ups and reworks never turn out the same quality as a tattoo that starts with blank skin. Success is determined by wether or not the tattoo looks better than it did before, not by completion of original intent.

I can assure you that the best way to get an answer to your question and a quality tattoo is to decide what you would like your sleeve to look like. Think style(i.e. Traditional Japanese or Americana, color or black and grey, realistic, geometric, etc.), think theme, think subject matter. Then spend hours and hours scouring the internet and social media sites at hundreds of hundred of tattooers work. This is a much easier task today than say 20 years ago when you physically had to travel shop to shop to look at portfolios. Don’t bother looking at the artists location, airplanes make the world a very small place, and when you find the artist that you want, I promise no distance is too great. You have your entire life to wear this tattoo and you shouldn’t sell yourself short. Make sure that every time you look at your forearm you’re satisfied. Tattoos are the only thing you have with you for the rest of your life, everywhere you go until you die. It amazes me what some people will spend on shoes or vacations and then bargain shop for a tattoo.

After you have all of the above determined, contact the artist you’ve chosen and ask about their preferred method of appointment consultation. Please keep in mind that many quality tattoo artists eat sleep and breath their jobs so sometimes answering the emails takes a little time, especially older artists that have tattooed longer than the internet has been around. Many artists work 8-12 hours a day at the studio then go home to paint or draw for the following days/weeks, so sometimes you need a little patience and persistence. During your consultation, after you’ve discussed your ideas you’ll have the opportunity for “How much?”. But most artist prefer it if you’re a wee bit smoother, as in “What’s your hourly rate?”, and “About how many sessions do you think this will take and how many hours will we be working per session?”. If this exceeds your projected budget this would be a good time to mention that and discuss other options. Be honest and up front with what you have to spend. Most good artists that I know aren’t crooks, they just want what they have determined their work is worth. Some adjust this by the laws of supply and demand and others keep a set rate their entire career. Every artist is different, and as always in the art market it’s buyer beware. Do your homework before you purchase.

Hope that helps

Dave Tedder

The real cost of a cheap tattoo

Source: http://www.itv.com

Unlicensed tattoo artists often work from their homes, sometimes offering customers designs for little more than a tenner.

But if they are not sterilising equipment properly, the real cost could be much greater.

Blood borne infections such as Hepatitis B or C and HIV can be transmitted through contaminated needles, and the symptoms can remain hidden for years.

Even if it is not that serious, painful infections can scar the skin.

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Unsterilized equipment can lead to infection. Credit: Cardiff Council

 

Unregistered tattooists, or scratchers, are hard to trace, so Hartlepool Council has become the first in the country to introduce hygiene rating systems for tattoo studios.

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A sticker in the window of a salon achieving full marks in the new hygiene rating system. Credit: ITV Tyne Tees

They hope that by promoting the legitimate businesses, they will raise awareness of the risks, and let customers know where they can go to be safe.
Read the rest of this page »

Knives & Needles with Alessandra Palotti

By Molly Kitamura

http://www.knivesandneedlesblog.com

My new and dear friend, Alessandra Palotti is a great tattoo artist and a great cook! Alexandra is Italian from Bologna, Italy where she has been tattooing for over 6 years. Alessandra and her husband, Koji Ichimaru, run their private studio in Bologna, what a beautiful place to live, definitely on my go-to list!

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Alessandra and I got to cook together one day. I made beef Milanese and she made Bolognese sauce. I had never had traditional, authentic Bolognese before and had a completely different idea in my head on how it is made. I learned so much from her that day.

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Here is a mix of Alessandra’s tattoo photos, her recipe and photos of the process. Please enjoy and try out her recipe, it will become a staple in your culinary repertoire!

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Read the rest of this page »

It’s official: Army’s new appearance reg takes effect

By Michelle Tan

http://www.militarytimes.com

http://bcove.me/0taw1780

The long-awaited Army Regulation 670-1, with new rules on tattoos, hairstyles, grooming and uniform wear, went into effect Monday.

“The Army is a profession, and one of the ways our leaders and the American people measure our professionalism is by our appearance,” Sgt. Maj. of the Army Ray Chandler wrote on his Facebook page. “Wearing of the uniform, as well as our overall military appearance, should be a matter of personal pride for all soldiers.”

The new AR 670-1 was formally published Monday via the Army’s Publishing Directorate.

“Every soldier has the responsibility to understand and follow these standards,” Chandler wrote. “Leaders at all levels also have a responsibility to interpret and enforce these standards, which begins by setting the example.”

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The Army’s new appearance regs tighten up rules for tattoos. The regulation, AR-670-1 took effect Monday. (Tony Karumba / Getty Imagaes)

The extensive revision and update to AR 670-1 comes as the Army pushes for a more professional force and transitions from more than 12 years of war.
Read the rest of this page »

Japanese Tattoos as Fine Art

By Liz Ohanesian

Source: http://www.laweekly.com

JANMTattooShow12

Models show off their tattoos at the opening event for “Perseverance.”

On Saturday afternoon, four tattoo artists went to work inside Little Tokyo’s Japanese American National Museum for the opening of “Perseverance: Japanese Tattoo Tradition in the Modern World.” They spent hours taking ink and needles to flesh, adding to the large, detailed illustrations that already marked their client’s bodies. Crowds gathered and dispersed throughout the day, watching with interest.

Most seemed unfazed by the buzz of tattoo machines. Many of the onlookers here have gone through a similar process. Some had tattooed sleeves that crawled out from under t-shirts. Others had art that peeked out above collar lines or below hems.

Instead, it was two of those tattoo artists working in silence at their stations who could provoke a wince from the crowd. They were practicing tebori. That’s the traditional Japanese way of applying tattoos. In other words, they were using equipment that wasn’t motorized. The artists dipped their instruments into ink before poking repeatedly at patches of skin on their clients. One lay on his back, an arm crossed over his eyes. His stomach moved with breaths that grew deeper as the prodding persisted. Another remained still on his stomach. From certain angles, you could catch the tension creases form on his face.

Tebori is an old-fashioned way of tattooing, but it’s not antiquated. Takahiro Kitamura, known as Horitaka in tattoo circles, is the curator of “Perseverance.” He notes that there are still plenty of tebori practitioners at work. Many of them choose to use machines to outline the tattoos, he says, but they’ll still use their hands for shading. It’s more than an adherence to tradition. He notes that some believe working by hand makes for a better, longer-lasting tattoo.

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“Perseverance” is an unusual show in that it both documents and celebrates the art of Japanese tattoos, as well as the impact this style of body art has had globally. Tattoos date back to Japan’s ancient history, but flourished during the Edo period. Despite an extensive history, tattoos in Japan aren’t mainstream. In fact, many who have traveled to the country have reported of signs that ban people with tattoos from certain institutions. Even in the U.S., where body art is relatively commonplace, the Japanese style is extreme in comparison to everyday tattoos. These are not your typical daisy on the ankle. Some people invest in full bodysuits. Others may stick with the trunk of the body or limbs.

According to Horitaka, one of the major misconceptions about Japanese tattoos is that they aren’t “fine art.” Tattoos have some similarities with other traditional Japanese art forms that have found homes in museums. Take the names of the artists as an example. A number of the tattoo artists here are known by names that use the prefix “hori.” Horitaka explains that this word means “to dig or carve” and notes that woodblock prints are often signed by artists whose names also begin with “hori.” It is, he says, something that tattoo artists adopted from wood carvers.

In curating this exhibition, Horitaka is challenging the misconceptions about tattoos. Artist and professor Kip Fulbeck photographed numerous human canvases bearing the work of the best artists in the field. Horitaka selected photos that zoomed in on the art, juxtaposing those with full-sized portraits of the people who wear the tattoos. The goal was to explore the diversity within the Japanese tattoo tradition, while making the show as much about the people as it is about the art. It’s a massive collaboration between the curator, the photographer/designer, the tattoo artists and their clients. For the opening day festivities, many of the clients turned up – some traveling to L.A. from Japan – to model work that can take months, even years, to complete.

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Shawn McHenry and Chad Sachman, both from Rancho Cucamonga, are both clients of Inland Empire tattoo artist Espi. They were amongst the models at the exhibition’s opening event. McHenry has a full back tattoo. It took about a year to get that done. He also has work on his leg that’s been in progress for two-and-a-half years. His tattoos tell the story of Kintaro, a folklore hero, and his encounter with a large carp. It’s a tale that relates to McHenry’s work. He owns a koi fish shop and got into the business when he was barely an adult. “If you’re foolish and blind and just want to do it,” he says of the story’s message, “you can succeed.”

Horitaka says that tattoos almost always tell a story. Those may be based in folklore, religion or history. You’ll see narratives unfold down the back, below the buttocks and onto the upper thighs. They might scroll down arms or across the chest.

As Japanese tattoos have increased in popularity, the stories they tell have changed as well. “We’re in a world of fusion now,” says Kitamura. Time-honored tales aren’t the only ones told on skin. Chris “Horishiki” Brand is an artist at Good Time Charlie’s in Anaheim. He’s also part of the L.A.-based art collective UGLAR. For this exhibition, he presented 108 Heroes of Los Angeles. It’s a retelling of Shui Hu Zhuan, a Chinese novel that later made its way to Japan, where it’s known as Suikoden. In this series of tattoos, Brand merges Japanese and Chicano art in a story of rebellion. Photos of the tattoo piece are exhibited in the museum.

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Undoubtedly, with narrative-based pieces as involved as these, getting a Japanese-style tattoo requires a serious commitment. Shawn McHenry once went through three days in a row of tattoo sessions, with each one clocking in at about 12 hours. “It got to the point where we would have to stop because of the smell of flesh,” he says.

He says that there is an endorphin rush that comes with being tattooed. That, however, can wear off when you’re in the lengthy sessions that occur with large pieces. He says that, at a certain point, the pain stays in a specific part of the body. It doesn’t move with the needle. Chad Sachman agrees with that sentiment. Last week, he had work done on his lower back, over the spine. “I was actually feeling the pain in my knee,” he says.

As for the artists, their work requires constant study. Horitaka, who owns a tattoo shop in San Jose, spent several years as an apprentice in the U.S. and another decade studying under a Japanese tattoo master. Although he works solo now, he’s not done learning. He says, “I think I’m always going to be a student of the Japanese tattoo.”

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