By Ollie XXX
Lately I’ve been hearing all sorts of talk about people coming into tattooing and profiting off our industry, without actually being tattooers or being involved in it in any way. After a few years of this, I’ve come to wonder… Why are we relying on other people? Do we really not have the time to do anything for ourselves anymore? More importantly, how many people involved in tattooing actually know how? Obviously begging the question, should they be involved?
By Molly Skobba
I briefly met Horikiku at the Bay Area Convention of the Tattoo Arts last October, and first got to witness him in action. I didn’t get to see a finished piece in person at the convention, the weekend was just too crazy, and so I was super stoked to get a chance to photograph some of his current clients in Japan. (more…)
In the beginning, all tattoos were done in black. Once the caveman had fire, they had soot, that when mixed with water turned into a pigment that could be pushed into the skin. Henry Ford’s comment about his Model-T comes to mind, “You could get it in any color you wanted as long as it was black.” Black was the only pigment in tattooing for centuries…
The “Rollo & Me” strip is a series of stories told by Keith Underwood and illustrated by Dan Henk which appear regularly in Tattoo Artist Magazine. They chronicle Keith’s experiences living with and working alongside one of tattooing’s greatest icons of the 20th century- Mike ‘Rollo Banks’ Malone. Mike departed this life in 2007 but these stories represent Keith’s healing process and are figuratively supposed to occur on the couch of his therapist.
Enjoy. There’s more to come. [Full comic on expanded page]