Courtesy of Tattoo Archive: I recently came across an ad in The New York Times for prints from Edwards S. Curtis’ Native American photographs. Curtis is well-known for his images of the fading American Indian’s way of life. One of the images offered in this advertisement was for the Oglala Sioux Chief Jack Red Cloud (1862-1928). This got me to thinking about our Jack Redcloud, the tattooist who made his name tattooing in Brooklyn, New York.
Unlike the Indian chief, Jack Redcloud the tattooist always spelled his last name as one word. Maybe this was out of respect for the famous chief. At one time his shop was known as Redcloud Jack’s, but in the later years he was referred to as Jack Redcloud…
By Nicki Kasper
I was excited when I was asked to work the Austin show. I hadn’t been to Texas, and was looking forward to checking out the city. After a full-body search courtesy of Portland airport security, a long flight and a cab ride that almost sent me flying through the windshield, I was happy to get checked into my hotel room…
By Dave Gibson
My uncle used to tell this story about when he was in the Navy… He and his small group of friends liked getting tattoos and talking about them. One shipmate in particular had an unusual tattoo, and he never wanted to talk about it. My uncle described it as a pig with a tree behind it, a bird in the tree and a moon in the sky. No matter how much coaxing, the sailor didn’t want to talk about it. Finally, one day he gave in and said, “Alright, you wanna know? It’s a ________________.”
Click on the link to pre-order TAM #29: http://tattooartistmagazine.myshopify.com/
Interview by Scott Sylvia
Scott Sylvia: And then from New York you came to Oakland? How did you get the fuck to Oakland?
Jason McAfee: Well, when I was at Flyrite the phone rings. This was the most magical moment of my life. Chops answers. And he’s talking to someone. And he holds the phone like this, like totally tight and quiet and he says, “Dude, it’s Freddy Corbin for you.” I had met Freddy and we had talked a little about things because we just bonded and liked each other. Freddy called me out there and I think maybe Alison had sprinkled some things in his ears about… “Jason wants to get out of L.A.” I didn’t know where I was going. I just was in L.A. and I went to New York, “Do I go back to L.A. I don’t know?”
By Sean Herman
I still remember the first time I ever saw CW Neese. He lived in Daphne, Alabama when I was a kid, and was a few years older than me. One day a few friends of mine and I went by my friend Jonah’s house. At the time, a band his brother was in was having a practice, which for us being young kids getting into punk rock, it was a big deal to see. A skinny kid, with black tattoos all over him, and pad locks in his ears came out screaming like Jello Biafra. I remember being like, “That is awesome, that is what I wanna be one day.” That was CW Neese… (more…)
Interview by Scott Sylvia
Click on the link to pre-order TAM #29: http://tattooartistmagazine.myshopify.com/
Courtesy of Tattoo Archive: The Zeis Studio, Milton Zeis’ supply business was set up to provide a full line of supplies for the tattooist. Many of Zeis’ ideas were taken from suppliers that preceded him in the business, especially Percy Waters. In addition, the Zeis Studio offered a home study course on tattooing which was just an expanded version of what Waters had offered decades earlier. However, to Zeis’ credit, he also offered many items that broke new ground in the tattoo supply business. The Zeis Studio was one of the first major supplier to offer machines that were set up for clip cords; the first to offer color production flash, blue line flash and a shading guide for the beginner tattooists…
By Larry Brogan
Courtesy of Tattoo Road Trip: Most tattoo artists are already familiar with the idea of tracing stencil images, where you lay a piece of tracing paper over the original image and sketch out a line drawing. Many times the image you are tracing is very detailed or quite dark, making it difficult to render an accurate image because of the semi-translucent nature of the tracing paper or velum that you are using. This is where a light table or lightbox comes in very handy. (more…)
By Molly Skobba
Shigenori Iwasaki is a remarkable being. Sorry, just had to get that out there. Taki and I spent two-and-a-half days with Shige, his adorable family (beautiful Chisato, plus cute-as-a-button Ayaka) and a family friend nicknamed ‘Mister’. We started out the mini but extremely action-packed adventure at the famed Yellow Blaze Studio…
By Gabe Ripley: To have a chance to win a free booth please click the link below and fill out form.Each winner will get a weekend pass. Passes are good for a few activities a day, a 5’x 5′ artist spot, entry into open bar at the opening party. Winners will be chosen at the start of next week: https://docs.google.com/spreadsheet/viewform?formkey=dENTeUV2QTJfdE1VMXBOMWo0S1JOclE6MQ
The Paradise Artist Retreat will be held February 20-23rd at the amazing Tamaya Resort in New Mexico. While many painters toil away alone in their basement, this art retreat is an opportunity for artists to create alongside over a hundred other artists in a beautiful environment! Through the course of four days artists of all skill levels, from first time beginners to seasoned accomplished professional artists, will participate in numerous workshops, seminars, discussion panels, critiques, and art creation…
By Crystal Morey
Sooooo… I was hoping to interview Bunshin Saikian Horimasa while racing through the Nagano mountains in his Porsche 996. He and 69 other Hemi enthusiasts have formed a “touring” club that meets once a month and just drives fast. The 69 Brothers. I was hoping for footage of me screaming obscenities and wishing I had a helmet but on the day we went it was raining. And there were police. With cameras. It was the weirdest thing… We would pull into a truck stop and the police would follow us, one would eventually come over and say how much he liked the cars and asked where were we going, while another car came around the back of us and took photos.
I’m from Texas, when cops are taking your picture on the sly it is NOT good. Back in the car I asked Horimasa if he was concerned and he laughed and said we were fine, that we weren’t ‘bōsōzoku’ (teenage gangs identified by their obscenely festooned motorcycles and cars that they race through the city causing as much noise and mayhem as possible) and we weren’t doing anything illegal. Except doubling the speed limit. He maintained that he and his crew were adults and responsible drivers therefore it was not a problem. We did slow down whenever a cop caught up, and the guys in the back quickly texted the guys in the front to let them know, but no one was pulled over or issued even a warning and, as there are no speed cameras in the tunnels, we did get a fair bit of racing in. We drove for eight hours and is seemed like three, with stops off here and there to see the Shunen no Ishi – the rock of regret*, and eat soba on the peak… (more…)
By Omar Edmison
Ernie Gosnell paints signs that say all sorts of awesome things (do yourself a favor the next time you see him buy the man a cup of coffee, listen to his tales and pick up some of his signs) one of my favorites will usually have a chicks head, devil, skull or just some other such tattoo goodness. Emblazoned under it hand-lettered One Shot reads, “If you don’t belong, don’t be long.” I am sure that those of us who live, breathe and eat tattooing and tattoo shops have from time to time felt that very sentiment. It seems like there are those who “belong” and those we just wish wouldn’t “be long.” For whatever reason some of us seem to fit right away, still others take longer and some… I am afraid just aren’t ever gonna be what I affectionately refer to as, tattooy.
By Gabe Ripley: The Paradise Artist Retreat will be held February 20-23rd at the amazing Tamaya Resort in New Mexico. While many painters toil away alone in their basement, this art retreat is an opportunity for artists to create alongside over a hundred other artists in a beautiful environment! Through the course of four days artists of all skill levels, from first time beginners to seasoned accomplished professional artists, will participate in numerous workshops, seminars, discussion panels, critiques, and art creation…
Courtesy of Tattoo Archive: I recently got a tip about the movie Raggedy Man from Texas tattoo history buff Matt Collins. Raggedy Man, which was released in 1981, stars Sissy Spacek as a divorced mother set in a small Texas town in 1942. Eric Roberts co-stars as a sailor who visits North Beach in Corpus Christi, Texas. During one scene in North Beach, “Bill the Beachcomber” is seen tattooing in the front of his shop at 2810 Surfside.
It must have been in the 1950s that Bill and his wife settled into the North Beach area of Corpus Christi. Located on the Gulf of Mexico, Corpus Christi was a popular stopover for tourists. The beach area where Bill was located remained a popular destination until the Harbor Bridge was built-in the late 1950s and traffic was detoured away. By the time I got to North Beach in the mid-1960s North Beach had been battered by hurricanes for decades, including Hurricane Carla in 1961. The one-time popular tourist hotel like “The Breakers” was run-down and on the brink of closing and only a few curio shops, restaurants and bars were still in operation. Two tattoo shops, one owned by Bill Matthews and the other by L.R. Dean, and both located on Surfside Blvd. were still holding on…
By Rose Riot
For the past 20-plus years Jim Heath has been an icon in the 50’s rock-inspired scene. It is fitting then that he is known best by the name Reverend Horton Heat. The Rev has been delivering a message of unity between punk and country and has a devoted cult of followers. The Reverend Horton Heat’s music embodies what rock and roll should be about, doin’ fun things. I talked to the Rev in the fall and we discussed the upcoming release of his box set due out any minute now…
Interview By Jason Brooks
Jason Brooks: Okay, let’s start by talking about your background. Go ahead and introduce yourself, how long you’ve been tattooing.
Tim Lehi: My name’s Tim Lehi, I’ve been tattooing roughly 22 years.
How did tattooing come about for you and when and where did this happen?
I first got introduced to it through my first job, which was washing dishes at a college and I worked with an ex-con and he saw that I liked to draw and he encouraged me to get into it. I also simultaneously was doing flyers for local shows in Wichita, Kansas for a lot of death metal and hard rock shows and I met a local tattooer in Wichita and between those two encounters that’s how I got really into tattooing and got sort of nudged into beginning to tattoo…
Courtesy of Sailor Jerry Rum Company and Chicago Tattoo Company: An authentic birthday celebration will be held Saturday, January 14th to commemorate what would have been the 101st birthday of Norman “Sailor Jerry” Collins, the father of American tattooing. To mark the occasion, Sailor Jerry Rum Co. will offer 101 complimentary tattoos featuring iconic Norman Collins designs at The Chicago Tattooing Company in Chicago…
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Hello friends, followers and supporters,
We are happy to announce that the 2012 New Year issue of TAM featuring Tim Lehi, Jondix and Jason McAfee is now available for pre-order. Please click on link to reserve your copy today:
By Daniel Albrigo
Over the last couple of years, my musical interests have changed, like they have many times over the course of my life and career.
A few years ago I was listening to mostly Reggae, Dancehall and tropically influenced music. After a while, this led right back into my interest in electronic music. Throughout high school and my early college years, my older brother went to a lot of parties, raves, skate demos, graffiti expos; all of which influenced and sparked my interest in art. It’s easy for me to say that both music and art went hand-in-hand from day one.
Lately, I have been listening to a lot of Hip-Hop, Dancehall, Bass music and Electronic Dance music. During the process of finding new producers and DJs to listen to, I’ve come to realize, like other genres of music, there is a notable interest in tattooing from many big name musicians and DJs. Even one of our own, Billy “The Gent” from Tattoo Paradise in Washington, D.C. is a music producer who is well on his way to becoming a major player in the scene.
As the stars align, (the way they strangely do on my daily path) I have been fortunate enough to be able to connect with a few of these people and over the next couple of TAM Blog posts, I will be interviewing them and introducing you to some brand new music.
My first interview is with veteran Bass music all-star, Nick Weiller. More commonly known as “Knick” from the legendary American Drum and Bass outfit Evol Intent, as well as being half of mash-up group, Ludachrist. Knick is currently making waves in the indie dance world under his newest moniker, Bro Safari. This is a good fit for our lead-off interview, being that Knick has a love for tattoos, music and is generally a great guy to sit down and chat with… [Interview and hilarious video on expanded page]
By Jason Lambert
If you hang around a tattoo shop long enough the chances are that you will hear a tattooer complain that tattooing is no longer as good as it was “in the old days.” One of the most common gripes along these lines is that people “these days” don’t just go into a shop and pick a design off the wall anymore, that tattooing is now about coddling customers wacky notions or interpreting their uncool dreams.
Many (if not most) of these folks were not actually tattooing when flash truly was king, yet they still long for the time when a tattooer didn’t have to think (or draw) and instead could pretend to be some blue-collar Joe-Sixpack and just tattoo like it was a “job.” Along with this attitude comes the notion that tattooers shouldn’t be called “artists” or that by doing tattoos based on the clients vision and bringing an artistic mind to the tattoo one is in violation of how tattooing was done “traditionally.”
Courtesy of Tattoo Archive: Sailor Jack Cripe was born in 1918 but very little of his early history is known. Once in show business he worked as a tattooist, tattoo attraction and banner painter and dabbled with sword swallowing and knife throwing.
Cripe left the show business world for 13 years and sailed as a merchant seaman but those dates are also unknown to us. Jack Cripe had a bodysuit of tattoos, some done by Sailor Katzy and Sailor Barney. He said that he did most of his own tattoos himself because he could not afford work by someone else.
By Crystal Morey
Going to start the New Year off with a benevolent creature and a personal favorite, the Baku. Unlike the more devious Kappa, Baku come to the aid of those who suffer from nightmares or bad dreams, and supposedly they devour the evil spirit or creatures responsible for the disruptive visages…
By Dan Henk
I remember when I was 13. I had just gotten out of my Huey Lewis and The News, Tears For Fears, juvenile musical tastes. I was now into “hair metal.” Ratt. Quiet Riot. Def Leppard. I thought that stuff was so much cooler, and couldn’t believe I’d liked things like the Dire Straights. Then, a little over a year later, I got three albums all at once. Metallica’s Ride the Lightning, Megadeth’s Peace Sells, and Slayer’s Hell Awaits. I was floored, immediately switched over to trash-metal, grew my hair out, and became a little northern Florida deviant. I wouldn’t admit I had listened to anything else. At 16, in my new school in northern Virginia, I heard Black Flag. My whole world changed…