Opening reception May 15, 2014
at Eight of Swords Tattoo and Gallery,
115 Grand str, 11249 Brooklyn, NY
Curated by Elvia Iannaccone Gezlev and Magie Serpica
An exclusive all ladies group art show featuring some of the most talented female tattooers: from the NYC ladies to international talents, this art show displays different styles and/or techniques, but only one love: tattooing. The show was also and foremost created to pay respect to the ladies who started tattooing first and paved the way for all others to follow, (names like Debra Yarian, Pat Sinatra, Kate Hellenbrandt, Vyvyn Lazonga and few more) in a tough industry, historically male dominated.
Nowadays we cant help but notice the growing number and variety of skilled female talents taking over the tattoo world!!
The show is curated this year by Elvia Iannaccone Gezlev and Magie Serpica, and it’s at its 3rd edition.
Opening May 15, 2014 at Dave Wallin’s Eight of Swords- Brooklyn studio and gallery, for two months, la crème de la crème of female tattooers art will be on display and for sale.
A chance to buy original art and to meet some of the artists!
Not to be missed!
Some of the artists of 2014:
- STEPHANIE TAMEZ
- TAI IGLESIAS
- LARA SCOTTON
- VICKY MORGAN
- VIOLA VON HELL
- MARIE SENA
- MARIJA RIPLEY
- DAWN COOKE
- DEBRA YARIAN
- HOLLY ELLIS
- IMME BOHME
- JACKIE DUNN SMITH
- JACLYN REHE
- JAMIE RUTH
- ROSE HARDY
- ALIX GE
- AMY SHAPIRO
…… AND MANY MORE!!
By Molly Kitamura
My new and dear friend, Alessandra Palotti is a great tattoo artist and a great cook! Alexandra is Italian from Bologna, Italy where she has been tattooing for over 6 years. Alessandra and her husband, Koji Ichimaru, run their private studio in Bologna, what a beautiful place to live, definitely on my go-to list!
Alessandra and I got to cook together one day. I made beef Milanese and she made Bolognese sauce. I had never had traditional, authentic Bolognese before and had a completely different idea in my head on how it is made. I learned so much from her that day.
Here is a mix of Alessandra’s tattoo photos, her recipe and photos of the process. Please enjoy and try out her recipe, it will become a staple in your culinary repertoire!
Shot by Estevan Oriol
Tattoos by Sean Drennen
By Molly Kitamura
Grime, Grime, Grime. One of the best tattoo artists in the world! On the slim chance you have not heard of him, he has a shop called Skull and Sword in San Francisco. He is widely known for being a renaissance man of tattooing (and art in general!). What I mean by that is that man consistently crushes any tattoo or style of tattoo requested of him no matter what it is. Grime has created his own style in the process, one that cannot be imitated or replicated although many have tried and failed. Basically you have to see his work for yourself to understand what I am talking about and I highly recommend checking him out!
But today that is besides the point. Today we are talking Grime and his food! Mr. Grime can also cook (…renaissance man…) and he occasionally sends me photos of his dishes. They always look amazing. The other day he sent me a particularly mouth-watering photo of his pan-fried salmon filet with an oven-roasted yam and sautéed spinach garnished with raisins, pine nuts and a balsamic glaze. That photo had me seriously second-guessing what I had already decided to cook for dinner that night. You can never go wrong with simple yet sophisticated! Check out a few great recipes and some of Grime’s tattoo work below… Cheers!
I will try my best to recreate Grime’s recipes for you all. Try this dish for your next dinner, you will love it!
Grime’s Pan-fried Salmon Filet With Oven-roasted Yam and Sautéed Spinach
By Kevin Miller
Last month we posted this video featuring Mr. X, also known as Duncan X. Since we’ve posted the video, it’s become a ‘Staff Favorite’ on Vimeo, and it’s receiving national attention. The Atlantic featured a short interviewed Alex Nicholson, the mastermind behind the short video.
The Atlantic: How did you come up with the idea for the film?
Alex Nicholson: It was a combination of things really, summed up by one event really: I once saw Duncan walking down the street. Fifty percent of the people walking past almost got whiplash from turning around to look/stare at him. I was wondering what was going through their heads. I have been getting tattooed by him for a number of years and the way he speaks, his manner and personality all smack of a man who wouldn’t make people walk into lampposts if they knew him in this way.
TA: Do you personally have a connection to tattoo art?
AN: Only in the way that I have tattoos really. Duncan once said in an interview (paraphrasing here) that getting a tattoo was like getting a (actually very cheap considering) work of art that you can’t give away. That resonates nicely with me.
TA: What’s the process for digitally removing and then re-illustrating tattoos?
AN: Well I have to heap praise on my make-up artist (the lovely and talented Denise Kum) here who relentlessly edged out his many tattoos during the course of the day. We put them back on (when they animate) digitally. The process of removing the tattoos was a mind blowing process that I’d probably get killed for talking about in detail.
While it’s an interesting interview, I think the fact that The Atlantic published an interview about a short tattoo film is far more interesting. It says a lot about the world we live in, and how comfortable people are with tattoos.
By Jason Brown
S.T. Tattoo Studio celebrated their 15 year anniversary March 1st with a charity art show, featuring over 60 of the best artists in the industry. The show consisted of hand painted skateboards from throughout the country from some of our dearest friends in the tattoo industry, graffiti, and art scene. Despite the down pour that weekend we still had a great turnout. Over 200 people in attendance Saturday night, doors opened at 6:30 and the show went strong until midnight. Keeping track of 60 people, let alone 60 artists, was a feat in itself. Artists such as Bob Tyrrell, Big Gus, Chente Rios, Dan Smith, Josh Duffy, Allana Padilla, Jeb, Rich Pineda, Robert Atkinson, Josh Hagan, Dan Dringenberg, Johnny Quintana, Rick Clayton, Jimbo Phillips, Wes Humpton, Michael “Buck” Ramirez, Axis, and many more. Still we managed to get all the boards shipped out and returned with fabulous art work to raise money for the Heart of Los Angeles. (H.O.L.A) provides underserved youth with exceptional programs in academics, arts, and athletics, within a nurturing environment, empowering them to develop their potential, pursue their education and strengthen their community.
S.T. Tattoo Studio in West los Angeles was founded in order to celebrate the fusion of punk rock and tattoos. Jason Brown and Mike Muir (Suicidal Tendencies) opened the shop together in ’98. After a few years, Brown bought out Muir, but the shop is still very much connected to the S.T. movement and the band. 15 years later the shop is still going strong. Jason Brown has since taken on a new partner Donovan Faulkner, long time friend and fellow tattoo artist of 13 years. Together they continue to push themselves daily to create great works of art and preserve as much tattoo tradition as possible in our ever changing industry.
We would like to thank everyone who donated their time and product. Thank you to DTLA Tattoo for offering to host at their location. We would like to especially thank all of our friends and fellow artists that contributed, you guys rock! Special thanks to Sullen Art Collective, Jarritos, Starr African Rum, NRC, and Marina Graphics Center, for sponsoring this event. We would also like to thank City of Angels Photography, Santa Monica Airlines, Rip City, the Barrios family, and PWD, for all their donations. You all helped make this charity event possible. Join us next year for the 2nd Annual Possessed to Paint Charity Art Show.
Tattoos by Ryan Willard
Marrion Street Tattoo, Denver Colorado
By Dawn Cooke
In honor of women’s history month I have compiled a list of women in the history of tattooing. This is not a complete history by any means. There are hundreds of women throughout time who have contributed to the art form and trade of tattooing. Unfortunately a lot of them have gone unaccounted for. I have tried to find some of the lesser-known women to highlight here however some of the well-known artists have also been included. I have included women with at least 20 years under their belts. I was overwhelmed with the response to my idea to write this article.
Some of the women earlier on in history who paved the way for us included several sideshow performers. Betty Broadbent and lady Viola are among the most well known. In the 1930’s Mildred Hull was one of the few women tattoo artists working on the bowery in NY. The beloved Cindy Ray from Australia, tattooed into the year 2007. These ladies have set our roots and our history is being made as we speak. But here are 20 women, most of whom are tattooing still, who deserve recognition for their contributions! These women tattooed long before social media and Reality television. They may not be masters at social media but they are masters of their craft. Take the time too look into these great artists! (In no particular order.)
1.Madame Chinchilla http://triangletattoo.com
2.Loretta Lue http://leufamilyiron.com
3.Pat Fish http://www.luckyfish.com
Photos and Interview by Ino Mei
Jondix spoke exclusively to HeartbeatInk Tattoo Magazine about his initiation into tattooing, his past as a tattoo nerd, the first tattoo he ever did; at Tas Danazoglou’s neck, his experience in Greece while been Mike the Athens’apprentice and the issue of copying in Dotwork, which he characterizes as “embarrassing”.
What is your actual name? How did the name Jondix come up and what does it mean?
My name is Jondix, that’s who I am. Before Jondix, I was another person. My “baptism” made me the human I am now. During one of the art reunions I used to attend with my friends Ciruelo Cabral, Eva Blank, Heinrich and others, this name came up as a joke, but a year later when Ciruelo published a new book, he used it in the credits and I thought it was a sign and that’s how it started to affect me and change my mind in a more artistic way than before.
Where you working as an architect in the past? When did you first come into contact with tattoos and how did you get involved with tattooing?
I never worked as an architect. in fact I didn’t even finish the university. After seven years I kinda quit… I needed money and I was into parties and guitars and Harleys and all the typical Mediterranean excess… I saw the first tattoos as a child on people from the army…badly done you know… and then in Boston I saw a good tattoo, a death reaper from Spider Web Tattoo and wanted it immediately. So at eighteen I started getting tattoos, like Steve Vai’s autograph and some stupid biomechs until Tas Danazoglou came to Barcelona and saved me…
Is it true that you were “discovered” by Tas Danazoglou? How did you meet him?
He came to a Barcelona Tattoo Convention and then stayed at the LTW tattoo shop in Barcelona for some years. I got many tattoos from him and we became friends. I was a tattoo nerd already, buying magazines and stuff… I got my first tattoo when I was eighteen, that’s twenty three years ago. There we no tattoo shops in Barcelona like there are today. I was going to tattoo conventions abroad just as a fan and even buying machines just for decoration purposes. Nobody did this in Barcelona, not even the established tattooists. So I knew who Tas was and I knew who Mike the Athens was from “Tattoo Planet” magazine and I wanted to get their more spiritual tattoos, as opposed to the trendy shiny stuff. Then one day on my birthday Tas came home and I played him “Resurrection” by Halford and he in return he showed me how to set up a machine and do a tattoo… and I ended up tattooing a bit on his neck that night…
To read this full article, visit: http://heartbeatink.gr/en/columns-features/artists-studios-columns-features/jondix/#!prettyPhoto/0/
*Note from TAM – Unfortunately, the site that originally posted this list didn’t provide information on the artists who are responsible for these tattoos. If you happen to know who did one of these pieces, please feel free to leave a comment and let us and the rest of the readers know!
#1 Mind-Boggling 3-D Tattoo
Amazing, isn’t it? The 3-D tat almost appears carved! It’s so perfect, we’d be tempted to “knock” on it, just to see if her leg was not in fact wooden.
#2 Warrior Eyes To Watch Over You
You might think, what.. is this really inked? The 3-D tat is so realistic, until you notice it’s on this guy’s bicep! No one is messing with him, his tat is likely to start a conversation rather than a fight.
By Kevin Miller
Tattoo by Russ Abbott at Ink & Dagger Tattoo in Decatur, GA
Tattoo Snob: Since the beginning of 2013, you’ve been working on a sleeve that you just posted. Before we start talking about the specifics, can you share your thoughts on larger pieces such as sleeves, back pieces, torso pieces. How do you approach them? Do you prefer to do these over smaller pieces?
Russ Abbott: Well, from my perspective as the artist, I feel most comfortable doing large-scale work, specifically arm sleeves, although I am doing more torso work than ever before. But with the sleeves, I love the unique challenge of designing around a cylinder. I also love that the work is such a serious part of the collectors life. Obviously, arm tattoos get seen by a lot of people in day to day interactions. I like to think about how the piece will be viewed by the world outside of tattooing. I ask myself, “Will this be the tattoo that changes someone’s mind about tattooing?” Hopefully in favor of it. Haha! But I do really love when client’s tell me stories about members of their family going from tattoo critics to true fans after seeing the work I do for them. I’m sure every tattooer gets those stories.
TS: Let’s talk about the concept of this sleeve. How did it come about?
RA: I met the collector, Chris a few times through mutual friends. He didn’t have any tattoos a couple of years ago but he’s gotten covered up fast! When he talked to me about doing his sleeve I was pumped because in just a short time, he had already managed to collect nice work from amazing artists like Timmy B, Kelly Doty, and Ryan Thomas. Chris had already proven he could sit for long sessions and his skin tone is ideal for the full range of colors. Plus he seriously doesn’t seem to have any concern about what he’s getting. I would try to check with him about my ideas for colors and such and he would just be like “Whatever dude, I don’t care. I trust you.” He just had this concept that was perfect for me. If you look at the photos of the sleeve, the concept he pitched me is exactly what you see. He’s into photography so he wanted a camera, a model, and the resulting photographs. He also requested that the model be in a flapper costume and suggested I fill space with my signature ornamental scrollwork. I loved that his concept would give me the opportunity to showcase two distinctly different styles of my work, black and gray realism, and illustrative color.
TS: You made all of the stops in preparing this sleeve, including models and photographers. Can you tell us about that process?
RA: For the way I tattoo, I always need to find the best reference material available. I could have probably found a decent reference photo for the camera and maybe even the girl, but to hit the jackpot and find multiple poses of the same girl in the right costuming? Not likely. But I did start with a Google search to see what I could dig up. No dice. Then I contacted a few models to see if they had any photo sets that might fit the project. Several beautiful girls sent me photos but I still didn’t find anything that felt right. In the process of seeking out models, a friend suggested I talk to a local model named Brittany Michelle aka Ladee Danger. Luckily, she was stoked about the idea and even offered to handle her own costuming, hair, and makeup. We met at the shop one day and spent several hours taking photos. Mary D. helped out with the photos and the lights. Thanks Mary and Brittany! I couldn’t have done this without your help.
TS: Do you prepare for every sleeve, back piece, and torso piece in the same way?
RA: Full on photoshoots are not required for every piece but I do put in quite a bit of work on the front end of a big project. There’s no substitute for great reference. I recently completed a Battle of Gettysburg sleeve that required me to hire Civil War reenactors.
TS: How many sessions did it take, and do you know what the total amount of time was?
RA: Chris’ photography sleeve? I’d have to guess because I don’t have accurate records but I would say maybe 8-10 sessions. 40-50 hours.
TS: You worked on this sleeve throughout the entire country, at various shops and at various conventions? How did that come about?
RA: Chris lives in Ohio or Kentucky I think so traveling was a big part of the process. He came to my studio in Decatur, Georgia for most of the sessions. But he also loves going to conventions so we met at both of the Hell City conventions and also Ink & Iron in California. Again, he’s a totally dedicated collector and I can’t thank him enough for all he went through to make this tattoo happen. Most clients don’t think they deserve much credit for having great work. But to me, they deserve way more credit than they think!
TS: Nobody really saw pictures of the progress of this sleeve as it was progressing. Was this on purpose? Do you prefer this versus posting pictures during every session?
RA: Yeah, I used to post a bunch of in-progress work because I’m not one of those artists who finishes a new tattoo everyday and I wanted to still be a part of social media everyday. But after careful consideration, I decided it was better to post quality over quantity so I made a conscious decision not to post as many in-progress pieces. That’s funny you noticed that. I guess that’s kind of your job though. Ha.
TS: You just posted a layout of a new sleeve that you did with Manga Studio. What exactly is that? Are you preparing more pieces like this?
RA: About a year ago, I purchased a massive digital drawing display made by Wacom. (Cintiq 24HD) I’ve been learning to use it ever since and I’ve found all kinds of useful drawing programs. Manga Studio 5 by Smith Micro is my new favorite though. It’s just a really natural way to draw digital art. It’s tools and interface are simple to use but extremely powerful. I can’t recommend it highly enough.
TS: What do you have lined up for 2014 in regards to large tattoo projects? Outside of specific projects, what do you have planned for 2014?
RA: That digital sleeve design you were just referring to was actually a really exciting experiment for me. I came up with the concept and did the entire design without a client to get the tattoo. I wanted to see if I could post a sleeve drawing and sell it online. I posted it up on Instagram and Facebook, and a girl brought me a deposit and set her first appointment 2 days later! So at it turns out, I think I will be able to control the ongoing direction of my work by doing custom artwork and then finding the client. I’m still not technically accepting any new clients on my waiting list so really picking one of these ready-made designs will be the fastest way to get tattooed by me. All I ask is that people show me the respect of not stealing these designs that I’m posting. Like I said, it’s an experiment.
TS: Any last words?
RA: I just wanted to thank Tattoo Snob for helping raise the standards of tattoo related media. I know you guys do this work out of love for tattooing and you incur a substantial financial strain to travel to shows, not to mention all of the time you put in. You guys always seem to put the spotlight on incredible artwork from all over the globe. You’re doing great work. So thanks!
Shot by Estevan Oriol
By Joey Knuckles
Tattooing is all about progression. We learn from our mistakes and we grow every day; we should all approach it with humility and respect for our fellow artists. True tattooers want to continue to grow, and to become the best tattooers, artists, and people that they can be. To do this we must get rid of the negativity. I can tell you from my own personal experiences over the past couple of years that there are already enough things to bring you down.
A little advice: about two years ago, I stopped listening to news/media/political arguments. I also fought off some personal demons, such as drinking, anger, and depression. Not only have my anxiety and stress levels dropped drastically, but also my thought process has been liberated and I’ve been able to focus on what truly matters. Separating yourself from all the negativity and drama in your life, and surrounding yourself with people who support you is so important. The people in my life, including my wife Tori, my ever loyal Philadelphia clientele, my continuously growing Columbus clientele, and my brothers everywhere, are what keep me going and continuing to progress and to further my understanding of the past, present, and future of this craft. I can wake up in the morning, work on some sketches, and just be happy and honored to be part of the tattoo community.
We are the few and the lucky to be “true tattoo artists.” We must understand that we are all folk artists responsible for handing this craft over to the next generation with integrity and intelligence. If we ever want to progress as individuals and as artists, we have to understand fully what builds a true “traditional tattoo.” Not that everyone has to work in a “traditional style,” but everyone should understand and be able to accomplish the fundamental tattooing techniques. We must understand the tools involved in this trade, and resist relying on shortcuts such as tracing other artists’ work, Google images, and using programs like Photoshop to create graphic images that are unrealistic in the tattoo world (never mind Photoshopping tattoo pictures to create colors and vibrancy that do not exist in nature). As the saying goes, “Don’t confuse the menu with the meal.” People in the beginnings of their careers in this industry are learning these days with rotaries right from the start, without taking the necessary 5 to 10 years needed to master working with coil machines, among other aspects of tattooing. It seems everyone is rushing into fame without absorbing the knowledge required to become a “tattoo master.” So let’s take this note from one of our forefathers in tattooing, which has been a personal motto of mine, so that maybe we can all treat each other, and our craft, a little better: “I ‘Joey Knuckles’ am in the business of rendering a service to this community for the small group who choose to have their bodies decorated in some way or another…I choose to pursue my profession with intelligence and skill, wishing not to offend anyone, but instead with my love for mankind do what good I can do before I die…” —Pledge by Stoney St. Clair.
Joey Knuckles has been tattooing since 2003. Beginning his career in Columbus, Ohio most notably at High Street Tattoo, where he honed his tattoo skills in a fast-paced environment under his mentor Giovani. He then moved to Philadelphia in 2008, working in legendary shops like Philadelphia Eddies, Olde City Tattoo, Art Machine Productions, and Black Vulture Gallery, over the past five years. He has now returned to Columbus full-time, after inheriting High Street tattoo from his good friend, mentor, and High Street Tattoo founder Giovani. Joey prides himself on being a well-rounded tattoo artist specializing in anything ranging from cover-ups, custom lettering, floral work, to large-scale illustrative designs.
Some Quality Meat collaborated with Fitzroy Amsterdam to organize their annual new year’s bash. Kim Papanatos Rense made six classic nautical designs that are now placed on Fitzroy’s office walls, dishes and pig legs. The night ended in a huge party.
After a year & a half search, six months of construction, blood, sweat, tears, etc., we at last announce the opening of the ATAK:SF creative workspace & gallery. Located in the heart of San Francisco’s Tenderloin neighborhood within a lofty brick building, this flex creative space will allow us to peruse new & different avenues while still focusing on our core mission of tattooing. The main floor will host the gallery & creative workspace with tattooing on a private second floor loft.
To consecrate the space we are hosting an inaugural exhibition centered around the ubiquitous theme of rebirth. The event will feature over forty artists from around the globe. Come & celebrate this new beginning with us.