Interview By Jason Brooks
Jason Brooks: Okay, let’s start by talking about your background. Go ahead and introduce yourself, how long you’ve been tattooing.
Tim Lehi: My name’s Tim Lehi, I’ve been tattooing roughly 22 years.
How did tattooing come about for you and when and where did this happen?
I first got introduced to it through my first job, which was washing dishes at a college and I worked with an ex-con and he saw that I liked to draw and he encouraged me to get into it. I also simultaneously was doing flyers for local shows in Wichita, Kansas for a lot of death metal and hard rock shows and I met a local tattooer in Wichita and between those two encounters that’s how I got really into tattooing and got sort of nudged into beginning to tattoo…
Courtesy of Sailor Jerry Rum Company and Chicago Tattoo Company: An authentic birthday celebration will be held Saturday, January 14th to commemorate what would have been the 101st birthday of Norman “Sailor Jerry” Collins, the father of American tattooing. To mark the occasion, Sailor Jerry Rum Co. will offer 101 complimentary tattoos featuring iconic Norman Collins designs at The Chicago Tattooing Company in Chicago…
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[More information on expanded page]
Hello friends, followers and supporters,
We are happy to announce that the 2012 New Year issue of TAM featuring Tim Lehi, Jondix and Jason McAfee is now available for pre-order. Please click on link to reserve your copy today:
By Daniel Albrigo
Over the last couple of years, my musical interests have changed, like they have many times over the course of my life and career.
A few years ago I was listening to mostly Reggae, Dancehall and tropically influenced music. After a while, this led right back into my interest in electronic music. Throughout high school and my early college years, my older brother went to a lot of parties, raves, skate demos, graffiti expos; all of which influenced and sparked my interest in art. It’s easy for me to say that both music and art went hand-in-hand from day one.
Lately, I have been listening to a lot of Hip-Hop, Dancehall, Bass music and Electronic Dance music. During the process of finding new producers and DJs to listen to, I’ve come to realize, like other genres of music, there is a notable interest in tattooing from many big name musicians and DJs. Even one of our own, Billy “The Gent” from Tattoo Paradise in Washington, D.C. is a music producer who is well on his way to becoming a major player in the scene.
As the stars align, (the way they strangely do on my daily path) I have been fortunate enough to be able to connect with a few of these people and over the next couple of TAM Blog posts, I will be interviewing them and introducing you to some brand new music.
My first interview is with veteran Bass music all-star, Nick Weiller. More commonly known as “Knick” from the legendary American Drum and Bass outfit Evol Intent, as well as being half of mash-up group, Ludachrist. Knick is currently making waves in the indie dance world under his newest moniker, Bro Safari. This is a good fit for our lead-off interview, being that Knick has a love for tattoos, music and is generally a great guy to sit down and chat with… [Interview and hilarious video on expanded page]
By Jason Lambert
If you hang around a tattoo shop long enough the chances are that you will hear a tattooer complain that tattooing is no longer as good as it was “in the old days.” One of the most common gripes along these lines is that people “these days” don’t just go into a shop and pick a design off the wall anymore, that tattooing is now about coddling customers wacky notions or interpreting their uncool dreams.
Many (if not most) of these folks were not actually tattooing when flash truly was king, yet they still long for the time when a tattooer didn’t have to think (or draw) and instead could pretend to be some blue-collar Joe-Sixpack and just tattoo like it was a “job.” Along with this attitude comes the notion that tattooers shouldn’t be called “artists” or that by doing tattoos based on the clients vision and bringing an artistic mind to the tattoo one is in violation of how tattooing was done “traditionally.”
Courtesy of Tattoo Archive: Sailor Jack Cripe was born in 1918 but very little of his early history is known. Once in show business he worked as a tattooist, tattoo attraction and banner painter and dabbled with sword swallowing and knife throwing.
Cripe left the show business world for 13 years and sailed as a merchant seaman but those dates are also unknown to us. Jack Cripe had a bodysuit of tattoos, some done by Sailor Katzy and Sailor Barney. He said that he did most of his own tattoos himself because he could not afford work by someone else.
By Crystal Morey
Going to start the New Year off with a benevolent creature and a personal favorite, the Baku. Unlike the more devious Kappa, Baku come to the aid of those who suffer from nightmares or bad dreams, and supposedly they devour the evil spirit or creatures responsible for the disruptive visages…
By Dan Henk
I remember when I was 13. I had just gotten out of my Huey Lewis and The News, Tears For Fears, juvenile musical tastes. I was now into “hair metal.” Ratt. Quiet Riot. Def Leppard. I thought that stuff was so much cooler, and couldn’t believe I’d liked things like the Dire Straights. Then, a little over a year later, I got three albums all at once. Metallica’s Ride the Lightning, Megadeth’s Peace Sells, and Slayer’s Hell Awaits. I was floored, immediately switched over to trash-metal, grew my hair out, and became a little northern Florida deviant. I wouldn’t admit I had listened to anything else. At 16, in my new school in northern Virginia, I heard Black Flag. My whole world changed…
By Ollie XXX
Lately I’ve been hearing all sorts of talk about people coming into tattooing and profiting off our industry, without actually being tattooers or being involved in it in any way. After a few years of this, I’ve come to wonder… Why are we relying on other people? Do we really not have the time to do anything for ourselves anymore? More importantly, how many people involved in tattooing actually know how? Obviously begging the question, should they be involved?
By Molly Skobba
I briefly met Horikiku at the Bay Area Convention of the Tattoo Arts last October, and first got to witness him in action. I didn’t get to see a finished piece in person at the convention, the weekend was just too crazy, and so I was super stoked to get a chance to photograph some of his current clients in Japan. (more…)
In the beginning, all tattoos were done in black. Once the caveman had fire, they had soot, that when mixed with water turned into a pigment that could be pushed into the skin. Henry Ford’s comment about his Model-T comes to mind, “You could get it in any color you wanted as long as it was black.” Black was the only pigment in tattooing for centuries…
The “Rollo & Me” strip is a series of stories told by Keith Underwood and illustrated by Dan Henk which appear regularly in Tattoo Artist Magazine. They chronicle Keith’s experiences living with and working alongside one of tattooing’s greatest icons of the 20th century- Mike ‘Rollo Banks’ Malone. Mike departed this life in 2007 but these stories represent Keith’s healing process and are figuratively supposed to occur on the couch of his therapist.
Enjoy. There’s more to come. [Full comic on expanded page]