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Tattoo Artist Brings Dots And Lines To New Heights In Stunning Geometric Ink Designs

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original article here

Imagine this scene:

Sharp waves stretch back for as far as you can see, eating up the horizon in a vast display of stunning movement. Like the peaks and troughs of a chaotic line graph, the seas capture jumping fish as they weave in and out of the thrashes. Careful shading separates the animal bodies as they surface, drenched in the bleeding red pigment of a sunset-flooded landscape.

The description might sound like a recounting of an ancient Japanese print or a sprawling painted canvas, but the words are actually attached to artwork of a different sort. They tell the story of artist Chaim Machlev and his gorgeous tattoos.

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Seattle Tattoo Expo This Weekend!!

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I will be attending the Seattle Tattoo Expo this weekend.  This is one of my favorite shows in the US… So many talented artists… the show is busy, and the city is fun.  If you’re around, please stop by and check it out.  They always have good entertainment, good food, a good bar, cigar lounge, and most importantly… GOOD TATTOOS!  Hope to see you there!

For more information about the show like featured artists and event schedules, visit: www.seattletattooexpo.com

Nicki

TAM

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Propaganda Podcast: Joe Swanson with Josh Hagan


Scars of a Past Life, Lend a Helping Hand

By Erin Boyle

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Scar coverup by Melissa Fusco.

I think there’s something to be said about searching for an artist you can trust with personal symbols and parts of the self. I stumbled upon Melissa Fusco’s portfolio by pure chance after searching 4 years for artists in a different style; I was instantly swayed. I found her work captivating and unique: her craftsmanship was soft, colorful and organic, and I saw hints of depth and spirituality in her portfolios – these things really clicked for me. I had consulted with many artists over the years, and the request to tattoo over my scars was nothing new to me – I even met some who refused to work on scars. Finding a good fit was important; the artist would, after all, be spending several hours confronted with these scars and whatever it brought up for them. I was looking not just for the quality of an artist’s work but also the personhood of the one applying it, Melissa’s warmth and professionalism really showed through during our consultation process. Though she had no idea of my story at the time, I told her, “but really, who gets out of life unscarred in one way or another”…everybody has their thing…it’s all in what you do with it.

Now, I’m not much for telling soggy and dramatic tales about my life, much the reason why I chose this particular flower for my tattoo – but I’ll get to that later. The Buddha once said, “every experience, no matter how bad it seems, holds within it a blessing of some kind; the goal is to find it”. I, like many, was blessed with a difficult childhood; abuse and neglect were my reality for much of my childhood and adolescence. Though high achieving, at 17 there came a point where my goals took a backseat and I thought there was only one way out. This thought became not just a memory, but left behind the scars to prove it.

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Erin Boyle beginning Stencil




Every good story has a twist; mine came a few years later after coming out of an abusive relationship. At that point I looked long and hard at my life, I spent a lot of time healing old wounds and rebuilding the Self. Mindfulness, courage and sacrifice were essential building blocks in my process of change and moving towards doing what I love and loving what I do. I threw away my masks of success and achievement, gave up my fancy title and hefty paycheck, got a second bachelors degree in pre-clinical psych, and began working at a Residential Treatment Center for youth with mental illness. In other words, for mere pennies I worked with teenage boys who liked to break shit, especially your face, and taught them how to give and receive love. This is what makes sense for me; this is what life is about, using our humanity to help others grow.

The paradox of my story is that no matter how much I healed and evolved, I still had my past written on my arms along with the judgment from others about what that means. No amount of success, forgiveness or compassion would ever make that go away. However, life with this tattoo is different. Not just myself, but others see beauty and strength where shame and secrecy once lived. In a way it removes the stigma I once felt. I don’t perceive myself as a victim or a survivor, I see myself as a person with the drive and motivation to create and sustain social justice through guiding others to lead the best possible life they can. As an Art Therapy graduate student en route towards doctoral research, I’ve found that having the permanence of this image in my skin helped ignite this fearless internal integration of my personal and professional lives. It’s closure, it’s dignity, it’s confidence, and in a huge way it is taking ownership of my body while standing grounded in authenticity and unapologetically residing in my own identity and truth.

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Tattoo by Melissa Fusco.

Embedded in the image also lies the memory of the process. To match my initial impressions, Melissa was grounded, focused, caring, calm, gentle, warm, empathic, funny, respectful, edgy, and an incredibly skilled independent female artist in a male dominated field. She made the process personal and relational, and that’s not something I got from any other tattoo artists I reached out to. I don’t know if I would have found another talented artist that I felt as comfortable with during this process, not to mention one who honored the experience. I’m grateful to have found her, and look forward to collaborating on future work.

As a symbol of the self, this phoenix of a flower holds no mythology – only truth. Coming from one of the oldest families of flowers on earth, whenever a wildfire ravages the area the King Protea is the first sign of new life. In fact, wildfires are central to their evolution – just as challenges, failures and setbacks are to ours. As I see it there is no fantasy in real life – our results come from our own hard work…or as Melissa would say, there is “no progress without sacrifice.” I couldn’t say it better myself.

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To see more work by Melissa, or to get in touch with her, go to:

www.missmelis.com


P E R S E V E R A N C E

Japanese Tattoo Tradition in a Modern World

MARCH 8 – SEPTEMBER 14, 2014

Source: www.janm.org

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About the Exhibition

Perseverance: Japanese Tattoo Tradition in a Modern World explores the artistry of traditional Japanese tattoos along with its rich history and influence on modern tattoo practices in this groundbreaking photographic exhibition.

As Japanese tattoos have moved into the mainstream, the artistry and legacy of Japanese tattooing remain both enigmatic and misunderstood. Often copied by practitioners and aficionados in the West without regard to its rich history, symbolism, or tradition, the art form is commonly reduced to a visual or exotic caricature. Conversely, mainstream Japanese culture still dismisses the subject itself as underground, associating it more with some of its clientele than with the artists practicing it. Both of these mindsets ignore the vast artistry and rich history of the practice.

Although tattooing is largely seen as an underground activity in Japan, Japanese tattoo artists have pursued their passions, applied their skills, and have risen to become internationally acclaimed artists. Through the endurance and dedication of these tattoo artists, Japanese tattooing has also persevered and is now internationally renowned for its artistry, lineage, historical symbolism, and skill.

Curated by Takahiro Kitamura and photographed and designed by Kip FulbeckPerseverance is a groundbreaking exhibition and the first of its kind. Perseverance will explore Japanese tattooing as an art form by acknowledging its roots in ukiyo-e prints. This exhibition will also examine current practices and offshoots of Japanese tattooing in the U.S. and Japan.

Perseverance features the work of seven internationally acclaimed tattoo artists, HoritakaHoritomoChris Horishiki BrandMiyazoShigeJunii, and Yokohama Horiken, along with tattoo works by selected others. Through the display of a variety of photographs, including life-sized pictures of full body tattoos, these artists will cover a broad spectrum of the current world of Japanese tattooing.

Premier Sponsor

Mariko Gordon and Hugh Cosman

Patron Sponsors

Friends
LS Tattoo Museum
Pasadena Art Alliance
UCSB Academic Senate
UCSB Department of Art

Supporters
The Japan Foundation, Los Angeles
Los Angeles County Arts Commission
Richard Ross
Samy’s Camera
Spoonflower, Inc.
Target
Atsuhiko and Ina Goodwin Tateuchi Foundation

Media Sponsor
The Rafu Shimpo


Tattoo Age: Freddy Corbin Part 1

By Vice


STUNNING TATTOOED CERAMIC LADIES: WE INTERVIEWED THE ARTIST BEHIND THEM

By Indigo del Castillo

www.lostateminor.com

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Sculptor Jessica Harrison has forever changed how we see Victorian-era ceramic figures with her works involving ladies in fancy dresses sporting badass tattoos or their own blood and guts. In this exclusive interview, she talks more about her roots as an artist and her unique take on ceramics. [read our original posts about her sculptures here and here]

How did you discover your passion for sculpture?
When I was little I wanted to work in animation – there were quite a few great children’s tv programs on in the 80’s that were made with 3D models and I decided quite early on it looked like the best job in the world to mess around with clay all day.

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Let’s talk about your grotesque ceramic ladies with severed heads and misplaced body parts. Where did you get the inspiration for this collection? What was the message you were trying to convey here?
That series is called ‘Broken’ as the pieces are made using found ceramics that I have quite literally taken a hammer and chisel to.They present an impossibly fair-skinned ‘perfect’ woman and my attraction to these works was precisely because of this image they portray of the female body – my aim was to counter it and present its opposite within itself.

This was simple to do, by breaking apart the hollow cast pieces and ‘revealing’ the interior, a standard formula in Western knowledge for making discoveries about the body. The female interior is a space still laced with taboo in a way that the male interior is not, and for me this gender bias of what is most often an invisible space in our everyday lives was a fascinating and important one to address. This series, like my other works in stone, ceramics, silicone and ink comes from exploring shared ideas about the body, unraveling shared experiences of different spaces, textures and shapes.

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Do you have any memorable reactions and responses regarding the macabre ceramics?
Not really, the pieces from the ‘Broken’ series are very bland to me before I break them. I think they make more sense in their altered form.

Seeing as you’ve been into sculpture all your artistic life, how difficult was it to move into tattoo art in your series about the Victorian-era ladies with tattoos?
It wasn’t difficult as it is not something different. I’m using the tattoo in this series to explore the skin space rather than creating any tattoo art itself, which is a completely different thing. Tattooing is not a painting or a drawing onto a static plane, it is incredibly sculptural, literally threading ink into a moving surface, one that has no flat surfaces.

So although the pieces are called ‘Painted Ladies’ in reference to the old term for a tattooed woman, they in fact draw from something incredibly sculptural and active in space, the skin.

The tattoo imagery I have used is all from war-time source imagery, to recall a time before the popularity boom of the tattoo when it may be pointed more towards a particular kind of harsher life. The idea was to present opposing outer layers, contrasting skins, where masculine illustrations are intertwined with overtly over-idealized feminine costume. The viewer is presented with the question of what we are supposed to consider beautiful, which costume to believe.

How long did it take you to finish a piece?
A long time, that’s why there are only a few, and why there are unlikely to be any more!

Do you have anything you’re currently working on that we should look out for?
I have an exhibition opening at Jupiter Artland in Edinburgh this July. It’s going to be very pink…

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*NEW* Photos Added To The Gallery

Tattoos by Victor Policheri

www.viptattoo.com

Heidi Hay Tattoo

Gothenburg, Sweden

IG: @viptattoo

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The Last Kalinga Tattoo Artist

Photo and Caption by Michal Duchek

www.travel.nationalgeographic.com
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A fascinating culture of the Igorot people brought me and my girlfriend to Kalinga. Head-hunting ceased decades ago, however, the motifs of Kalinga tattoos and the way they are being tattoed remains the same (charcoal and an orange thorn). We decided to visit this beautiful tribeswoman who is the last Kalinga tattoo artist. After a few days, long hours spent on buses and jeepneys, we were lucky to find a local guide Francis who brought us to Buscalan. We were overwhelmed how hospitable and friendly she is. Her natural beauty and her tattoo tempted me to ask her for a pose outside her dwelling.

Location: Buscalan village, Kalinga, North Luzon, Philippines


Arts In Context | A Moving Canvas

A message from Kate Hellenbrand:

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TODAY is the DAY!!!

PBS SPECIAL airing TONIGHT at 7:30 p.m. here in AUSTIN, Central Time~
Available on line thru their website tomorrow for the rest of the world to see.
This isn’t some crappy “reality” TV SHOW. This is a respectful overview of the real art of tattoo. It’s PBS, people!
I’ve continued to turn down “Ink Disaster” and “Tattoo Titans” and all the other crap thrown at me that is made up and disrespectful to my glorious art/craft. Thankfully, I held out. I am proud. And even though haters will pick it apart, I say: SUCK IT!
I am almost excited enough to buy a TV (which I don’t have) and subscribe to cable (which I won’t do) so gratefully I’m going to watch at Chris Kirkpatrick’s home with his lovely wife Christine. He’s the client
getting the girl with the cobra that you’ll see.

LEMME KNOW WHAT YOU THINK

And we have some photos up on the website: www.artsincontext.org
and also on the Facebook page: https://www.facebook.com/ArtsInContext


Freehand Tattoo by Carl Grace


Stay Humble with Dave Wah: The Exclusive Tattoo Snob Interview

By Kevin Miller
www.tattoosnob.com
I generally excited about everything that’s posted on Tattoo Snob, but I’m really excited about my interview with Dave Wah. Dave has been killing it for a long time, and he recently opened Stay Humble Tattoo Company in Baltimore, Maryland. I shot Dave a handful of questions about his tattooing, opening up a new shop, who inspires him, and what else he has lined up for 2014.
This interview is a must read. If you’re anything like me, you’ll be checking flight prices and planning a tattoo getaway to Baltimore by the end of the interview.
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Tattoo Snob: For those who aren’t familiar with your work, can you give them the basics?
Dave Wah: I guess I would consider myself to be an artist who likes to do a little bit of everything. I’ve been lucky enough to work with some great veteran artists over the years, including Uncle Pauly and Eric Gregory, who really stressed the importance of being versatile. My work ranges from realism to traditional, however I do try to incorporate my own style into everything. I think the range of styles I use keeps me motivated to keep creating. I’m not sure if it’s a good thing or bad thing that I don’t have a particular style, all I know is I love going to work everyday.
TSdave-wah-1-214x300: Let’s talk about Stay Humble Tattoo. Tell us a little about the shop, and what led you to this path.
DW: I opened Stay Humble Tattoo Company in Baltimore, Maryland last october and things have been amazing ever since. The time just seemed right to head out on my own, I’ve developed a large clientele base and I’ve always wanted to work closer to the city. My father has owned his own business for over 35 years and he always taught me the benefits of working for yourself. I also had the benefit of working under Vinnie Myers for the past 5 years, and he is easily one of the most successful people in tattooing.
It’s a second floor shop, and I set it up to be a semi-private studio. There’s limited signage outside and you kind of have to know I’m there to even know it’s a tattoo shop. I tattoo by appointment only and it’s a super laid back environment. It’s kind of nice having a little hidden place to do my work.
TS: Your work ranges from black and grey, to traditional, to neo-traditional, to realistic. How did this come about? Do you have a preferred style?
DW: I think there’s a few factors that led to me doing so many different styles. I think the number one reason is I truly love almost every style of tattooing. I never understood artists who only liked one style and hated everything else. There’s value in so many different styles of tattooing. Another thing that led to me being diverse is my background in realism. As a kid growing up my focus in drawing was realism, so when I got into tattooing I was able to incorporate realistic techniques into traditional tattoo designs. The last reason is that it took me a long time to figure out how to do a solid tattoo, I worked at street shops and I kind of jumped around trying different things to find what was right for me. Tattooing is hard.
My favorite style tends to be illustrated realism, not even sure if that’s an actual style haha.
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TS: With being comfortable in so many different styles, do you suggest different styles based on the subject matter or what the client asks for?
DW: I’m very fortunate that most of my clients tend to let me do whatever style I want. Once they give me the subject of their tattoo I consider what style I think it would look best in, and what style would look best on them. I’m also very aware of my limitations as a tattooer, so I think about how I can utilize my strengths to make the tattoo work.
TS: I see your website states that you no longer do coverups. Why is that? Does this include lasered pieces?
DW: The short answer is that coverups are a pain in the ass and they stress me out. I will cover lasered pieces if they are light enough, I’ll also cover up small tattoos if it’s fairly easy. It’s such a shame that so many people are looking for cover ups these days, unfortunately I think the problem is only going to get worse over time.
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TS: Outside of tattooing, what do you do in your spare time?
DW: Spare time is pretty hard to come by these days, tattooing is pretty much my whole life. When I’m not working or drawing tattoos I spend a lot of time looking at tattoos online, good ones and bad ones. Other than tattoo related stuff I spend a lot of time in my basement studio recording and writing music. I’m really lucky to have a wife that gives me a good amount of freedom.
TS: Which tattoo artists inspire you? What about outside of the tattoo world?
DW: My favorite tattoo artist is Seth Wood. I don’t think I’ve seen a tattoo of his that I didn’t love. Some other artists who constantly amaze me are Jim Sylvia, Stefan Johnsson, Peter Lagergren, Mike Stockings, Emily Rose Murray, and Mike Moses, just to name a handful. I think we’re very fortunate to live in a time when everyone’s work is so readily available to see. I’ve only been tattooing a little over eleven years but I still remember having to wait for new magazines to come out see new work.
TS: Who was the last tattoo artist that tattooed you?
DW: The last two tattoos I got were from Steve Wimmer in Delaware and from Seth Wood when he was still in Brooklyn. Both were really great experiences, it’s really cool to see how every shop has it’s own unique vibe.
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TS: Who do you want to get tattooed by?
DW: I’d love to get tattooed by Jim Sylvia, Grime, and of course Seth Wood again. There’s a bunch of artists in Maryland who I want to get work from, Jason Reeder, Gary Gerhardt, Thomas Kenney, and John Rippey, all those guys are killing it.
TS: Any travel plans for 2014?
DW: I think most of my traveling is done for 2014, my wife and I just had our first baby so I’m gonna hold off on traveling till the end of the year or the beginning of 2015. Between the baby, a new shop, and the new house we just built my plate is pretty full. I usually do about 5-6 conventions a year but I’d like to do a lot more conventions and guest spots in the future. I also need to get back out to see my friends at Memento Tattoo in Columbus, Ohio. Those guys are on another level.
TS: Any last words?
DW: I’m currently looking to set up a steady rotation of guest artists at my shop in Baltimore. Working by myself has been great, but you can learn so much more by working with other artists. If anyone wants to set up a guest spot send me an email to dave@davewah.com with a link to your portfolio. Thanks so much for supporting me and putting my work on your website, it really means the world to me.

Tim Lehi’s Father, Rick Lee Peter’s Cancer Memorial Fund

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Donate to Rick Lee Peters and his family as he continues his fight against Cancer. Please help provide him peace of mind in his final days.

Rick Lee Peters received his Masters of Fine Arts with Honors from The University of Kansas.  But who needs a fancy piece of paper to notice the true talents of this man.  One peek at his repertoire is a clear display of a truly wonderful, creative and talented man who our Universe is preparing to take away due to Cancer.

He began his battle about a year ago and we all had hopes that he would pull thru this routine procedure.  The other side of the curtain must need some funny, bright new personalities and probably some new artwork!

As Rick prepares for a battle that his body no longer has control over, his family – his beautiful wife Jill, his son Tim and daughter Aimee, his grandchildren and a long list of loved ones and friends take comfort in being able to see and speak with Rick, and share encouraging hugs during these final days.  His good humor helps everyone ease thru an extremely heartbreaking and difficult process.

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Painting by Rick Lee Peters

Of course – with any medical battle there are costs involved.  Not only the hospital and treatment bills, but cost of living expenses, final resting costs, and the stress of being able to provide for loved ones once that fateful day has come.  One of Rick’s requests is to have a simple heart shaped headstone  -even the most modest design is worth a mint.

Rick has provided this World with laughs, smiles, love and brightness – not only thru his amazing being but thru the beauty of his artwork.  Whether you knew him in person or not – his paintings and sketches will spread a smile across your face and in your heart.

Skip the line at Starbucks and donate that $5 to someone who really matters.  No amount is too small or too big.  Every little bit helps.  Please donate and share this fundraiser with others.  

Thank you and much peace.

For donations, please visit: http://gfwd.at/1oQHJQO

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GUEST BLOG: “TATTOOISTS, TATTOOED” EXHIBITION

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At the prestigious Museum du quai Branly in Paris, the “Tatoueurs, tatoues” opened on May 6th to great acclaim, with renowned tattoo artists in attendance for the opening, as well as international media (including the New York Times). Reviewing the exhibit for Needles & Sins, our friend Serinde in Paris offers her thoughts in this guest post as well as photos of exhibit pieces here on Flickr.

By Serinde

A tattoo exhibition? You mean, not in the corner of a tattoo convention? In a real museum? Well, it’s for real, and it’s happening now in Paris, at the Museum du quai Branly, which is quite famous for showing high quality exhibitions, usually specialized in anthropology and ethnology. And it is now showing “Tatoueurs, tatoues” (or “tattooists, tattooed”).

Of course, having a few tattoos myself, and being both interested and a bit educated in tattoo history and techniques, I had to rush there, and report back on what this exhibit has to offer:

The exhibition was curated by Anne & Julien (who’ve been involved in the modern art scene for many years now), and advised and directed by famed French tattoo artist Tin-Tin. The goal of the exhibit, as explained by Anne & Julien, is to show how tattoo, which has existed since ancient times, has changed, developed, disappeared, and been reborn to the art we know today.

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In the first part, named “from the global to the marginal,” the exhibition tells the story of tattoo throughout history, and society. You can view a mummified tattooed arm from Peru, antique tools, and amazing portraits of Algerian tattooed women. This part also explores the role of tattoos in the navy, and in prisons with, among other things, a short movie that I highly recommend: “La peau du milieu” (1957), showing the “underground” side of tattoo, at a time when the meaning was much more important than the style, which was, well, rather poor.

Then, you enter the marginal and colorful world of sideshow, circus, freaks, and…traveling tattoo artists. As a transition, there’s a very interesting “Wall of Fame,” displaying a timeline of tattoo culture, including laws, techniques, famous tattoo artists, and famous tattooed people.

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The exhibition goes on with a focus on tattoo in Japan, North America, and Europe. The Japanese selection shows some stunning paintings, tattoo projects, photos of tattooed people, videos, a photo of a tattooed skin taken from a dead man (gulp! I first didn’t notice it was only a photo); other incredible artifacts include a kabuki costume painted so that it looked like a tattoo when worn by the actor. In the North America and European selections, there were more photos and prints of tattooed people, and interestingly, a copy of Samuel O’Reilly’s patent for his tattooing machine (and some modern day machines as well).

Moving through the exhibit, at this stage, museum goers now view works made by tattoo artists exclusively for this exhibition: 19 artists worked on “tattoo project” paintings, and 13 artists tattooed silicon body parts to great effect.

There’s also an exploration into the revival of traditional tattoo in Oceania and South-East Asia, displaying some impressive masks and head sculptures (I was especially impressed by those), traditional tools, as well as modern tattoo projects. There’s further cultural discussion of tattoo in China, the Latino and Chicano cultures in the US, among others.

At last, the exhibition ends with the “new generation” of artists, such as Yann Black and the “Art Brut” movement in tattooing, as a nod to the future of the art.

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To read the rest of this article, go to: http://www.needlesandsins.com/2014/05/tatoueurs-tatoues-musee-du-quai-branly.html

 


Horiyoshi III and David Lee Roth