The Huffington Post | By Katherine Brooks
original article here
Imagine this scene:
Sharp waves stretch back for as far as you can see, eating up the horizon in a vast display of stunning movement. Like the peaks and troughs of a chaotic line graph, the seas capture jumping fish as they weave in and out of the thrashes. Careful shading separates the animal bodies as they surface, drenched in the bleeding red pigment of a sunset-flooded landscape.
The description might sound like a recounting of an ancient Japanese print or a sprawling painted canvas, but the words are actually attached to artwork of a different sort. They tell the story of artist Chaim Machlev and his gorgeous tattoos.
I will be attending the Seattle Tattoo Expo this weekend. This is one of my favorite shows in the US… So many talented artists… the show is busy, and the city is fun. If you’re around, please stop by and check it out. They always have good entertainment, good food, a good bar, cigar lounge, and most importantly… GOOD TATTOOS! Hope to see you there!
For more information about the show like featured artists and event schedules, visit: www.seattletattooexpo.com
By Erin Boyle
I think there’s something to be said about searching for an artist you can trust with personal symbols and parts of the self. I stumbled upon Melissa Fusco’s portfolio by pure chance after searching 4 years for artists in a different style; I was instantly swayed. I found her work captivating and unique: her craftsmanship was soft, colorful and organic, and I saw hints of depth and spirituality in her portfolios – these things really clicked for me. I had consulted with many artists over the years, and the request to tattoo over my scars was nothing new to me – I even met some who refused to work on scars. Finding a good fit was important; the artist would, after all, be spending several hours confronted with these scars and whatever it brought up for them. I was looking not just for the quality of an artist’s work but also the personhood of the one applying it, Melissa’s warmth and professionalism really showed through during our consultation process. Though she had no idea of my story at the time, I told her, “but really, who gets out of life unscarred in one way or another”…everybody has their thing…it’s all in what you do with it.
Now, I’m not much for telling soggy and dramatic tales about my life, much the reason why I chose this particular flower for my tattoo – but I’ll get to that later. The Buddha once said, “every experience, no matter how bad it seems, holds within it a blessing of some kind; the goal is to find it”. I, like many, was blessed with a difficult childhood; abuse and neglect were my reality for much of my childhood and adolescence. Though high achieving, at 17 there came a point where my goals took a backseat and I thought there was only one way out. This thought became not just a memory, but left behind the scars to prove it.
Every good story has a twist; mine came a few years later after coming out of an abusive relationship. At that point I looked long and hard at my life, I spent a lot of time healing old wounds and rebuilding the Self. Mindfulness, courage and sacrifice were essential building blocks in my process of change and moving towards doing what I love and loving what I do. I threw away my masks of success and achievement, gave up my fancy title and hefty paycheck, got a second bachelors degree in pre-clinical psych, and began working at a Residential Treatment Center for youth with mental illness. In other words, for mere pennies I worked with teenage boys who liked to break shit, especially your face, and taught them how to give and receive love. This is what makes sense for me; this is what life is about, using our humanity to help others grow.
The paradox of my story is that no matter how much I healed and evolved, I still had my past written on my arms along with the judgment from others about what that means. No amount of success, forgiveness or compassion would ever make that go away. However, life with this tattoo is different. Not just myself, but others see beauty and strength where shame and secrecy once lived. In a way it removes the stigma I once felt. I don’t perceive myself as a victim or a survivor, I see myself as a person with the drive and motivation to create and sustain social justice through guiding others to lead the best possible life they can. As an Art Therapy graduate student en route towards doctoral research, I’ve found that having the permanence of this image in my skin helped ignite this fearless internal integration of my personal and professional lives. It’s closure, it’s dignity, it’s confidence, and in a huge way it is taking ownership of my body while standing grounded in authenticity and unapologetically residing in my own identity and truth.
Embedded in the image also lies the memory of the process. To match my initial impressions, Melissa was grounded, focused, caring, calm, gentle, warm, empathic, funny, respectful, edgy, and an incredibly skilled independent female artist in a male dominated field. She made the process personal and relational, and that’s not something I got from any other tattoo artists I reached out to. I don’t know if I would have found another talented artist that I felt as comfortable with during this process, not to mention one who honored the experience. I’m grateful to have found her, and look forward to collaborating on future work.
As a symbol of the self, this phoenix of a flower holds no mythology – only truth. Coming from one of the oldest families of flowers on earth, whenever a wildfire ravages the area the King Protea is the first sign of new life. In fact, wildfires are central to their evolution – just as challenges, failures and setbacks are to ours. As I see it there is no fantasy in real life – our results come from our own hard work…or as Melissa would say, there is “no progress without sacrifice.” I couldn’t say it better myself.
To see more work by Melissa, or to get in touch with her, go to:
This has nothing to do with tattoos, and everything to do with humanity. I just really like it and wanted to share…
What have you done to touch someone’s life lately?
Japanese Tattoo Tradition in a Modern World
MARCH 8 – SEPTEMBER 14, 2014
About the Exhibition
Perseverance: Japanese Tattoo Tradition in a Modern World explores the artistry of traditional Japanese tattoos along with its rich history and influence on modern tattoo practices in this groundbreaking photographic exhibition.
As Japanese tattoos have moved into the mainstream, the artistry and legacy of Japanese tattooing remain both enigmatic and misunderstood. Often copied by practitioners and aficionados in the West without regard to its rich history, symbolism, or tradition, the art form is commonly reduced to a visual or exotic caricature. Conversely, mainstream Japanese culture still dismisses the subject itself as underground, associating it more with some of its clientele than with the artists practicing it. Both of these mindsets ignore the vast artistry and rich history of the practice.
Although tattooing is largely seen as an underground activity in Japan, Japanese tattoo artists have pursued their passions, applied their skills, and have risen to become internationally acclaimed artists. Through the endurance and dedication of these tattoo artists, Japanese tattooing has also persevered and is now internationally renowned for its artistry, lineage, historical symbolism, and skill.
Curated by Takahiro Kitamura and photographed and designed by Kip Fulbeck, Perseverance is a groundbreaking exhibition and the first of its kind. Perseverance will explore Japanese tattooing as an art form by acknowledging its roots in ukiyo-e prints. This exhibition will also examine current practices and offshoots of Japanese tattooing in the U.S. and Japan.
Perseverance features the work of seven internationally acclaimed tattoo artists, Horitaka, Horitomo, Chris Horishiki Brand, Miyazo, Shige, Junii, and Yokohama Horiken, along with tattoo works by selected others. Through the display of a variety of photographs, including life-sized pictures of full body tattoos, these artists will cover a broad spectrum of the current world of Japanese tattooing.
Mariko Gordon and Hugh Cosman
UCSB Academic Senate
UCSB Department of Art
The Japan Foundation, Los Angeles
Los Angeles County Arts Commission
Atsuhiko and Ina Goodwin Tateuchi Foundation
By Melissa Fusco
For a few years now, I have had a strong desire to visit the land of my great grandparents and become immersed in my ‘genetic roots’. Italy, my much anticipated trip, has arrived…
Outside of conventions, guest spots and gatherings in the states, I crave a culture change and new scenery at least once a year. I was meeting a friend here in Venice, unfortunately for good reason she was unable to make the first leg of the trip. So I prepared as best as I could to be in Italy for 6 days before the Rome convention, alone.
For more than half of my life, about 20 years now I have traveled alone more times than accompanied by a travel companion. No doubt I would enjoy a companion on my travels, however, there is something precious about solo travel and how it contributes to my inner self. It helps build my confidence and aids in my personal growth. For me, when I travel, I prefer to live amongst the locals, so first thing off the plane, I find my way to the small water taxi dock. I purchased a water taxi pass on-line that would take me from the airport to the nearest taxi stop from my hotel destination. After the taxi makes a few stops along the way, I finally arrive at my exit and play the alley way game to find my hotel. Hotel Tiepolo, is settled down the alley that runs directly along side the Piazza San Marco. One of the most visited tourist landmarks on the S. Marco Island in Venice. I thought I was a little further away from this touristy area and at first was a little let down by the busyness of the surrounding areas. However, I feel I couldn’t have picked a greater location.
When I depart from the front door of the hotel, which is located at the end of an alley, I weave my way through narrow alley ways that ended at the water front Palazzo. I quickly find myself amongst the crowd. The sounds of sea gulls, water taxi’s, sales men, and tourist chatter fill the breezy ocean air. Kiosks filled the waterfront walkway selling duplicate Venezia souvenirs, scarf’s, hats and Italian leather handbags. Landscape artists work amongst rip off Coach bag sellers, and not to forget the slightly annoying single rose auctioneers. The phrase “ no thank you” leaves my lips more times then I could count throughout the day. I quickly head to the water taxi stop titled S. Marco Zaccaria.
By Kayla Matthews
1. Your standards are the only ones that matter
Of course not everyone will think that your new chest piece is as gorgeous as you do, but why should that matter?
As long as you love the way it looks and feel great about yourself because of it, those stares on the street are laughable.
2. First impressions aren’t always right
Anyone with tattoos or a heavily tattooed friend can tell you this life lesson is true. I can’t tell you how many times I’ve watched perfectly nice, loving, and intelligent people get judged because of their ink.
Having tattoos and knowing people with tattoos teaches you to not place value on appearances and, instead, spend more time getting to know new people.
3. Pain is temporary
This, for sure, is something every tattoo-ee can attest to. Regardless of your pain tolerance, you’re bound to encounter one tattoo that hurts like a B. But making it through a painful tattooing experience just makes you more proud of the end result.
Sometimes we forget that painful things can lead to great things, but I think tattoos are a fabulous reminder of that.
Tattoos by Chris Stuart
Skee. TV presents Marked Up Episode 1 featuring pro BMX rider Rick Thorne & Celebrity tattoo artist Danny Balena. Marked Up is a new look into the culture and lifestyle of the art of tattoos. In this series we will talk to celebs, tattoo artists and people of all ages and aspects of life to see what their tattoos mean, the story of why and why not to get them and how the culture has evolved thus far.
By Jacob Gersham
Randy Harris worries that lawyers are leaving a stain on the tattoo world.
A court tattooist to basketball royalty, Mr. Harris says he has inked dozens of NBA players, drawing everything from a giant tree on Dallas Mavericks guard Monta Ellis, to a beady-eyed owl on Washington Wizards point guard John Wall, to a basketball-toting angel on Oklahoma City Thunder forward Kevin Durant.
Recently, he has found himself shaking his head at the litigious direction of his image-conscious occupation as the question of who owns a tattoo has become a source of tension.
To him, it’s simple: “Once they paid for the tattoos, man, they paid for it,” he said from his shop south of Atlanta.
Other tattooists say the issue isn’t that clear, especially in the case of sports videogames, which digitally re-create not just the bodies of athletes, but often their body art as well.
Phoenix-based tattoo artist Chris Escobedo took an intellectual property rights training course and in 2012 sued now-bankrupt videogame developer THQ Inc. over a mixed-martial arts game in which one of his tattoos—a large, scowling lion on the right rib cage of Ultimate Fighting Championship star Carlos Condit—makes a cameo appearance.
Last year he settled the lawsuit for an undisclosed sum, he said.
“They’re doing it without consulting the original artists, and that’s what makes it illegal,” he said. “I’m the little guy in this situation.”
Such lawsuits have left a mark. When videogame giant EA Sports, a brand of Electronic Arts Inc., EA +0.11% developed its own fighting game featuring Mr. Condit, which will be released this week, it left out the lion, causing gamers to growl. Electronic Arts declined to comment.