By Marisa Kakoulas
Tattoos above by Andreas “Curly” Moore.
Tons of tattoo news hit the headlines while we were out on vacation, so I figured I’d give y’all a run-down of some of the ones I found most interesting:
First off, I had to giggle over how the fantastic Andreas “Curly” Moore offered his own version of “Palm Sunday” (shown above) last weekend at Lionel’s Tattoo Studio in Oxford. The Oxford Mail quoted Curly saying: “It was Palm Sunday, so we thought for amusement we would do three free palms. The tattoos had no religious meaning, it was just for the sake of beautiful art.” Check more of Curly’s beautiful art here. [He's also featured in Black Tattoo Art 2.]
Then, specifically designed to kill my post-vacation buzz, The NY Times published yet another tattoo essay. It wasn’t because the word “asymptote” was used twice in an article that was not about geometry. It wasn’t because the writer used the word “tat.” Ok, maybe it was that, but it was used in this context: “I felt how much I needed, from him and everyone, a certain kind of response: to feel inspired by the tat, and tell me so.” The “tat” in question was a Latin phrase homo sum: humani nil a me alienum puto, translated, “I am human; nothing human is alien to me.” I can see how it would be interesting if the tattoo was just a hook in the article to have a discussion on what that means…but then the writer brings in all the same stale discussions about getting tattooed post-breakup as some form of reclaiming her body, a declaration of selfhood, and the tattooed body as public space in some form — all very true, but nothing new. It also neglects another real truism: no one has to break up with you for you to get a tattoo.
To read the full article, visit: http://www.needlesandsins.com/2014/04/tattoo-news-review-32.html
Back in February of this year as a part of our ongoing professional development webinar series,
TattooNOW and Off the Map Tattoo produced and broadcast an unprecedented live streaming
internet event. A collaboration tattoo from tattoo masters Guy Aitchison and Jeff Gogue,
watched as it happened by over 6000 viewers. Matt McKelvey was the lucky recipient of this
amazing tattoo. Here is his story of the experience…
When I saw that TattooNOW was offering the opportunity to be tattooed by Jeff Gogue and Guy
Aitchison, I spent the next few days writing my submission. I treated my entry like a resume,
which was built upon the image of the Heike Crab. I first saw the unique creature and heard its
mythology on Carl Sagan’s Cosmos. My goal was to have elements where both artists could
bring their strengths, but it would be unique enough to be exciting. A few months went by, and I
was honored to find out I had been selected.
It just so happened that I ended up in the same exact hotel room that I stayed in when I started
my bodysuit. There was some pretty bad weather in Portland that weekend and after a phone
conversation with Jeff, I wasn’t sure if Guy’s plane would be landing. We decided if things fell
through, the least we could do would be to work on my existing tattoo.
To Benefit the Children’s Burn Foundation
I am proud to announce the first annual “The Art of the Machine,” a charity event to be held July 11th 2014 in Downtown Long Beach at the Mai Tai Bar at the historic Long Beach Pike from 6pm – 2am.
The Art of the Machine will be a celebration of the Tattoo Machine with Custom Tattoo Machines to be auctioned off to Tattoo Artists as well as pieces by world renowned artists available to the public.
The Children’s Burn Foundation is the only known foundation that offers the Full Recovery Program for child burn survivors, locally, nationally, and internationally – a unique blend of medical care, psycho-social support services, and daily living support to help young burn survivors achieve their full potential.
The complex interplay of physical and psychological trauma resulting from severe burn injuries can profoundly affect the lives of children for years to come. Through the Foundation‘s full range of programs and services, young burn survivors receive new hope, a community of supporters who understand, and a chance at a full recovery.
Program services include:
- Medical Care & Support for Physical Recovery
- Family Emergency Assistance
- Camps & Retreats for Child Burn Survivors and Families
- Teen Support Group: Young Adult Burn Survivors & Supporters (Y.A.B.S.S.)
- Child & Family Support Groups
The night will begin at 6pm with a silent auction closing at 10pm and then followed up with live music and some special surprises until 2am.
There will be a special program highlighting the event, its donors, and sponsors with an article on the history of the Tattoo Machine and special cover art by Tattoo Artist Josh Duffy available to all attendees.
If anyone is interested in participating or sponsoring, please contact Casey Keener at firstname.lastname@example.org. We are still accepting Machine donations as well as art for auction to benefit the charity.
Current Sponsors Include: TatSoul, Eternal Tattoo Supply, Tattoo Artist Magazine, Tattoo Culture Magazine, Sullen Art Collective. Sponsorships are still available. Check out our Facebook page at: https://www.facebook.com/ArtoftheMachine
Machine Builders currently committed include: Tim Hendricks, Union Machine, Chris Quidgeon, Dewey Smith, Mike Schaeffer, John Boyd, Cory Rogers, Paco Rollins and Brandon Lewis.
Tattoo Artists donating art include: Josh Duffy, Tom Berg, Scott Richardson and Tokyo Hiro.
We will also have a website up in June, roughly a month before the event starts with profiles on the Machine Builders and Artists as well as specs on the donated machines. Anything that does not sell the night of the event will be available on the sites e-store after the event for purchase.
Thank you for your support and I look forward to everyone getting involved in this special night to benefit kids in need! If we don’t, who will?
It is with excitement and purpose that I start as the new Editor-in-Chief of Tattoo Artist Magazine. First and foremost, I am committed to continuing the culture of excellence and quality of TAM as admirably lead by outgoing Editor-in-Chief, Crash. I recognize the importance of TAM to our community & cultural progress and envision clear potential for continued growth and innovation. In conjunction with editing every issue of TAM, I also have a vision of further integrating TAM into the hands of avid tattoo collectors and artists, fully mining the educational format of TAM to better serve artists, collectors, readers and our society as a whole.
The “changing of the guard” at TAM will bring a new perspective to the magazine. With this change comes a shift in editorial emphasis to make TAM the world’s primary outlet for tattoo culture, tattoo education and tattoo art more relevant to our industry than any other magazine in our field. As the new Editor, my aim will be to increase the availability of important articles, artists, values, social and artistic advancements in our industry.
For those of you who are unfamiliar with me, I have been with TAM since it’s inception 11 years ago. Unlike Crash, I am not a tattoo artist, but have paid my dues within the industry for well over a decade. I know the ins and outs of everything tattoo and tattoo related. I am eager to start this position and see where I can help carry TAM into the future.
I invite each and every one of you who has any questions or concerns about the future of TAM and our craft to please email me to discuss our shared future and what we can build together.
You may reach me at: email@example.com
By Marisa Kakoulas
The discussion of NYC’s gentrification is nothing new, but it still stings every time I learn of another institution of art, music & grit close its door to make way for mega-store or “luxury” anything. One living institution, who has had a profound effect on NYC’s tattoo scene, is documentarian, fine artist and tattoo artist Clayton Patterson. And, as the NY Times reported this weekend, Clayton will be shutting his Outlaw Art Museum and leaving NY’s Lower East Side with his wife Elsa Rensaa, explaining, “There’s nothing left for me here.”
In a time where our own tattoo community feels gentrified — complete with “celebrity” tattooers working in glass cages — it’s understandable why Clayton and Elsa are leaving town and heading for Bad Ischl, in Austria, where, for almost 15 years, he has collaborated with the Wildstyle Tattoo Convention.
Wildstyle is one of the many projects Clayton has worked on for tattoo artists and collectors. In 1986, Clayton and Ari Roussimoff started the Tattoo Society of New York (TSNY), with the assistance of Elsa, and the group was instrumental in working to overturn the NYC tattoo ban in 1997. When asked by Vice, what about the role of TSNY, he explained:
“It was difficult to learn to tattoo in the city, but the TSNY changed much of that. Those interested in art and tattooing gathered at the Society meetings. The whole 1990s New York City new wave came out of the TSNY. The magazines came to the Society meetings. It is through the Society that Debby Ullman, who had worked at Outlaw Biker and Tattoo Review, moved over to Pat Rusians of Pink Coyote Designs, who was looking for an editor to start a new magazine. I introduced her to Jonathan Shaw, and they started, International Tattoo Magazine. At that time there were not that many photographers on the tattoo scene. Early on, there was Charles Gatewood. Then Steve Bonge started taking photos in the mid 70s. He was instrumental in getting photos of tattoos into Biker magazine. He became the lead photographer for International Tattoo.”
To read the rest of this article, visit: http://www.needlesandsins.com/2014/04/clayton-patterson-leaves-nyc.html
By Kevin Miller
If you have visible tattoos, chances are that someone has asked about how much their idea cost, how much they cost you, or the worst – how much they paid. Well, this article is for those people who are curious. The article specifically talks about a sleeve, but it applies to any tattoo really.
Huge props to Dave Tedder for taking the time to answer this on Quora…
Tattoos: How much does a full sleeve tattoo (from wrist to shoulder) cost?
Your question almost has the same answer as “How much is a sackful of groceries.?” It really depends on where you make your purchase and what’s in the sack, or sleeve.
Purchasing a tattoo is the same as making any other investment into art. Sometimes you can find an incredible artist at very reasonable rates and sometimes you can buy a polished turd for tourist prices.
Many people spend far too much on sleeves or other large scale tattoos that they will forever remain unhappy with by starting out with the exact same question you have. “How much?” Because with that mentality the next logical move once you receive an answer is to look for it somewhere else for less. Price shopping for tattoos usually leaves you in a subpar artist’s chair receiving subpar art and tattoo services. Then what do you have? A sleeve that you’re unhappy with. After a few years of looking at other sleeves that are far better most people choose to go to another artist to try and salvage the bad decision they made years prior. The smart ones have done research and decided on a competent artist at the second time, but… The truth of the matter is, at this point the tattooer is entering a fight with one arm tied behind their back. Cover ups and reworks never turn out the same quality as a tattoo that starts with blank skin. Success is determined by wether or not the tattoo looks better than it did before, not by completion of original intent.
I can assure you that the best way to get an answer to your question and a quality tattoo is to decide what you would like your sleeve to look like. Think style(i.e. Traditional Japanese or Americana, color or black and grey, realistic, geometric, etc.), think theme, think subject matter. Then spend hours and hours scouring the internet and social media sites at hundreds of hundred of tattooers work. This is a much easier task today than say 20 years ago when you physically had to travel shop to shop to look at portfolios. Don’t bother looking at the artists location, airplanes make the world a very small place, and when you find the artist that you want, I promise no distance is too great. You have your entire life to wear this tattoo and you shouldn’t sell yourself short. Make sure that every time you look at your forearm you’re satisfied. Tattoos are the only thing you have with you for the rest of your life, everywhere you go until you die. It amazes me what some people will spend on shoes or vacations and then bargain shop for a tattoo.
After you have all of the above determined, contact the artist you’ve chosen and ask about their preferred method of appointment consultation. Please keep in mind that many quality tattoo artists eat sleep and breath their jobs so sometimes answering the emails takes a little time, especially older artists that have tattooed longer than the internet has been around. Many artists work 8-12 hours a day at the studio then go home to paint or draw for the following days/weeks, so sometimes you need a little patience and persistence. During your consultation, after you’ve discussed your ideas you’ll have the opportunity for “How much?”. But most artist prefer it if you’re a wee bit smoother, as in “What’s your hourly rate?”, and “About how many sessions do you think this will take and how many hours will we be working per session?”. If this exceeds your projected budget this would be a good time to mention that and discuss other options. Be honest and up front with what you have to spend. Most good artists that I know aren’t crooks, they just want what they have determined their work is worth. Some adjust this by the laws of supply and demand and others keep a set rate their entire career. Every artist is different, and as always in the art market it’s buyer beware. Do your homework before you purchase.
Hope that helps
Unlicensed tattoo artists often work from their homes, sometimes offering customers designs for little more than a tenner.
But if they are not sterilising equipment properly, the real cost could be much greater.
Blood borne infections such as Hepatitis B or C and HIV can be transmitted through contaminated needles, and the symptoms can remain hidden for years.
Even if it is not that serious, painful infections can scar the skin.
Unregistered tattooists, or scratchers, are hard to trace, so Hartlepool Council has become the first in the country to introduce hygiene rating systems for tattoo studios.
They hope that by promoting the legitimate businesses, they will raise awareness of the risks, and let customers know where they can go to be safe.
By Molly Kitamura
My new and dear friend, Alessandra Palotti is a great tattoo artist and a great cook! Alexandra is Italian from Bologna, Italy where she has been tattooing for over 6 years. Alessandra and her husband, Koji Ichimaru, run their private studio in Bologna, what a beautiful place to live, definitely on my go-to list!
Alessandra and I got to cook together one day. I made beef Milanese and she made Bolognese sauce. I had never had traditional, authentic Bolognese before and had a completely different idea in my head on how it is made. I learned so much from her that day.
Here is a mix of Alessandra’s tattoo photos, her recipe and photos of the process. Please enjoy and try out her recipe, it will become a staple in your culinary repertoire!
Shot by Estevan Oriol
By Michelle Tan
The long-awaited Army Regulation 670-1, with new rules on tattoos, hairstyles, grooming and uniform wear, went into effect Monday.
“The Army is a profession, and one of the ways our leaders and the American people measure our professionalism is by our appearance,” Sgt. Maj. of the Army Ray Chandler wrote on his Facebook page. “Wearing of the uniform, as well as our overall military appearance, should be a matter of personal pride for all soldiers.”
The new AR 670-1 was formally published Monday via the Army’s Publishing Directorate.
“Every soldier has the responsibility to understand and follow these standards,” Chandler wrote. “Leaders at all levels also have a responsibility to interpret and enforce these standards, which begins by setting the example.”
The extensive revision and update to AR 670-1 comes as the Army pushes for a more professional force and transitions from more than 12 years of war.
By Liz Ohanesian
On Saturday afternoon, four tattoo artists went to work inside Little Tokyo’s Japanese American National Museum for the opening of “Perseverance: Japanese Tattoo Tradition in the Modern World.” They spent hours taking ink and needles to flesh, adding to the large, detailed illustrations that already marked their client’s bodies. Crowds gathered and dispersed throughout the day, watching with interest.
Most seemed unfazed by the buzz of tattoo machines. Many of the onlookers here have gone through a similar process. Some had tattooed sleeves that crawled out from under t-shirts. Others had art that peeked out above collar lines or below hems.
Instead, it was two of those tattoo artists working in silence at their stations who could provoke a wince from the crowd. They were practicing tebori. That’s the traditional Japanese way of applying tattoos. In other words, they were using equipment that wasn’t motorized. The artists dipped their instruments into ink before poking repeatedly at patches of skin on their clients. One lay on his back, an arm crossed over his eyes. His stomach moved with breaths that grew deeper as the prodding persisted. Another remained still on his stomach. From certain angles, you could catch the tension creases form on his face.
Tebori is an old-fashioned way of tattooing, but it’s not antiquated. Takahiro Kitamura, known as Horitaka in tattoo circles, is the curator of “Perseverance.” He notes that there are still plenty of tebori practitioners at work. Many of them choose to use machines to outline the tattoos, he says, but they’ll still use their hands for shading. It’s more than an adherence to tradition. He notes that some believe working by hand makes for a better, longer-lasting tattoo.
“Perseverance” is an unusual show in that it both documents and celebrates the art of Japanese tattoos, as well as the impact this style of body art has had globally. Tattoos date back to Japan’s ancient history, but flourished during the Edo period. Despite an extensive history, tattoos in Japan aren’t mainstream. In fact, many who have traveled to the country have reported of signs that ban people with tattoos from certain institutions. Even in the U.S., where body art is relatively commonplace, the Japanese style is extreme in comparison to everyday tattoos. These are not your typical daisy on the ankle. Some people invest in full bodysuits. Others may stick with the trunk of the body or limbs.
According to Horitaka, one of the major misconceptions about Japanese tattoos is that they aren’t “fine art.” Tattoos have some similarities with other traditional Japanese art forms that have found homes in museums. Take the names of the artists as an example. A number of the tattoo artists here are known by names that use the prefix “hori.” Horitaka explains that this word means “to dig or carve” and notes that woodblock prints are often signed by artists whose names also begin with “hori.” It is, he says, something that tattoo artists adopted from wood carvers.
In curating this exhibition, Horitaka is challenging the misconceptions about tattoos. Artist and professor Kip Fulbeck photographed numerous human canvases bearing the work of the best artists in the field. Horitaka selected photos that zoomed in on the art, juxtaposing those with full-sized portraits of the people who wear the tattoos. The goal was to explore the diversity within the Japanese tattoo tradition, while making the show as much about the people as it is about the art. It’s a massive collaboration between the curator, the photographer/designer, the tattoo artists and their clients. For the opening day festivities, many of the clients turned up – some traveling to L.A. from Japan – to model work that can take months, even years, to complete.
Shawn McHenry and Chad Sachman, both from Rancho Cucamonga, are both clients of Inland Empire tattoo artist Espi. They were amongst the models at the exhibition’s opening event. McHenry has a full back tattoo. It took about a year to get that done. He also has work on his leg that’s been in progress for two-and-a-half years. His tattoos tell the story of Kintaro, a folklore hero, and his encounter with a large carp. It’s a tale that relates to McHenry’s work. He owns a koi fish shop and got into the business when he was barely an adult. “If you’re foolish and blind and just want to do it,” he says of the story’s message, “you can succeed.”
Horitaka says that tattoos almost always tell a story. Those may be based in folklore, religion or history. You’ll see narratives unfold down the back, below the buttocks and onto the upper thighs. They might scroll down arms or across the chest.
As Japanese tattoos have increased in popularity, the stories they tell have changed as well. “We’re in a world of fusion now,” says Kitamura. Time-honored tales aren’t the only ones told on skin. Chris “Horishiki” Brand is an artist at Good Time Charlie’s in Anaheim. He’s also part of the L.A.-based art collective UGLAR. For this exhibition, he presented 108 Heroes of Los Angeles. It’s a retelling of Shui Hu Zhuan, a Chinese novel that later made its way to Japan, where it’s known as Suikoden. In this series of tattoos, Brand merges Japanese and Chicano art in a story of rebellion. Photos of the tattoo piece are exhibited in the museum.
Undoubtedly, with narrative-based pieces as involved as these, getting a Japanese-style tattoo requires a serious commitment. Shawn McHenry once went through three days in a row of tattoo sessions, with each one clocking in at about 12 hours. “It got to the point where we would have to stop because of the smell of flesh,” he says.
He says that there is an endorphin rush that comes with being tattooed. That, however, can wear off when you’re in the lengthy sessions that occur with large pieces. He says that, at a certain point, the pain stays in a specific part of the body. It doesn’t move with the needle. Chad Sachman agrees with that sentiment. Last week, he had work done on his lower back, over the spine. “I was actually feeling the pain in my knee,” he says.
As for the artists, their work requires constant study. Horitaka, who owns a tattoo shop in San Jose, spent several years as an apprentice in the U.S. and another decade studying under a Japanese tattoo master. Although he works solo now, he’s not done learning. He says, “I think I’m always going to be a student of the Japanese tattoo.”
By Sara Barnes
By Molly Kitamura
Grime, Grime, Grime. One of the best tattoo artists in the world! On the slim chance you have not heard of him, he has a shop called Skull and Sword in San Francisco. He is widely known for being a renaissance man of tattooing (and art in general!). What I mean by that is that man consistently crushes any tattoo or style of tattoo requested of him no matter what it is. Grime has created his own style in the process, one that cannot be imitated or replicated although many have tried and failed. Basically you have to see his work for yourself to understand what I am talking about and I highly recommend checking him out!
But today that is besides the point. Today we are talking Grime and his food! Mr. Grime can also cook (…renaissance man…) and he occasionally sends me photos of his dishes. They always look amazing. The other day he sent me a particularly mouth-watering photo of his pan-fried salmon filet with an oven-roasted yam and sautéed spinach garnished with raisins, pine nuts and a balsamic glaze. That photo had me seriously second-guessing what I had already decided to cook for dinner that night. You can never go wrong with simple yet sophisticated! Check out a few great recipes and some of Grime’s tattoo work below… Cheers!
I will try my best to recreate Grime’s recipes for you all. Try this dish for your next dinner, you will love it!
Grime’s Pan-fried Salmon Filet With Oven-roasted Yam and Sautéed Spinach
By Kevin Miller
Last month we posted this video featuring Mr. X, also known as Duncan X. Since we’ve posted the video, it’s become a ‘Staff Favorite’ on Vimeo, and it’s receiving national attention. The Atlantic featured a short interviewed Alex Nicholson, the mastermind behind the short video.
The Atlantic: How did you come up with the idea for the film?
Alex Nicholson: It was a combination of things really, summed up by one event really: I once saw Duncan walking down the street. Fifty percent of the people walking past almost got whiplash from turning around to look/stare at him. I was wondering what was going through their heads. I have been getting tattooed by him for a number of years and the way he speaks, his manner and personality all smack of a man who wouldn’t make people walk into lampposts if they knew him in this way.
TA: Do you personally have a connection to tattoo art?
AN: Only in the way that I have tattoos really. Duncan once said in an interview (paraphrasing here) that getting a tattoo was like getting a (actually very cheap considering) work of art that you can’t give away. That resonates nicely with me.
TA: What’s the process for digitally removing and then re-illustrating tattoos?
AN: Well I have to heap praise on my make-up artist (the lovely and talented Denise Kum) here who relentlessly edged out his many tattoos during the course of the day. We put them back on (when they animate) digitally. The process of removing the tattoos was a mind blowing process that I’d probably get killed for talking about in detail.
While it’s an interesting interview, I think the fact that The Atlantic published an interview about a short tattoo film is far more interesting. It says a lot about the world we live in, and how comfortable people are with tattoos.
By Gene J. Koprowski
A mummy of an Egyptian woman dating back to 700 A.D. has been scanned and stripped to reveal a tattoo on her thigh that displays the name of the biblical archangel Michael.
The discovery, announced by researchers at the British Museum over the weekend, was made during a research project that used advanced medical scans, including Computed Tomography (CT) images, to examine Egyptian mummies at a number of hospitals in the United Kingdom last year.
The woman’s body was wrapped in a woolen and linen cloth before burial, and her remains were mummified in the desert heat. As deciphered by curators, the tattoo on her thigh, written in ancient Greek, reads Μιχαήλ, transliterated as M-I-X-A-H-A, or Michael.
Curators at the museum speculate that the tattoo was a symbol worn for religious and spiritual protection, though they declined to offer additional details.
‘Michael is an obvious identity for a tattoo, as this is the most powerful of angels.’
- Maureen Tilley, professor of theology at Fordham University
But other scientists and theologians offered their thoughts on the tattoo’s cultural context.
“There was a sizable Christian population in Egypt in the 700s, perhaps close to a majority of the population,” said Maureen Tilley, professor of theology at Fordham University in New York.
“Like Greeks and Romans across the Mediterranean, the portion of the population that was literate was fascinated by the shapes of letters and delighted in making designs with letters in names. Hence, we have the odd shape of the tattoo composed of the letters.”
Placing the name of a powerful heavenly protector on one’s body by a tattoo or amulet was very common in antiquity, Tilley told Foxnews.com. “Christian women who were pregnant often placed amulets with divine or angelic names on bands on their abdomens to insure a safe delivery of their child,” she said.
“Placing the name on the inner thigh, as with this mummy, may have had some meaning for the hopes of childbirth or protection against sexual violation, as in ‘This body is claimed and protected.’ Michael is an obvious identity for a tattoo, as this is the most powerful of angels.”
Christian Gnostics, religious cultists in that era, were especially interested in the names and functions of intermediary beings between humans and the divine, Tilley noted.
“The Gospel of Truth and the Book of Enoch were both popular among them and have much about an angel whose story sounds very much like that of Archangel Michael in many Christian stories, the angel who led the heavenly army against Satan and the Fallen Angels.”
She added that Christians were not the only ones to use the names of angelic powers in ancient days. “Jews of antiquity were fascinated by the identity and nature of angels,” she said.
Villanova University biology professor Michael Zimmerman, who also has used advanced technologies to study Egyptian mummies, said this kind of find has been sought for years.
“I did participate in an expedition to the Dakhleh Oasis in Egypt’s western desert several years ago,” he told FoxNews.com. “This was an early Christian site (around 200 AD), and the deceased were still being mummified, by simply being dried in the very hot climate.
“We did not see any tattoos on those mummies, so the British Museum find is remarkable.”
The museum, which is located in London, will reveal what it has learned about this and seven other mummies in “Ancient Lives: New Discoveries,” an exhibition scheduled to run from May 22 to Nov. 30.
John Taylor, lead curator of the ancient Egypt and Sudan department at the museum, told a local newspaper over the weekend that the exhibition will tell the story of the lives of eight people from antiquity, portraying them as full human beings, rather than as archeological objects.
Using sophisticated medical imaging usually reserved to study strokes and heart attacks, the research team discovered that these eight ancient individuals, whose remains have been held in the museum for some time, had many of the same traits that modern man does, including dental problems, high cholesterol levels and tattoos.
The exhibition portrays one mummy that dates back to 3,500 BC, as well as the tattooed female, aged between 20 and 35, who lived and died about 1,300 years ago. Researchers pointed out that regular Egyptians – not only the royals – were mummified.
The tattooed mummy, the remains of which were found less than a decade ago, was so well preserved that archaeologists could nearly discern the tattoo on the inner thigh of her right leg with the naked eye. But medical infrared technology helped them see it clearly.
The Vatican’s school of science, the Pontifical Academy of Sciences, did not return multiple requests for comments made by FoxNews.com.
By Guy Aitchison
For a decade and a half now I’ve been perfecting my Reinventing The Tattoo curriculum, which teaches some of the fundamentals of artistic design in a way that can be applied toward making your tattoo work stronger, more dynamic, and more unique. It’s an educational program that has been attended by many artists who are now among the industry’s top artists and educators. So I’m psyched to offer this first installment of Reinventing The Tattoo in interactive webinar format. That means that you can attend it online from anywhere in the world but still participate in the critiques, exercises and discussion. I’m offering a limit of 30 tickets so that everyone’s work gets enough time on-screen, where I not only critique it but also use Photoshop to demonstrate ways of improving it. It can also be attended in person at a hotel near us in Marion, Illinois, but many webinar participants have found that the closeup, high definition experience they get on their computers is almost better than being there in person.
It starts on April 8, where I’ll begin by going over the Reinventing fundamentals: Flow and fit, positive/negative relationships, contrast, priority and reserve, lines and edges, depth, and lighting effects. We follow that by doing an on-screen critique of each participant’s work, applying the concepts that were demonstrated at the beginning of the day. At the end of the session I’ll be handing out exercises for everyone to work on that night. Then, on April 9 we’ll go over everyone’s exercises so we can see how all the important fundamentals have been applied, and then follow up with a group of closeup video clips that demonstrate my latest understandings about technique. The Reinventing The Tattoo webinar is both immersive and interactive; wherever you live you can a part of this concentrated learning experience. Tickets are available now at the http://www.TattooEducation.com online store and TattooNOW.com/Webinars.
By Jason Brown
S.T. Tattoo Studio celebrated their 15 year anniversary March 1st with a charity art show, featuring over 60 of the best artists in the industry. The show consisted of hand painted skateboards from throughout the country from some of our dearest friends in the tattoo industry, graffiti, and art scene. Despite the down pour that weekend we still had a great turnout. Over 200 people in attendance Saturday night, doors opened at 6:30 and the show went strong until midnight. Keeping track of 60 people, let alone 60 artists, was a feat in itself. Artists such as Bob Tyrrell, Big Gus, Chente Rios, Dan Smith, Josh Duffy, Allana Padilla, Jeb, Rich Pineda, Robert Atkinson, Josh Hagan, Dan Dringenberg, Johnny Quintana, Rick Clayton, Jimbo Phillips, Wes Humpton, Michael “Buck” Ramirez, Axis, and many more. Still we managed to get all the boards shipped out and returned with fabulous art work to raise money for the Heart of Los Angeles. (H.O.L.A) provides underserved youth with exceptional programs in academics, arts, and athletics, within a nurturing environment, empowering them to develop their potential, pursue their education and strengthen their community.
S.T. Tattoo Studio in West los Angeles was founded in order to celebrate the fusion of punk rock and tattoos. Jason Brown and Mike Muir (Suicidal Tendencies) opened the shop together in ’98. After a few years, Brown bought out Muir, but the shop is still very much connected to the S.T. movement and the band. 15 years later the shop is still going strong. Jason Brown has since taken on a new partner Donovan Faulkner, long time friend and fellow tattoo artist of 13 years. Together they continue to push themselves daily to create great works of art and preserve as much tattoo tradition as possible in our ever changing industry.
We would like to thank everyone who donated their time and product. Thank you to DTLA Tattoo for offering to host at their location. We would like to especially thank all of our friends and fellow artists that contributed, you guys rock! Special thanks to Sullen Art Collective, Jarritos, Starr African Rum, NRC, and Marina Graphics Center, for sponsoring this event. We would also like to thank City of Angels Photography, Santa Monica Airlines, Rip City, the Barrios family, and PWD, for all their donations. You all helped make this charity event possible. Join us next year for the 2nd Annual Possessed to Paint Charity Art Show.
By Tom Blackwell
Mention tattooing and health in the same sentence, and chances are the topic is one of the nasty infectious diseases — from HIV to Hep C — that can be transmitted by dirty needles.
A new Canadian study, though, may be about to change that image, suggesting that tattooing equipment could actually be an effective new way to combat an array of skin conditions, penetrating deep enough to deliver drugs to the right cells, but not so far that the needle prods sensitive nerves.
“It’s logical that it works…. But we were amazed”
The just-published research found evidence that tattooing could greatly improve treatment for cutaneous leishmaniasis, a parasite that leaves millions of people worldwide with disfiguring, and often emotionally devastating, facial sores. It affects mainly developing countries, but even Canadian soldiers returning from Afghanistan have contracted the illness.
The technology, though, could eventually have application in treating skin cancer, psoriasis and other ailments, speculates the scientist behind the project.
“We were extremely excited, very surprised [at the success of the experiment],” said Anny Fortin, a biochemist who did the work at McGill University. “If you think about it, it’s logical that it works.… But we were amazed.”
She cautioned that the initial study, published in the journal Scientific Reports, was conducted on mice, so there is no guarantee the results will translate into humans. The next step is further drug-tattooing work on pigs, whose skin is closer to that of people, and then to try the technique on humans if the animal research is successful.
Ms. Fortin said she came up with the idea after talking to a colleague who works for a company that makes tattooing equipment for applying permanent makeup. She obtained funding to explore the novel idea from Grand Challenges Canada — a federally funded agency that finances research on affordable innovations to attack health threats in poor countries.
Leishmaniasis, it turns out, is ripe for some kind of new approach. Caused by a parasite that sand flies transmit, the most dangerous form attacks internal organs and can be fatal.
The more common cutaneous version will not kill, but leaves patients with stigma-inducing ulcers on their faces, sometimes making it difficult for them to find a spouse or otherwise affecting their lives deeply. An estimated 1.5 million new cases are recorded yearly.
None of the current treatment options are ideal. One drug can be administered systemically, but the intramuscular injections — one a day for a month — are toxic and painful. Hypodermics are also used to deliver the same drug directly into the lesion, also extremely painful.
“I’ve seen children being treated, six people were needed to immobilize the child and this little kid was screaming like crazy,” said Ms. Fortin.
The tattooing machine targets Leishmania cells just below the surface of the sore, depositing the drug — instead of ink — into the bottom of the little holes it creates, far less painfully than a hypodermic needle. Ironically, it acts in much the same way as the fly injects the parasite when it bites someone, said Ms. Fortin.
Her study compared treatment of ulcers in mice using the tattooing gear, versus the intramuscular injections, and a topical ointment applied on the ulcer. The tattoo method was the most effective in all cases, clearing up the lesions completely, the study reported.
It is possible the heat generated by the tattooing also helps, triggering inflammation that brings immune cells to attack the pathogen, said Prof. Uzonna.
Ms. Fortin said she is now trying to obtain another round of Grand Challenges funding, which would require her to find matching grants from other sources.
Shot and edited by Luke Holley
By Dawn Cooke
In honor of women’s history month I have compiled a list of women in the history of tattooing. This is not a complete history by any means. There are hundreds of women throughout time who have contributed to the art form and trade of tattooing. Unfortunately a lot of them have gone unaccounted for. I have tried to find some of the lesser-known women to highlight here however some of the well-known artists have also been included. I have included women with at least 20 years under their belts. I was overwhelmed with the response to my idea to write this article.
Some of the women earlier on in history who paved the way for us included several sideshow performers. Betty Broadbent and lady Viola are among the most well known. In the 1930’s Mildred Hull was one of the few women tattoo artists working on the bowery in NY. The beloved Cindy Ray from Australia, tattooed into the year 2007. These ladies have set our roots and our history is being made as we speak. But here are 20 women, most of whom are tattooing still, who deserve recognition for their contributions! These women tattooed long before social media and Reality television. They may not be masters at social media but they are masters of their craft. Take the time too look into these great artists! (In no particular order.)
1.Madame Chinchilla http://triangletattoo.com
2.Loretta Lue http://leufamilyiron.com
3.Pat Fish http://www.luckyfish.com