By Adam Lauricella
I woke up Saturday and prepared for work. Grabbed my coffee and went through my other daily rituals then settled in at the tattoo parlor; I realized I wasn’t scheduled to work. I thought I should stay and most likely I’d pick up a few walk ins. Like millions of other people, I looked at my Instagram feed. There was a post from Chris Grosso of Tattoo Age and Vice.com. It simply said, “Come up to Newburgh for Thom deVita’s open studio 11-5.” For those that don’t know; Newburgh is just about 20 minutes from me. I guess I would scrap the walk ins and head over to the open studio. Although Mr. deVita lives in Newburgh I have never reached out to meet with him… (more…)
Miguel Montgomery: On a little bit of a different note about your tattooing, I’ve seen some Japanese tattoos with American roses in the background. I haven’t seen too much of that. Did something spark that made you want to do that? Or did you just take it upon yourself, like ‘this snake needs a rose next to it’?
Bryan Burk: There were a few conversations I had when I was working with Bob about how we should try doing that stuff. And there were some kids that I had tattooed on, one was my friend Jeff, who’d gotten a bunch of tattoos and wanted to fill in all the space around them. So he was one of the first people that I filled in with roses and water around everything because it kind of fit in all these little spaces he had. On his it worked, and I think if you’re gonna do blue water with roses and some American stuff, it works. As long as you kinda keep it pumped up on the American side of town; color clouds and blue water with black behind all of that, like Eddy Deutsche, like Eddy meets late Sailor Jerry-type Japanese compositions, it’ll work. But I think if you’re doing black Japanese background with grey water, for whatever reason, roses look weird… (more…)