By Omar Edmison
My wife of 18 years asked me awhile back if I was still writing a blog for Tattoo Artist Magazine. I shot her a pile of excuses about time & being busy at work, taking care of the shop & spending time with her & the kids. She looked at me with her amazingly sweet smile as if to say “Sure Omar, I love you I have your back but you’re throwing up a smoke screen.” She knows me really well, better than any other human being on the planet. Her words that she spoke next were small and to the point. she simply said ” you’re really good at what you do. you have wisdom to impart.” I am not making that part up; she really does speak like that. So here I am sitting in front of a computer trying to figure out what to “impart” on you, gentle reader. I started thinking about what I had said to my beautiful and talented better half. It wasn’t a lie I have been busy with an amazing varied rag tag bunch of folks who for what ever reason be it a bump on the head or just a history of poor life choices have asked me to mark them permanently. It is also true that -as any shop owner can attest to- when you own a tattoo shop stuff comes up, there are always fires to be put out, business needs handling. It is most decidedly true that I love spending time with her and our 3 awesome kids. I don’t know about y’all but the last time I checked there are only 24 hours in a day only 7 of those days in a week etc., etc. you know the math. You are,I am sure, by this point getting my point that there are a lot of things that come up in my day to day life that are at times pleasurable at times nerve wracking & everything in between. Much like some of you out there, I get to try to figure out how to balance business & family, which is what struck me as something to write about…
Life, Happens everyday. It comes at us pretty fast you have to keep your eyes open and your head up if you are going to get through it in one piece. How to balance work & family…
By Osiris Combs
Read Part 1 here: http://wp.me/p14cQJ-59Q
It so happens that after becoming a bit more familiar with this place, I have been privy to further tales and experiences with The Natha and his strange and magical ways…
After morning exercises some weeks back, I was invited to take tea with the Natha somewhat privately, along with a couple of other students. While we were ushered past a stone statue in the courtyard of the elephant headed god Ganesh, whom was bedecked with garlands of marigolds and offering bowls full of sweets, we entered into a small antechamber where the Natha’s consort was serving tea. I exchanged formalities and a few pleasantries with her and the other three while everyone was served. Two of them were male senior students at the temple and neither were likely yet twenty years of age. The third, a friend and guest of the Natha, a pleasant woman tattooist and artisan in her early thirties.
While sipping the aromatic brew we listened as the Natha told us why we were assembled. It had to do with a messenger who had arrived a few days back… a weary looking fellow that had appeared one evening and begged to see the Natha straight away, even before accepting food or water. I had not heard anything more about him until now. The man had traveled for several days without stopping, only taking sustenance when it was dire, exhausting his provisions quickly nonetheless. The news that the messenger carried came from his village in the hill country north of the temple. Several animals from the village had gone missing and most recently a small mute child was also gone from her play area near her families’ hut. The local hunters had seen the sign and tracks of a large snake near the livestock pens, though absolutely no sign was detected near where the child was playing. If that wasn’t enough, the headman’s daughter was coming into her own as a shaman and had sent word also to request a special tattoo ceremony to mark the transition fully into this capacity as a helper and healer of her people. The Natha had lived with the people of this village for several years before he had the vision to build the temple. He related that the headman and the old shaman were close friends of his and it was apparent that the he held them in high esteem. We were asked to accompany the him if we desired, on his journey into the hills to assist his friends in whatever capacity he could. Of course, all of us were keen on going and made immediate preparations to leave the following morning. The messenger would stay on to rest and receive needed care from the Natha’s consort.
Check out the AMAZING deals we are offering for Cyber Monday!
All issues $5.99 off
Gods & Warriors: The Works of Chris Treviño: $69.99
TAM Volume 1 Book: $39.99
TAM Subscriptions: $36.00
By Molly Kitamura
Reblogged from: Knivesandneedlesblog.com
Its rare to find a vegan chef, let alone a really good one! This is Knives and Needles first vegan chef feature, Mary of Nom Yourself! Her food looks amazing and she loves tattoos; so please read, enjoy and be inspired to step out of your animal-product box!
Molly: Tell me about yourself, please include what you are doing now
Mary: I am a 27 year old vegan cook living in NYC. I am currently developing recipes for my second cookbook that is currently untitled, and promote my first cookbook Nom Yourself – The Cookbook. I run nomyourself.com and advocate home cooking.
Molly: I always want to advocate to cook at home as well, especially these days. Have you always been vegan?
Mary: I haven’t. I actually became vegan 14 months ago while living in Baltimore, Maryland. I started teaching myself how to cook and found that adding meat and dairy to my dishes was actually taking away from the flavor of all these amazing fruits and vegetables I was buying from the farmers market. Most people find veganism through animal rights or health reasons. I found it through cooking.
Molly: Very cool! How did you get into developing Nom Yourself?
Mary: I started posting pictures of the food I was making on my personal Instagram account. Then a friend suggested I start a website. Within a week I had a thousand followers and a new love for the internet.
Molly: What a great idea! So on to tattoos. What was your first tattoo and what inspired you to get tattooed?
Mary: My first tattoo was a star I got when I was 16. Reading Andrew Parsons interview on Knives & Needles is making me think this is what a lot of people in our generation would answer. I wanted to get tattooed because my family did and still does mean the world to me. I wanted to make it permanent and have something that would remind me of that. So, I got the star to represent the 5 people in my family. I went to some seedy place in downtown NYC and probably used a fake ID. It was less about art and more about being a rebel child than the tattoos that came after.
By Estevan Oriol
By Marisa Kakoulas
Reblogged from: http://www.needlesandsins.com
One hundred years ago, Amund Dietzel (1891-1974), of Kristiania, Norway, arrived in Milwaukee with a knowledge of tattooing he picked up on a merchant shop. Deciding to make the city his home, he opened up a tattoo parlor that attracted tattoo collectors far beyond Milwaukee. Sailors and marines during two world wars came to see Dietzel before leaving for battle, choosing powerful designs from his handpainted flash that hung on the shop’s walls.
Dietzel “helped define the look of the traditional or old school tattoo,” the Milwaukee Art Museum wrote of their “Tattoo: Flash Art of Amund Dietzel” exhibition, which ran from July to October.
That wonderful archive of Dietzel’s painted flash, stencils and drawings, from the collection of Jon Reiter, will be exhibited at Great Lakes Tattoo in Chicago, from November 29th to January 5th.
During the November 29th opening, not only can you view Americana tattoo history, but also have a piece of it tattooed on you, as artists will be offering tattoos from Dietzel’s flash sheets from 12 to 10 PM that day. The opening party, with food & drink, runs from 5 to 8 PM.
Proceeds from the tattoos, as well as beautiful limited edition prints (shown below) and shirts, will go towards the hefty medical expenses Jon incurred from an ICU stay.
For more on Amund Dietzel’s life, pick up Jon’s fantastic books, These Old Blue Arms: The Life & Work of Amund Dietzel, Volumes 1 & 2.
By Dawn Cooke
I have been traveling on and off since the beginning of my career. I haven’t always been able to travel as much as some of my peers because I have other obligations that make travel less accessible to me. But whenever I can I try to visit places and often I go where I have friends. True friends in life and in tattooing are hard to come by but as I have learned once you find them they make life so much more enjoyable.
There are several reasons that I travel. I go for work, I go for pleasure, I go to network with others in tattooing and I go for inspiration. Nothing pays off more than being inspired by your peers. That’s why instagram is such a big hit! But instead of being glued to your phone get out there and meet all those great artists Face to face!
I recently went to Eagle River Alaska to visit my good friend Deb Yarian. It is a really beautiful place. Mountains, Fresh air, I really got the feeling that people there try to look out for one another. So different from here in metro Detroit where I am from. I have tried to bring a little of that brotherly love back here to Detroit with me. Being there just really made me look at the world a little differently. People there are somewhat isolated and it seems like it makes they so much kinder to one another.
By Anni Irish
A recent animated film featured on Vanity Fair’s website in their “Through the Decades” series showcases artist Nick Hooker’s tattoo inspired interpretation of the 1940s. The short four minute film highlights several historical events from the 1940s and is done in an Americana tattoo style. The film opens with a shot of a vintage radio that is placed next to a bottle marked “xxx”. In the background there are various tattoo inspired images which are framed. The radio is on and we hear what seems to be a speech FDR being given in regards to World War II. Over the radio address the sound of a tattoo machine buzzes and the camera pans out to a reveal simple sign that says “tattoos”. The shot widens and various flash tattoo designs become visible and the room is transformed into a tattoo parlor. An Uncle Sam type tattoo artist is tattooing sparrows onto a patron who has a larger ship and American flag scene on their stomach and chest. The image quickly shifts again. Within this shot the framed flash tattoo designs become the object of focus. It is within the confines of the framed tattoo images where Hooker’s depiction of the 1940s comes to life.
An important element to Hooker’s representation of the 1940s is his emphasis on the history of tattooing. Hooker showcases this by making the link between tattooing and sailors as well as their presence within freak show and circus culture. Tattoo artists such as Professor Charlie Wagner, Sailor Jerry and Cap Coleman are referenced which is is important. Another key detail to Hooker’s telling of the 1940s is his foregrounding of the tattooed lady through Mae Vandermark. Vandermark a former stenographer turned tattooed lady becomes the darling of Hooker’s short film. In an “Behind the Scenes Interview” about the film, Hooker and it’s co director, Drew Christie talk about the “illustrative qualities” of tattoos. It is the “illustrative qualities’ of them that both Christie and Hooker note, which capture their interpretation of this decade. It is also interesting to note that This American Lifecontributor and author Starlee Kine, wrote and narrated the piece. This talented group of artists came together to create a compelling, alternative representation of this infamous decade.
What is significant about this animation for me is how an alternative narrative of history is told through tattoo culture. In many ways, tattoos came to encompass the 1940s. This occurred through the presence of the War and the various sailors and soldiers who documented the experience if it on their bodies to the tattooed ladies and various “freaks” of circus culture. Christie and Hooker are narrating a social history which often goes overlooked. This animation is raising larger issues surrounding the social history of tattooing within the United States while also giving insight into it. It is being done in an unconventional medium through one of the most popular publications out today. As a result, a new generation is learning about this alternative historical narrative which is incredibly important.
Given the fact that it is such a short film, only a portion of this history is being told which encompasses a larger time span. While I do not want to take away from the work that I feel this animation is doing, it is only a tiny piece in this larger social puzzle. There are many other elements that construct America’s tattoo history. People such as Margot Mifflin, Amelia Klem Osterud, and others are actively working to help recuperate this larger history but there is still much to be done. Being mindful of this wider framework and the issues “The 1940s” raises perhaps it will inspire the next generation of tattoo artists and tattoo historians to begin their own investigation.
**Anni Irish is a writer and researcher who holds an MA in Performance Studies from New York University and an MA in Gender and Cultural Studies from Simmons College. Her work focuses on the representation of bodies, fetishism, and the social history of tattooing in America. She currently resides in Brooklyn, NY.2015 |Candidate The Draper Program, NYU|
Interview by Ino Mei.
Reblogged from: Heartbeatink.gr
Accomplished, modest and a maitre of the black and grey realistic tattoo, Carlos Torres gave HeartbeatInk an exclusive interview about his career and his relationship with the tattoo and the Fine Arts.
When and how did you first start tattooing?
I was nineteen years old. In the beginning I used to tattoo at home which was probably not good, but that’s how I started. I think my first tattoo was done in 1996. I have an ugly picture of it too (laughs). Back then it was really hard to get an apprenticeship. I slowly learned, practiced more and more on people and then I worked in different shops. I got fired from the first shop I worked in, back in 1998. One day I went to this well-known shop with my portfolio and they were like “you wanna work here”? That shop was “So Call Tattoo” in San Pedro, LA and I stayed there for ten years. That’s where I did most of my learning. The guys there, Tom Berg and Ethan Morgan, were geniuses!
Now you have your own tattoo studio?
Yes. It’s like a collective of us that own the studio. It’s like a private studio – gallery type of thing. So everybody has freedom to come and go. I think that it is good for artists to have freedom, to be able to do what they want to do. I believe that I have learnt the most while being on the road; going to conventions, doing guest spots, so I think it is important to have freedom.
What is your relationship with Fine Art?
I never went to Art School. I never had a “formal” education. I started painting, rather recently, six – seven years ago. Once I realized I liked it, I focussed on it; I started attending some workshops from masters. I enjoy doing drawings and oil paintings. Our tattoo studio looks like an art gallery when you walk in and we are tattooing in the middle.
Check out this amazing instructional video Jeff made about drawing finger waves. His new DVD, Tattoo as I see it is available for pre-sale now on http://www.unicyclebrand.com.
By Jeff Gogue
I call it a movie simply because it’s moving pictures as opposed to non moving pictures. I make my living making pictures, but they don’t move. I think my goal with anything is for it to actually “move” people. Pun intended. This dvd or video or whatever you want to call it is moving. My hope is that your soul would be moved and your mind would be engaged with your heart to search yourself and discover or rediscover why you do what you do. Whether you tattoo, paint, make music, or have any other creative outlet, be it business, art, management or anything else. When you stop and think about it “creativity” is just thinking outside of convention or routine; it’s coming up with a solution to whatever is perplexing you that is outside of the norm.
“Tattoo as I see it” is my message, which starts with my story, my “why” to what I’ve done in my life and what I do with each day. It presents my beginnings, my intentions and my resolutions after attaining the goals I set out for. Along the way I have learned to be an artist. I’ve learned to be a professional at expressing things visually, and I’ve discovered that the door has been opened to a wide world that goes beyond what I thought was there.
This project was not my idea, or my vision, at first. When Ryan Moon, (Film Director, director of photography, designer, and co-producer) approached me with the idea of a tattoo instructional dvd, I was of course not into it. I don’t want to be another guy trying to capitalize on the tattoo frenzy, but after talking and mulling over ideas, I was convinced to just be myself and say what I feel I need to say. After a year and a half of talking, tattooing and wondering, I am pleased with what has transpired. It’s a well rounded presentation of both ideals, and practical application of what I believe to be foundational and fundamental principles of both tattooing in general and artistic understanding that’s applicable to any medium, all of this mixed in with honest, real experience and reflection on an art based life.
The (pre sale) dvd is available currently for $39.00 plus shipping world wide with the official release date being Friday, November 29th when the price will be $49.00 plus shipping. We are also planning on releasing a limited edition collector’s edition with two DVDs, one being Tattoo As I See It, and the other containing my home videos of seven trips to Japan for a full back piece from the renown Shige, of Yellowblaze, Yokohama. I filmed over the last three years documenting my experience, all of this is the backdrop for my candid story of who Shige is to me and what the experience meant and how it affected my life. This edition will be signed, numbered and limited. I had hoped to have them out sooner than this but doing it ourselves, we of course came up against lots of hurdles and costs.
The final stages of the project were completely made possible by our sponsors, Fusion Ink, Cheyenne Tattoo Equipment, Sullen Art Collective, and Tattoonow, and Off the Map Tattoo.
I started my own art production company called Unicycle Brand in order to fund this project and all the time invested in the cameras, the computers, the filming and editing over the last year and a half. Unicycle brand will be launching over the next year, our contributing artist lines of prints by Jason Butcher and Lianne Moule of the UK, Markus Lenhard of Germany, Derek Noble, USA, and Shige, Yokohama Japan. I envision this being the start of great things to come for art and tattooing.
Special thanks to Tattoo Artist Magazine for the years of support and for keeping it real for tattooers in this ever-changing world.
Please visit http://www.unicyclebrand.com to view the Trailer and order your (pre sale) copy now.
Also please visit our sponsors’ sites:
Sullen- Tattoo as I see it, t-shirt available soon.
Check out the trailer…
TCM Issue 4 available now!!
Paul Booth, Miss Arianna, Dong Dong, Tattoo Archive, Tattoo History, Debra Yarian, Sean Herman, Needles and Sins, Pep Williams, Bro Safari, Artist Galleries and more…
By Louise Rafkin
Article from: http://www.nytimes.com
After more than three decades, the green unicorn tattoo on my right buttock has significantly paled. At least parts of it have. The flanks of the animal, formerly outlined, are now a dotted line. The horn droops.
Thirty-six years ago I was a college freshman and away from home for the first time. Whereas in my small Californian beach town nothing seemed possible, I’d landed in a groovy city where everything seemed possible. I could stay out all night, drink and smoke whatever, skip classes or take magic mushrooms — most of my cohort did.
But ditching my high school persona of stellar student and cheerleader was a hurdle. I wanted to run fast and loose but couldn’t bear to skip a class and found the after effects of drinking unbearable. I was naïve and prudish; the boy who took me on a “date” to a hot tub was sadly surprised to find, while groping in the bubbles, my one-piece bathing suit.
Yet I deeply wanted to be edgy and artistic. I read Henry Miller and Anais Nin and Jack Kerouac with the focus of a pirate reading a treasure map.
One night, munching popcorn in my dorm, I hatched the idea of a tattoo. It was the mid-1970s and a tattoo was not what it is today. Tattoos were for sailors, bikers and Janis Joplin. It would be 20 years before they were reinvented as fake tribal indicators of urban cool.
By Sanctioned TV.
Campfires & Carbon’s mission is to have and promote real, unedited conversation with local tattooers. Here’s their podcast of a conversation with Timo Sanders from Fifth Estate Tattoo in Gilbert, Arizona…
Campfires & Carbon’s mission is to have and promote real, unedited conversation with local tattooers. Here’s their podcast of a conversation with Clifton Carter who works in San Francisco and Tempe, Arizona…
By Marisa Kakoulas
Reblogged from: http://www.needlesandsins.com
I am THRILLED about a new segment for N+S, which combines my two loves: tattoos & wine. The wonderful Demetra Molina, who co-owns The Hand of Fate Tattoo Parlor in Ithaca, NY, with her tattooist husband Eddie Molina, has graciously offered to share her expertise (she has a Level 1 Foundation from the Wine and Spirit Education Trust of England) — and with a fun twist. Demetra will be reviewing wines from the areas of upcoming tattoo conventions, so when you’re off to get tattooed, you can pick up a bottle of local wine as well. Considering that the Berlin Tattoo Convention kicks off today, Demetra educates us on German wines & the convention.
BY DEMETRA MOLINA:
Tattoo conventions are an international affair, and tattooists travel quite extensively. Artists jump on and off of planes constantly, and the landscape is often a blur. Slowing down during intense travel often means wandering about in our new surroundings, taking in the area. In my case, wine and wine tasting helps me enjoy and remember a place, not just running through its airports with my husband and tattoo artist Eddie Molina. Looking to the next few months, there are several high profile conventions coming, all in exceptional wine areas. First up: Berlin, Germany 2013.
August 2nd-4th, Tattoo Convention Berlin 2013 will mark its 23rd festival in Berlin, Germany. International tattoo artists are drawn to this well-established show, currently located in the refurbished hotspot Station Berlin (check out the link to this beautifully renovated historic space here, especially if you enjoy architecture: STATION Berlin). Station Berlin is a former train station in the hub of Berlin, now a historic landmark with seven different halls of differing sizes. Crystal chandeliers hang amidst very minimal surroundings, elegant yet stark spaces waiting for creativity. It’s the perfect place to showcase our colorful tattoo culture.
The convention is known by tattooists to be well organized, have a talented list of names, and promises a large crowd of art enthusiasts as well as potential clients. I asked friend and tattooist Cory Ferguson about his past Berlin Convention recollections, and he replied with “..lots of stuff going on other than tattooing to keep the public interested…really fun, I loved it! So many other shows were just disappointing after doing that one. There is also just so much culture to take in on top of the show, that you can’t go wrong doing Berlin.” Suspensions, live bands, collaborative ArtFusion, tattoo contests, and a Tattoo Queen title is up for grabs. No bored wandering of the floor for hours at this show, too much to do. Culture, history, architecture, tattoo convention, wine! While Germany is mainly known for its beers and brews, there are a few wines you don’t want to miss. Take a break from the beer gardens, and explore the local wines in the German Riesling scene.
Riesling is the leading grape variety grown in Germany, having originated in the Rhine region during the fifteenth century. It is an extremely flexible white grape that can be shaped into several styles of Riesling wine, from dry to sweet, and everywhere in between. The cool climate fruit is known to beautifully showcase the soil, or terroir, it is grown in. The vines do exceptionally well on the slate rock slopes of Mosel, and the slate is often a flavor dynamic of the finished wine.
Riesling is a very under rated, food friendly white wine, that is enjoying a renaissance in the culinary world. Many styles pair beautifully with seafood, poultry, and lighter pork dishes. Try a slightly off dry style Riesling with a Thai or Vietnamese meal next time; the crisp, fruity acidity and slight cooling sweetness will extinguish the heat!
We are fortunate that The Hand of Fate Tattoo Parlor is in the beautiful city of Ithaca. Located in upstate New York, and situated smack in the center of Finger Lakes wine country, it is a cooler climate viticulture area, very similar to prime German locations. The grape vines flourish in our climate, producing top-level grapes that will make world-class Riesling wines. Several of our wineries are responsible for highly rated Rieslings, in every style under the sun.
The Berlin Tattoo Convention is a fantastic opportunity to absorb a bit of tattoo culture, while enjoying wines that are created from part of the landscape. If you can’t make it to the show, at least try a few of the wines from the area!
A few German Rieslings to try:
Dr. F. Weins-Prum 2010 Feinherb Riesling (Mosel)
Erben von Beulwitz 2006 Kaseler Nies’chen Riesling Spatlese (Ruwer)
Dr. Loosen 2011 Wehlener Sonnenuhr Riesling Spatlese (Mosel)
Schloss Vollrads 2011 Riesling (Rheingau)
And a few Finger Lakes Rieslings too:
Tierce Dry Riesling 2011 (Finger Lakes)
Dry Riesling Anthony Road Wine Company 2012 (Finger Lakes)
Riesling 2011 Sheldrake Point Winery (Finger Lakes)
Semi-Dry Riesling 2012 Leidenfrost Vineyards (Finger Lakes)
By Julia Silverman
Reblogged from: http://sangbleu.com
The Wagners were a family of acrobats and circus performers who tattooed in New York at the turn of the 20th century. Gus Wagner was a sailor, circus sideshow act, and self described “globetrotting artist and taxidermist.” Having learned tattooing from tribesmen in Borneo and Java, Wagner preferred analog tattooing with handmade instruments and largely ignored the electric tattoo machine, which was gaining steam in the late 1800s. After meeting his to-be wife Maud Stevens Wagner in 1904 at the St. Louis World Fair, he traded tattooing lessons for a date, and Maud ultimately became his apprentice and one of the United States’ first female tattooers. Their daughter, Lovetta Wagner, although eschewing tattoos on herself (in an ironic form of rebellion, perhaps?), became a tattooer under the training of her parents. The last tattoo she completed before her death in 1983 was a rose on Don Ed Hardy.
By Hunter Spanks
1:41pm August 29, 2012 and Lizzy finds herself back in Georgetown at Jinx Proof Tattoo for the sixth session on her back piece by Dave Waugh. A mystical piece complete with unicorns, naked women, hidden cocks and butt plugs just to round things out. Dave prepares a message table as they harass each other in preparation for the session to start. I’m sure this is just to work out the nerves. At least on Lizzy’s part. Dave seems cool as a cucumber as always… (more…)