I will be attending the Seattle Tattoo Expo this weekend. This is one of my favorite shows in the US… So many talented artists… the show is busy, and the city is fun. If you’re around, please stop by and check it out. They always have good entertainment, good food, a good bar, cigar lounge, and most importantly… GOOD TATTOOS! Hope to see you there!
For more information about the show like featured artists and event schedules, visit: www.seattletattooexpo.com
It is with excitement and purpose that I start as the new Editor-in-Chief of Tattoo Artist Magazine. First and foremost, I am committed to continuing the culture of excellence and quality of TAM as admirably lead by outgoing Editor-in-Chief, Crash. I recognize the importance of TAM to our community & cultural progress and envision clear potential for continued growth and innovation. In conjunction with editing every issue of TAM, I also have a vision of further integrating TAM into the hands of avid tattoo collectors and artists, fully mining the educational format of TAM to better serve artists, collectors, readers and our society as a whole.
The “changing of the guard” at TAM will bring a new perspective to the magazine. With this change comes a shift in editorial emphasis to make TAM the world’s primary outlet for tattoo culture, tattoo education and tattoo art more relevant to our industry than any other magazine in our field. As the new Editor, my aim will be to increase the availability of important articles, artists, values, social and artistic advancements in our industry.
For those of you who are unfamiliar with me, I have been with TAM since it’s inception 11 years ago. Unlike Crash, I am not a tattoo artist, but have paid my dues within the industry for well over a decade. I know the ins and outs of everything tattoo and tattoo related. I am eager to start this position and see where I can help carry TAM into the future.
I invite each and every one of you who has any questions or concerns about the future of TAM and our craft to please email me to discuss our shared future and what we can build together.
You may reach me at: email@example.com
Opening reception May 15, 2014
at Eight of Swords Tattoo and Gallery,
115 Grand str, 11249 Brooklyn, NY
Curated by Elvia Iannaccone Gezlev and Magie Serpica
An exclusive all ladies group art show featuring some of the most talented female tattooers: from the NYC ladies to international talents, this art show displays different styles and/or techniques, but only one love: tattooing. The show was also and foremost created to pay respect to the ladies who started tattooing first and paved the way for all others to follow, (names like Debra Yarian, Pat Sinatra, Kate Hellenbrandt, Vyvyn Lazonga and few more) in a tough industry, historically male dominated.
Nowadays we cant help but notice the growing number and variety of skilled female talents taking over the tattoo world!!
The show is curated this year by Elvia Iannaccone Gezlev and Magie Serpica, and it’s at its 3rd edition.
Opening May 15, 2014 at Dave Wallin’s Eight of Swords- Brooklyn studio and gallery, for two months, la crème de la crème of female tattooers art will be on display and for sale.
A chance to buy original art and to meet some of the artists!
Not to be missed!
Some of the artists of 2014:
- STEPHANIE TAMEZ
- TAI IGLESIAS
- LARA SCOTTON
- VICKY MORGAN
- VIOLA VON HELL
- MARIE SENA
- MARIJA RIPLEY
- DAWN COOKE
- DEBRA YARIAN
- HOLLY ELLIS
- IMME BOHME
- JACKIE DUNN SMITH
- JACLYN REHE
- JAMIE RUTH
- ROSE HARDY
- ALIX GE
- AMY SHAPIRO
…… AND MANY MORE!!
Shot and edited by Luke Holley
Shot by Estevan Oriol
By Marisa Kakoulas
As we first posted back in October, the original the NYC Tattoo Convention will be taking place March 7-9, 2014 at the the historic Roseland Ballroom – before this legendary venue closes in April (hence, why the show won’t be taking place as it usually does in May).
And as always, we’re stoked for the show, particularly for its finely curated line-up of tattooers from around the world, including long-time legends, and also traditional hand-tattooing booths. There are some great sideshow performances, and tattoo competitions that really present some stellar work. Plus, the kickass vendors offer badass merch. [Literally, "badass."]
I have been attending the NYC Convention for 13 years, and it has consistently been one of the most electric shows I attend. I’ll be doing a book signing there this year for my latest monster, “Black Tattoo Art II.” Just follow the loud maniacal laugh when you get to the convention and you’ll find me.
Read the full article here: http://www.needlesandsins.com/2014/02/nyc-tattoo-convention-march-7-9.html
By Carroll Gardens
The brownstone-lined streets of Carroll Gardens may not seem like much of a tourist destination. But brand Brooklyn is ascendant these days, and foreigners come to idle at farm-to-table restaurants and browse in fanciful boutiques.And farther south, where affluence gives way to aluminum siding and Smith Street dead-ends under the din of the Gowanus Expressway, visitors come for a more permanent souvenir: authentic Brooklyn ink.
On a recent Thursday, Yossy Yoshino, 35, a tattoo artist from Japan, lay face down on a massage table at Smith Street Tattoo Parlour while Dan Santoro, 31, inscribed a pig in a bikini on his back (“three tops, one for each set of teats,” Mr. Santoro explained). The words “Weird World” floated above the pig’s head.
Mr. Yoshino, a teardrop tattoo dripping from his eye, said he had traveled thousands of miles from his home in Okinawa to get a “New York tattoo.”
Just what makes a New York tattoo can be a bit difficult to pin down. The shop’s owner, Bert Krak, 35, described the parlor’s style as traditional American, with a bit of Japanese thrown in.
By David Gonzalez
Visitors to the cluttered studio inside Thom DeVita’s Victorian house marvel at the artwork that covers the walls, his drawing table, even his hands. The images reflect not just his interests, but his skills, which he honed as a tattoo artist on the Lower East Side for some 30 years; a storied era to aficionados. The accomplishment was all the more remarkable because it was illegal in New York City at the time.
Nowadays, it seems everybody has a tattoo. If there is someone to thank for the art’s increased acceptance and visibility, it might be Mr. DeVita. Every month, Chris Grosso brings admirers up to visit the old master, in Newburgh, the upstate town where he has lived since leaving the Lower East Side in the early 1990s.
“He is one of the founders of modern tattooing,” said Mr. Grosso, who befriended Mr. DeVita two years ago while filming a documentary about him. “It’s not what you see on reality television, but something that only he and seven other people in the 1960s started, from purely a love for the art form. He wasn’t from a sailor or biker background, where tattooing comes with the territory. They appreciated the great Japanese masters, the people from Samoa. Thom was at the forefront of that.”
Growing up in East Harlem, the son of Italian immigrants, Mr. DeVita did not set out to be an artist. After high school, he worked at various jobs, from factory hand to messenger. He recalled how his parents used to refer to some people as “bohemians,” and how he warmed to the idea.
“It seemed like a nice life to live, being with artists,” he said. “It didn’t seem like they went to work. Then I realized when I got to the Lower East Side, I was 30 years too late to be a bohemian. But I caught the tail end of the beatnik era and the beginning of the hippie era.”
His own entree into the art world was improvised, when a potential girlfriend asked him what he did.
“I had to be something, so I told her I was an artist,” he said. “So I became an artist. I had to show her I was an artist, so I started doing some artwork.”
He decided to become a tattoo artist when the city banned tattooing in 1961 (the ban was lifted in 1997). He figured business would be good, since the law drove out his competitors, and the police on the Lower East Side had more pressing concerns than outlaw skin art.
Mr. Grosso said that Mr. DeVita created new designs incorporating nontraditional elements, such as Pueblo Indian iconography and even the rose from the Lord & Taylor shopping bag. He said he admires him for his restless creativity, even if — at 81 years of age, with hands trembling from Parkinson’s disease — he no longer does many tattoos.
Instead, Mr. DeVita resorts to rubbings, stencils and stamps, making montages of old tattoo designs on recycled wooden crates, paper, cutting boards and even ancient ledgers. He signs them with his surname, rendered in snakelike letters that would be the envy of any graffiti writer.
“He paints on everything,” Mr. Grosso said. “Maybe if he had seen graffiti he would have been a tagger. He just doesn’t stop. It has to be a compulsion.”
Mr. Grosso can understand. After making a documentary on Mr. DeVita, he set up a website to sell his work. Now he visits him monthly, to give him cash from the sales and pick up new work to ship. He is often accompanied by a friend or two who might want to learn about tattoo history firsthand, like Fernando Lions, a tattoo artist from Brooklyn who recently accompanied him on a trek.
The two young men peppered Mr. DeVita with questions, and asked to see some classic designs or snapshots from his time on the Lower East Side. Depending on his mood, he may or may not comply; pictures he had told Mr. Grasso never existed magically appeared during this visit. At one point, Mr. DeVita took out some panoramas he had painted in bold, black brush strokes.
“These are beautiful,” Mr. Lions said quietly.
“You know how they’re done?” Mr. DeVita asked. “The paper is scrap I cut off bigger pieces. I paint on them with whatever is left in the ink pot.”
Before they are sent off to customers, Mr. DeVita packs a slip that reads: “Any Imperfections Will Add to Its Beauty.” He first saw the phrase when he bought a china closet, and liked it so much he appropriated it.
“All my art is imperfection,” he said. “I dwell on imperfection. I’m constantly pulling things out of the fire.”