By Kevin Miller
Did you know the government in France is discussing the idea of banning colored inks? It’s been a few weeks since the last hearing, but the last proposal would ban all colored (or coloured) inks with the exception of black, white, grey and specific shades of blue and green.
Interview by Ricky Williams
Tony Nilsson aka Tony Tox first came to my attention when I noticed Ricky Williams (The Family Business) was doing a guest spot at his shop, Blue Arms in Norway. The work Tony was turning out and the work coming out of the shop in general really blew me away. It’s great to find awesome tattooers flying under the radar in this day and age. I’d been looking to start a new interview feature with various tattooers interviewing their friends and this seemed like an ideal start. Ricky and Tony were kind enough to oblige me and below is the interview that came of this request.
Ricky Williams: Hey Tony I’d like to say thanks for doing this interview with me for the Swallows&Daggers blog. I was lucky enough to come and work with you guys in Norway. How’s the shop going and what’s the story behind Blue Arms?
Tony Nilsson: Were absolutely honoured to have you over buddy. I had a great time when you came over here; you’re a funny guy Ricky! Yeah the story behind Blue Arms is basically that the three of us (Christoffer Wøien, Morten Transeth and I) needed a place to work at the same time and were buddies from some time ago so we started looking at a place and it all went super-fast so after just a couple of days we signed the contract for our new studio, then we started looking into what we should call our new shop and Morten came up with idea of Blue Arms Tattoo after reading the biography of the old tattooer Amund Dietzel, who was born in Norway and lived in the early 1900s. We have always loved his work and thought that it would be great to have a kind of tribute shop to him in Norway since he is/was one of the biggest names here, we opened the shop August 2012 and its been busy ever since. I’m so happy that it worked out…
RW: Getting tattooed by you one night after work was such a great and memorable experience and I must say it’s one of my favourite tattoos. Tell us, what are your favourite things to tattoo?
TN: Ha-ha, really, you have soooo many good ones! Well I’m honoured to tattoo you Ricky… I guess my favourite things to do are old classic flash pieces of any kind… snakes, girls, daggers, roses, eagles etc. and all of them combined together in any possible way.
RW: I still can’t believe you let me tattoo you on your birthday and how nervous I was to do it. I know it must have been a big mistake (laughing) who else have you been tattooed by and what’s your favourite piece?
TN: Aaah I love that little panther you gave me! And for you to do it on the first day guesting at blue arms on my birthday while I was drunk is awesome. Thanks for the great gift buddy! I guess I’ve been tattooed by mostly buddies over time, but to name everyone hmmm, let’s see; Morten Transeth, Christoffer Wøien, Marius Meyer, Marco Meloni, you, Mikael Harrstedt, Jonas Uggli, Steve Boltz, Bert Krak, Hillary Fisher-White, Brad Stevens, Ashley Love, Lautaro Belmonte, Nic Ink, Hans Heggum, Ezra Haidet, Austin Maples, Ryan Shaffer, some guy from Brazil, some shit from Thailand (since I’m Swedish hahahah) Jeff from AWR, Henry Hablak, and I guess that’s it. I must say that of my favourites is my neck from Steve and hands by Morten and yours off course, ahhh fuck they’re all good, great memories from everyone, even the shit from Thailand is cool in a way.
I’ve been following Danny’s work for years, and finally crossed paths with him this summer. I’ve always admired his hard work and approach to the art, and I’m proud we’re featuring his work on Tattoo Snob. I always knew that Danny was one of the good guys in tattooing, and this interview does nothing if not reinforce that.
Tattoo Snob: How would you describe your tattooing?
Danny Derrick: I do tattoos that are built on Traditional American rules, but they have a lighter, more illustrative look to them. However, the longer I’ve been tattooing, the more I am leaning toward a classic traditional look.
TS: What is the most random thing you’ve tattooed on someone?
DD: In my 5 years of tattooing, I’ve worked in mostly appointment-only studios, which has afforded me the privilege of not having to do many random/weird tattoos. However, sometimes clients will request an idea that is somewhat out of the norm like a blonde wolf with antlers and the antlers becoming branches with an apple growing from them. This one, although random, still allowed me to arrange them in a way that didn’t feel too forced. At least to me it did.
TS: Imagine you found yourself stuck in an elevator with one tattooer of your choice — we’re talking several hours at minimum, so you two could really talk business. Who would it be, and why?
DD: Although a handful of tattooers instantly come to mind, I’d have to say Chris Conn. I was lucky enough to get tattooed by him recently and he has a wealth of knowledge, not only when it comes to tattooing and painting, but on seemingly most everything. I’m sure it would be an enriching experience. But let’s be serious, this scenario is highly unlikely.
TS: What would you be doing professionally right now if you weren’t tattooing?
DD: Who knows. My life could have gone a number of different ways. I probably would have pursued music more. I was in a touring band at the time I started tattooing and at that point I switched gears and gave tattooing the highest priority. If I hadn’t started tattooing there may have been another career path that sparked my interest and developed into something I was really passionate about, but like I said, who knows.
TS: Name an “ah-ha!” moment you’ve had in regards to tattooing.
DD: Seeing Chris Conn’s work for the first time. It was then that I saw how refined tattooing could be. His work gives you a window into another world and crates a narrative that tells a story that a tattoo of words never could. There are many other ah-ha moments, most of which were during my apprenticeship with Craig Beasley. It seemed, every day he’d explain a new piece of the tattooing puzzle I was trying to put together in my head.
TS: If you could only tattoo one thing for the rest of your life, what would it be?
DD: It definitely wouldn’t be family crests, I’ll tell you that god damn much. I’d be happy tattooing faces. There’s so many different ways to do them and show emotion They can be adorned with almost any other element I’d want to include as well. So that would be my loop-hole. A girls face with, fill in the blank.
TS: Name your influencers in life — people, things, whatever.
DD: This is something that is rediscovered every day. Everything in life influences me in one way or another, both directly and indirectly, consciously and unconsciously.
TS: Where do you find inspiration in regards to tattooing? And art?
DD: In tattooing, I’d have to give credit to Craig Beasley, Russ Abbott, Chris Conn, Seth Wood, Dan Smith and Adam Barton
TS: What kind of music do you prefer to listen to while tattooing? What about drawing and painting?
DD: I’m constantly trying to switch up what I listen to while working. A few constants would include Thrice, City and Colour, Murder by Death (especially “like the exorcist”), Converge, and Willy Tea Taylor.
TS: I’m sure you have a favorite tattoo of your own. Who did it, what is it… and any chance we could see a picture?
DD: My favorite tattoo is of a passenger pigeon on a branch of a pine tree and it was done by Seth Wood in 2009. I have to opt out of sharing a photo of the tattoo, since he never published it himself. If you take a look at his work, you’ll see what general style he does and why it would be my favorite.
Find Danny Derrick online:
By Bj Johnson
The meaning behind the madness…
I have been making things my entire life. I was never a conscious choice, it simply flowed naturally and automatically from my skills, my interests and my passion. For me, creating is innate. I cannot not create.
I finally made a career of my art in 1997 when I began tattooing. Tattooing is creative and experiential, but I found I still needed to build tangible things as well, so I soon gravitated to investigating the mechanics of building tattoo machines. Creating custom tattoo machines from scratch was wildly fulfilling, and naturally I wanted to set my work apart from others. To do this, I turned to other forms of metal art. I took a couple jewelry making classes at GVSU and was introduced to the metalsmithing craft. I became addicted to this new medium immediately. However the constraints of tattoo machine mechanics would not allow for exploration of all these wonderful tricks and techniques the metalsmithing world offered, so I began making little sculptures. These small scale sculptures were simply physical forms based on ideas and emotions I had, but I never went in any specific direction with them. It was just playing.
I have also always loved symbolism. Wanting my work to have deeper meaning and layers, I began researching. All the paintings of the old masters are rife with symbolism. Each element in their paintings was there for a reason. I loved this and began to search for ways to include symbolism in my own work.
All of this became a explosion of purpose when I thought of making my monster sketches into three-dimensional pieces. Through my research I found that historically,
By Jon Osiris
Read Part 1 here: http://wp.me/p14cQJ-59Q
It so happens that after becoming a bit more familiar with this place, I have been privy to further tales and experiences with The Natha and his strange and magical ways…
After morning exercises some weeks back, I was invited to take tea with the Natha somewhat privately, along with a couple of other students. While we were ushered past a stone statue in the courtyard of the elephant headed god Ganesh, whom was bedecked with garlands of marigolds and offering bowls full of sweets, we entered into a small antechamber where the Natha’s consort was serving tea. I exchanged formalities and a few pleasantries with her and the other three while everyone was served. Two of them were male senior students at the temple and neither were likely yet twenty years of age. The third, a friend and guest of the Natha, a pleasant woman tattooist and artisan in her early thirties.
While sipping the aromatic brew we listened as the Natha told us why we were assembled. It had to do with a messenger who had arrived a few days back… a weary looking fellow that had appeared one evening and begged to see the Natha straight away, even before accepting food or water. I had not heard anything more about him until now. The man had traveled for several days without stopping, only taking sustenance when it was dire, exhausting his provisions quickly nonetheless. The news that the messenger carried came from his village in the hill country north of the temple. Several animals from the village had gone missing and most recently a small mute child was also gone from her play area near her families’ hut. The local hunters had seen the sign and tracks of a large snake near the livestock pens, though absolutely no sign was detected near where the child was playing. If that wasn’t enough, the headman’s daughter was coming into her own as a shaman and had sent word also to request a special tattoo ceremony to mark the transition fully into this capacity as a helper and healer of her people. The Natha had lived with the people of this village for several years before he had the vision to build the temple. He related that the headman and the old shaman were close friends of his and it was apparent that the he held them in high esteem. We were asked to accompany the him if we desired, on his journey into the hills to assist his friends in whatever capacity he could. Of course, all of us were keen on going and made immediate preparations to leave the following morning. The messenger would stay on to rest and receive needed care from the Natha’s consort.
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By Marisa Kakoulas
From today through December 23 (or until they run out because I don’t have many left), my new Black Tattoo Art 2 will be on sale for $140 (including free shipping in the US); theBlack & Grey Tattoo box set is on sale for $300 (originally $399); and the individual books of the set are $120 each.
You can order via Paypal on the Needles & Sins online store or contact me at email@example.com.
By Reba Maybury
Maellyn Macintosh is in the process of creating an exciting series of documentaries about tattooing in various cultures, but to complete all of the work that has been created so far she needs backing. You can read more about what Maellyn has created so far and watch a trailer of footage made so far.
In the first episode proposed Maellyn will travel to remote regions of India to document the indigenous tribes who use tattooing and piercing as an essential way of life, for healing, as a form of currency and as a form of religious devotion.
Here is Maellyn’s background to the documentary series so far:
Tattoos, piercing and scarification are now becoming mainstream and the taboos surrounding them are slowly vanishing. But where do they come from and why were they used?
Indigenous communities have cut, coloured, pierced and shaped the body for centuries as part of complex rituals; for identity, beauty, healing, spirituality, coming-of-age ceremonies, and even occasionally as punishments. There are still some communities who live as they did hundreds of years ago but most are being forced to integrate into western society, by threats to their land, resources and customs. Maellyn wants to tell their stories before they are lost forever.
Maellyn became fascinated by body modification while filming with a group of modern body modification artists and performers in London. Her curiosity lead her to begin researching the origins of these practices and in December 2010 she took a camera and made a trip from Kathmandu in Nepal, through Central India to Southern India. In Nepal she met the older tribeswomen with beautiful tattoos, whose grandchildren wouldn’t dream of tattooing in fear of not being offered work. In Central India she met the fascinating Baiga tribe, natives of the forest who use plant medicine in their tattoos, which are also placed on pressure points for healing. The women of this tribe wear their tattoos with pride as they are considered a currency which can be passed on to the next life. She also met the nomadic and elusive Ramnami tribe, a low caste tribe whose facial and full body tattoos bear the name of the upper caste god, Ram.
By Tomas Jivanda
Reblogged from: http://www.independent.co.uk
Five tattoo parlours in Scotland will be offering free swastika tattoos on Wednesday as part of a global event to “reclaim” the symbol.
The worldwide initiative branded “Learn to Love the Swastika”, is being held on the first anniversary of the death of a Canadian artist and poet called ManWoman, who was covered in swastika tattoos.
ManWoman spent decades trying to restore the image of the swastika – an ancient image of peace in Hinduism and Buddhism – tainted by its use in Nazi Germany.
He claimed to have been prompted to start the campaign after a series of dreams and wrote a book on the subject titled “Gentle Swastika, Reclaiming the Innocence.”
Writing on Facebook, organisers said the event, which will see tattoo parlours across the world participating, was set up to “spread knowledge and appreciation of the gentle swastika”.
Audrie Cabena, who works at Yankee Tattoo Parlour in Dundee – one of the shops taking part – told the Evening Telegraph: “I met ManWoman once and he was covered in swastikas. I think it is important to recover that symbol and educate people really.
“It has been a peace symbol for thousands of years, but it is now seen as a symbol of hatred just because of a relatively short amount of time.
“I will talk to the people that come in on Wednesday and make sure they are doing it for the right reasons.
“I’m not saying it is safe to walk around with a swastika on you and you might get people making comments. But if I receive any backlash over this then I will have to deal with it when it happens.”
Anti-racism campaigners have condemned the event. A spokeswoman for Show Racism The Red Card in Scotland told the Daily Record: “I’m shocked – really shocked – by this. I’m appalled.
“I don’t think anyone today would see the swastika as a peace symbol, and I would advise against any legitimate tattooing business doing this.
“Much as the swastika may have started as meaning one thing, fascism is what it represents now.”
By Estevan Oriol
By Brandon Collins
Reblogged from: http://www.tattoosnob.com
With the invention of tattoo “reality” shows, the average un-tattooed or mildly tattooed person is led to believe that tattoo artists are superheroes: they can draw an entire back piece in 15 minutes, go out to the clubs all night and still come to work on time, able to tattoo whatever you want, wherever you want it.
That sounds awfully appealing to some kids–but it couldn’t be any further from the truth. Anyone who has spent time in a tattoo shop knows that most tattooers are your average hardworking dads and moms with mortgages, car payments and phone bills,not prima donna rockstars that get VIP everywhere and drive Lamborghini’s. Those TV shows make a mockery of our profession and because of them, our trade has been diluted by half-ass, mediocre tattooers. Not only have these hacks not paid their dues, but they pump out crappy $20 tattoos that the average joes doesn’t even realize are shit.
Before deciding you want to be a tattooer, think about this: Say my appointment for the day doesn’t show up, so that $400 I needed to pay rent and put food on my table will just have to wait. If YOU go to work and no one shows up, YOU still get paid and so you can afford to sit home home and watch “TATTOO SCHOOL” and say to your stoned roommate “bro, I can totally do that shit!”. You get breaks and paid holidays, insurance and an guaranteed paycheck every week. We don’t. We work 50-60 hours a week tattooing, drawing and painting with no medical benefits and no retirement funds.
Don’t listen to your family. That skull with the lightning bolts and a joint in its mouth you drew in the 8th grade ISN’T amazing. Your parents, close family members and friends are always going to tell you that you are a natural artist. Their biased encouragement will only give you the false confidence to go into a tattoo shop and get your feelings hurt. Tattooing isn’t a hobby or something just to pass the time. It is a profession and a sole mean of income, so if you think we will welcome you and your “tat guns” into our trade with open arms, you are sorely mistaken. Apprenticeships are meant to be hard–to weed out the undeserving. If you are lucky enough to get one (and I do mean lucky) you will be taught a skill that can carry you for the rest of your life and you are forever indebted to the person who taught you. There are those dip-shits that don’t have the balls to go into a tattoo shop and try to get an apprenticeship – or they did and were tossed out, just order some “guns” online and “do tats” out of their house. Not only is this completely disgusting, unsanitary and unethical, but also illegal. Don’t even think about doing that. Those fucktards can do some real and irreversible damage to someone not to mention potentially spread disease.
Most tattoo artists don’t make a lot of money. Tattooers get paid by the hour but that money isn’t dumped right into our pockets. We have to give a percentage to the shop and pay for supplies and what-not. In reality we only get a fraction of what we charge for your tattoo. So when you tell me, “Dannnng $100?… Thats a lot, you must be rich!” and I want to run a steel spike through your head, you will understand why. As I mentioned before, if an appointment doesn’t show up or you don’t have anything scheduled, you don’t get paid. Imagine going to your job at Home Depot or where ever and working a full day without pay.
So next time you have the urge to be like Kat Von D or whatever rockstar tattooer is the flavor of the week… remember this: Countless hours of work for minimal pay and no benefits is the life that we have chosen and will defend with extreme prejudice. Do yourself a favor: keep your day job, and leave our profession alone.
Brandon owns and works at Nightmare Studios in Reno, NV.
By Marisa Kakoulas
Reblogged from: http://www.needlesandsins.com
One hundred years ago, Amund Dietzel (1891-1974), of Kristiania, Norway, arrived in Milwaukee with a knowledge of tattooing he picked up on a merchant shop. Deciding to make the city his home, he opened up a tattoo parlor that attracted tattoo collectors far beyond Milwaukee. Sailors and marines during two world wars came to see Dietzel before leaving for battle, choosing powerful designs from his handpainted flash that hung on the shop’s walls.
Dietzel “helped define the look of the traditional or old school tattoo,” the Milwaukee Art Museum wrote of their “Tattoo: Flash Art of Amund Dietzel” exhibition, which ran from July to October.
That wonderful archive of Dietzel’s painted flash, stencils and drawings, from the collection of Jon Reiter, will be exhibited at Great Lakes Tattoo in Chicago, from November 29th to January 5th.
During the November 29th opening, not only can you view Americana tattoo history, but also have a piece of it tattooed on you, as artists will be offering tattoos from Dietzel’s flash sheets from 12 to 10 PM that day. The opening party, with food & drink, runs from 5 to 8 PM.
Proceeds from the tattoos, as well as beautiful limited edition prints (shown below) and shirts, will go towards the hefty medical expenses Jon incurred from an ICU stay.
For more on Amund Dietzel’s life, pick up Jon’s fantastic books, These Old Blue Arms: The Life & Work of Amund Dietzel, Volumes 1 & 2.
By Mickey Schlick
I’m always trying to find answers to as many of the little issues that life throws at me as possible. I wanted to share some things that I think are applicable to our life in the shop. Often, I notice that many tattoo shops, especially street shops, lack adequate space for that most important or our chores, drawing. I wanted to cover a quick fix for this: a low cost, zero floor space, cheap drawing table.
Since my first gesture drawing class, I have been hooked on lap boards and I think they are a great solution when needing to move around is a must. Sitting in the chair and having the board at an angle against a table or the back of another chair gives a large drawing area and a much more comfortable angle. The other thing that most people don’t really notice is how much a horizontal surface can potentially skew a drawing.
Personally, I was looking for a more permanent fix and so I did some “figurin’” to come up with an idea that matched all of the benefits of having a large drawing table without loosing any floor space in the shop. The one thing about this plan in particular (which I am hoping that some of you will turn into ideas of your own) is that it is not very adjustable. So, as the old adage goes, measure twice cut once. On the upside, it is so cheap and easy that you can have multiple drawing surfaces in the shop that work for different people or drawing styles or projects for well under $100.
In our shop, most of the artists like to draw pretty big which we like because you can get a lot of life into the work when drawing with your whole arm. Personally, I’m about the newsprint because I would rather retrace my design with a marker on tracing paper than slide the rough onto the copier, or photograph it and deal with it digitally, but sometimes I can go big with it or sometimes I can work out a whole bunch of thumbnails on one sheet. Most papers have a larger style (I like 18×24), just think about what you like to draw on and then buy your table based on having enough room to draw and support your whole drawing pad and arms and whatever else you need, while still fitting the space. Obviously, you don’t need to go that big, but you could go larger or smaller on the table or paper (all of the measurements for this will be unique to you and your situation, so I’m not going to get too deep into that. ) Just read this, think about the logic of it, then go out and build your own that is perfect for your situation.
I started with a very complicated idea, which I won’t get into, but I will say looking back that I don’t know how my head got that far up my ass. I had spent all this time planning out this awesome drawing table with a support frame and a bunch of super heavy wood with a crazy detailed stain. Sounded good until I realized that it was going to be entirely too heavy for the wall and the stain didn’t go as easy as I thought it would. In the end, what worked the best was to keep it simple, use this 24″ x 48 1/2″ MDF for like $10. I just had them cut right there at Home Depot, to like 24″ x 36″ then painted it to match the wall that it was going to hang on with paint from the shop, so that you can barely tell it’s there at all. Very low impact, even visually. It’s great!
OPENING: NOVEMBER 28, 2013, 7PM-11PMRUNNING TO: DECEMBER 8, 2013……………………………………………………….Trippin Balls features paintings and print work by Toronto tattoo artists Alex Snelgrove, Kyle Hollindrake of Okey Doke Tattoo shop, and illustrator Paul Jackson. The exhibit features over a dozen bold and bright coloured vintage graphic designs, and vibrant psychedelic painted scenes pulled from the artists’ imaginations. We’d describe the works as nothing less then AWESOME!.HUNTCLUB will be displaying and selling original paintings, custom prints, and temporary tattoos.The opening reception is November 28 from 7pm – 11pm. The exhibition will remain on display from 1pm-7pm on weekdays until December 8 .About the artists:
Alex Snelgrove has been tattooing since 2009. She has an extensive illustration background and continues to make art outside of the tattoo shop. http://theokeydoketattooshop.com/
Kyle Hollingdrake has been tattooing since 2001. He loves tattooing tigers, dragons, wizards, unicorns, motorcycles, buxom ladies, muscle bound warriors and anything else thats awesome.http://theokeydoketattooshop.com/Paul Jackson is Toronto based illustrator and painter. http://pjartist.com/
For any inquiries regarding the show or gallery, contact Darlene Huynh at firstname.lastname@example.orgHUNTCLUB709 College St. WToronto, Canada
Most individuals that I meet who work in a tattoo studio often mention to me…”You’re furniture is really bloody great, but unfortunately I don’t have a $1000 kicking around for a light table, and some of the stuff that I would like to have in the studio isn’t readily available and at an affordable price.” So I talked with a friend of mine involved in the tattoo industry, he mentioned something to me; “Why don’t you offer a line of products that are more affordable? Products that are in the $450.00 or less price range.”
I thought to myself. “Hmmm…what can I possibly build that would be useful to a tattoo artists at that price and still keep my head afloat.”
After spending some time talking with him and other artists, I came up with some pretty damn good products which we both agreed upon as being really useful and also look great. These are products which will make your life as an artist much more simple and accessible, and will also be a striking piece in your shop. They will also offer trimmings and aspects of old traditional woodwork.
By Marisa Kakoulas
Reblogged from: http://www.needlesandsins.com
Last week, I wrote, with a heavy heart, about how the tattoo community lost one of our own, Agit Sustento, in the devastating typhoon in the Philippines. And, as a true community, artists and collectors from around the world are joining Tattoo for the Philippines, and raising funds to be donated to the Red Cross relief efforts in the country. Find a list of participating artists here – and more are artists are welcome to be a part of it.
“The inspiration for the tattoo design comes from an artifact known as the Manunggul Jar. The artifact was discovered in a burial site Manunggal Cave in Lipuun Point, Quezon, Palawan. It was chosen as the inspiration for the design because the figures represent guides taking the deceased to the next life, in essence guiding the souls of those who died. The artist’s interpretation of the design is in the style of a petroglyph. This style was chosen as a nod to the indigenous cultures of the Philippines. The design also incorporates a dedication to Jonas Agit Sustento, a tattoo artist and musician from Tacloban, who perished in the typhoon along with several members of his family.”
The cost of the tattoo is $30.00 U.S. or $20.00 Euros. The costs of supplies will be borne by the tattoo artists who are also dedicating their time.
Find more info on Facebook.
By Anni Irish
A recent animated film featured on Vanity Fair’s website in their “Through the Decades” series showcases artist Nick Hooker’s tattoo inspired interpretation of the 1940s. The short four minute film highlights several historical events from the 1940s and is done in an Americana tattoo style. The film opens with a shot of a vintage radio that is placed next to a bottle marked “xxx”. In the background there are various tattoo inspired images which are framed. The radio is on and we hear what seems to be a speech FDR being given in regards to World War II. Over the radio address the sound of a tattoo machine buzzes and the camera pans out to a reveal simple sign that says “tattoos”. The shot widens and various flash tattoo designs become visible and the room is transformed into a tattoo parlor. An Uncle Sam type tattoo artist is tattooing sparrows onto a patron who has a larger ship and American flag scene on their stomach and chest. The image quickly shifts again. Within this shot the framed flash tattoo designs become the object of focus. It is within the confines of the framed tattoo images where Hooker’s depiction of the 1940s comes to life.
An important element to Hooker’s representation of the 1940s is his emphasis on the history of tattooing. Hooker showcases this by making the link between tattooing and sailors as well as their presence within freak show and circus culture. Tattoo artists such as Professor Charlie Wagner, Sailor Jerry and Cap Coleman are referenced which is is important. Another key detail to Hooker’s telling of the 1940s is his foregrounding of the tattooed lady through Mae Vandermark. Vandermark a former stenographer turned tattooed lady becomes the darling of Hooker’s short film. In an “Behind the Scenes Interview” about the film, Hooker and it’s co director, Drew Christie talk about the “illustrative qualities” of tattoos. It is the “illustrative qualities’ of them that both Christie and Hooker note, which capture their interpretation of this decade. It is also interesting to note that This American Lifecontributor and author Starlee Kine, wrote and narrated the piece. This talented group of artists came together to create a compelling, alternative representation of this infamous decade.
What is significant about this animation for me is how an alternative narrative of history is told through tattoo culture. In many ways, tattoos came to encompass the 1940s. This occurred through the presence of the War and the various sailors and soldiers who documented the experience if it on their bodies to the tattooed ladies and various “freaks” of circus culture. Christie and Hooker are narrating a social history which often goes overlooked. This animation is raising larger issues surrounding the social history of tattooing within the United States while also giving insight into it. It is being done in an unconventional medium through one of the most popular publications out today. As a result, a new generation is learning about this alternative historical narrative which is incredibly important.
Given the fact that it is such a short film, only a portion of this history is being told which encompasses a larger time span. While I do not want to take away from the work that I feel this animation is doing, it is only a tiny piece in this larger social puzzle. There are many other elements that construct America’s tattoo history. People such as Margot Mifflin, Amelia Klem Osterud, and others are actively working to help recuperate this larger history but there is still much to be done. Being mindful of this wider framework and the issues “The 1940s” raises perhaps it will inspire the next generation of tattoo artists and tattoo historians to begin their own investigation.
**Anni Irish is a writer and researcher who holds an MA in Performance Studies from New York University and an MA in Gender and Cultural Studies from Simmons College. Her work focuses on the representation of bodies, fetishism, and the social history of tattooing in America. She currently resides in Brooklyn, NY.2015 |Candidate The Draper Program, NYU|
By Marisa Kakoulas
Reblogged from: http://www.needlesandsins.com
Tattooing’s transformative magic is none more evident than on the fierce women whose battle scars with cancer are morphed into beautiful works of art. We’ve gotten many messages since our P.Ink Day post, in which we wrote about how the P.Ink or Personal Ink Project brought ten tattooists and ten cancer survivors together to create exceptional tattoos over mastectomy scars. So grateful to all of you for your inspirational stories.
“We saw your blog and it’s great. We reposted it to our Facebook page along with some photos of one of Shane Wallin’s recently finished tattoos on a wonderful woman name Sheri. Two weeks after getting her tattoo finished, she found out her cancer returned after years of being breast cancer free and it is terminal. She told me she was so excited to “bring her sexy back” with her new tattoo and those two weeks were the happiest she has been in years since being diagnosed and her mastectomy. It was both heart warming and breaking all at the same time. Reading your blog and seeing those other images of work that other women have gotten reminded us of Sheri and I just wanted to share the images with you. Sheri asked that we put her photos out there and raise awareness, however we can, so I want to honor her in that.”
Thank you, Sheri and the Twilight Tattoo crew, for the inspiration.
MASTECTOMY SCARS TRANSFORMED ON P.INK DAY:
By John Niederkorn
Reblogged from: http://tattoomuseum.wordpress.com
Since the closure of the Amsterdam Tattoo Museum (ATM) in Nov. 2012 the tattoo community, along with fans and followers of the museum have had many questions about its untimely closure.
Today the intention is to shed some light on this subject by presenting *bankruptcy documents levied against the museum’s main financer and location provider Mrs. Mary Jeannette Leonora Seret, and her private company by the name of Partners at Work BV…
*1.7 Cause of bankruptcy
The bankrupt company is engaged in the reintegration of long-term unemployed people and people who have trouble finding labor. The orders were to do so – after tender – awarded by the municipalities or social services.
At one point, a partnership was established between Mr. Henk Schiffmacher or the foundation Amsterdam Tattoo Museum and the bankrupt company. Mr. Schiffmacher, known tattoo artist, had the desire for its collection accessible to a wide audience in a museum and for the bankrupt company was ‘ideal’ means to place multiple people from the reintegration purposes to work in this museum.
Henk Schiffmacher and Seret agreed the Schiffmacher collection would be housed at the Plantage Middenlaan 62 location. In conjunction with this agreement Seret and her Partners at Work BV company had an agreement with the Dutch government to provide employees for museum, under which its main function was to give employment to reformed criminals and “underprivileged” individuals… Due to the nature of the Seret’s company she received financial backing from the local government.
Based on this agreement, Partners at Work BV claimed to invest 1 million Euros in the ATM…
*Housing was sought and found in the building currently in use at the Plantage Middenlaan 60-62 in Amsterdam.
By Jeff Gogue
I call it a movie simply because it’s moving pictures as opposed to non moving pictures. I make my living making pictures, but they don’t move. I think my goal with anything is for it to actually “move” people. Pun intended. This dvd or video or whatever you want to call it is moving. My hope is that your soul would be moved and your mind would be engaged with your heart to search yourself and discover or rediscover why you do what you do. Whether you tattoo, paint, make music, or have any other creative outlet, be it business, art, management or anything else. When you stop and think about it “creativity” is just thinking outside of convention or routine; it’s coming up with a solution to whatever is perplexing you that is outside of the norm.
“Tattoo as I see it” is my message, which starts with my story, my “why” to what I’ve done in my life and what I do with each day. It presents my beginnings, my intentions and my resolutions after attaining the goals I set out for. Along the way I have learned to be an artist. I’ve learned to be a professional at expressing things visually, and I’ve discovered that the door has been opened to a wide world that goes beyond what I thought was there.
This project was not my idea, or my vision, at first. When Ryan Moon, (Film Director, director of photography, designer, and co-producer) approached me with the idea of a tattoo instructional dvd, I was of course not into it. I don’t want to be another guy trying to capitalize on the tattoo frenzy, but after talking and mulling over ideas, I was convinced to just be myself and say what I feel I need to say. After a year and a half of talking, tattooing and wondering, I am pleased with what has transpired. It’s a well rounded presentation of both ideals, and practical application of what I believe to be foundational and fundamental principles of both tattooing in general and artistic understanding that’s applicable to any medium, all of this mixed in with honest, real experience and reflection on an art based life.
The (pre sale) dvd is available currently for $39.00 plus shipping world wide with the official release date being Friday, November 29th when the price will be $49.00 plus shipping. We are also planning on releasing a limited edition collector’s edition with two DVDs, one being Tattoo As I See It, and the other containing my home videos of seven trips to Japan for a full back piece from the renown Shige, of Yellowblaze, Yokohama. I filmed over the last three years documenting my experience, all of this is the backdrop for my candid story of who Shige is to me and what the experience meant and how it affected my life. This edition will be signed, numbered and limited. I had hoped to have them out sooner than this but doing it ourselves, we of course came up against lots of hurdles and costs.
The final stages of the project were completely made possible by our sponsors, Fusion Ink, Cheyenne Tattoo Equipment, Sullen Art Collective, and Tattoonow, and Off the Map Tattoo.
I started my own art production company called Unicycle Brand in order to fund this project and all the time invested in the cameras, the computers, the filming and editing over the last year and a half. Unicycle brand will be launching over the next year, our contributing artist lines of prints by Jason Butcher and Lianne Moule of the UK, Markus Lenhard of Germany, Derek Noble, USA, and Shige, Yokohama Japan. I envision this being the start of great things to come for art and tattooing.
Special thanks to Tattoo Artist Magazine for the years of support and for keeping it real for tattooers in this ever-changing world.
Please visit http://www.unicyclebrand.com to view the Trailer and order your (pre sale) copy now.
Also please visit our sponsors’ sites:
Sullen- Tattoo as I see it, t-shirt available soon.
Check out the trailer…
By Molly Katamura
Reblogged from: http://www.knivesandneedlesblog.com
Sean Yanagi is a talented chef who gets tattooed by my friend Jill Bonny aka Horiyuki of State of Grace Tattoo Studio. I met him the other day and we got talking about restaurants and cooking. So it was only natural to interview him for this blog!! Read on and find out Sean’s thoughts on food and tattoos! Cheers!
Molly: Tell me a bit about yourself, please include what you are doing now
Sean: My name is Sean Yanagi and currently a line cook. At an early age I’ve always been enriched in food and the culture through family and just a natural curiosity but never really started to cook myself besides a microwave and late night top ramen till my late 20’s. Unwittingly I found cooking as a new hobby, Since then I’ve been hooked. School was really never meant for me so I spent most my career in the bleak hole of retail. After a long and an impassionate day of work I’d come home to cook off works stress and found cooking calming and therapeutic. Cooking a satisfying meal would simmer away all the loathing I had in the day’s work of retail. I decided I wanted to cook as a profession and once I started I felt right at home, working with people that actually had passion for what they do and worked to at least their best abilities. These eccentric, oddball misfits was an environment of people I felt at ease with where I can speak my mind and keep it real no bullshit aside. “By the ticket, take the ride” so to speak.
M: I always loved that about cooking, every kitchen is a motley crew! What is your favorite thing to cook?
S: My favorite thing to cook is anything low and slow to some good music, like cooking up some Gumbo to the sounds of Sidney Bechet or a nice Bolognese relaxing to some Pavarotti.
M: Woah, cool! When did you get your first tattoo?
S: I got my first tattoo when i was 21, i wanted something i would not regret so i got my last name
M: Nice! Who do you admire in the tattoo industry?
S: The work that really caught my eye was from Jill Horiyuki Bonny. When looking for Japanese style tattooing I really appreciated her attention to detail, her work with color and classic style in her art. I also admire Takahiro Horitaka Kitamura, Luke Stewart for Japanese art and Jun Cha for black and grey all artist I’d like to get work from done.
M: Those are all really great artists and people! Do you go to any convention, if so which ones?