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Tattoo Artist Brings Dots And Lines To New Heights In Stunning Geometric Ink Designs

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original article here

Imagine this scene:

Sharp waves stretch back for as far as you can see, eating up the horizon in a vast display of stunning movement. Like the peaks and troughs of a chaotic line graph, the seas capture jumping fish as they weave in and out of the thrashes. Careful shading separates the animal bodies as they surface, drenched in the bleeding red pigment of a sunset-flooded landscape.

The description might sound like a recounting of an ancient Japanese print or a sprawling painted canvas, but the words are actually attached to artwork of a different sort. They tell the story of artist Chaim Machlev and his gorgeous tattoos.

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Seattle Tattoo Expo This Weekend!!

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I will be attending the Seattle Tattoo Expo this weekend.  This is one of my favorite shows in the US… So many talented artists… the show is busy, and the city is fun.  If you’re around, please stop by and check it out.  They always have good entertainment, good food, a good bar, cigar lounge, and most importantly… GOOD TATTOOS!  Hope to see you there!

For more information about the show like featured artists and event schedules, visit: www.seattletattooexpo.com

Nicki

TAM

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Propaganda Podcast: Joe Swanson with Josh Hagan


Scars of a Past Life, Lend a Helping Hand

By Erin Boyle

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Scar coverup by Melissa Fusco.

I think there’s something to be said about searching for an artist you can trust with personal symbols and parts of the self. I stumbled upon Melissa Fusco’s portfolio by pure chance after searching 4 years for artists in a different style; I was instantly swayed. I found her work captivating and unique: her craftsmanship was soft, colorful and organic, and I saw hints of depth and spirituality in her portfolios – these things really clicked for me. I had consulted with many artists over the years, and the request to tattoo over my scars was nothing new to me – I even met some who refused to work on scars. Finding a good fit was important; the artist would, after all, be spending several hours confronted with these scars and whatever it brought up for them. I was looking not just for the quality of an artist’s work but also the personhood of the one applying it, Melissa’s warmth and professionalism really showed through during our consultation process. Though she had no idea of my story at the time, I told her, “but really, who gets out of life unscarred in one way or another”…everybody has their thing…it’s all in what you do with it.

Now, I’m not much for telling soggy and dramatic tales about my life, much the reason why I chose this particular flower for my tattoo – but I’ll get to that later. The Buddha once said, “every experience, no matter how bad it seems, holds within it a blessing of some kind; the goal is to find it”. I, like many, was blessed with a difficult childhood; abuse and neglect were my reality for much of my childhood and adolescence. Though high achieving, at 17 there came a point where my goals took a backseat and I thought there was only one way out. This thought became not just a memory, but left behind the scars to prove it.

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Erin Boyle beginning Stencil




Every good story has a twist; mine came a few years later after coming out of an abusive relationship. At that point I looked long and hard at my life, I spent a lot of time healing old wounds and rebuilding the Self. Mindfulness, courage and sacrifice were essential building blocks in my process of change and moving towards doing what I love and loving what I do. I threw away my masks of success and achievement, gave up my fancy title and hefty paycheck, got a second bachelors degree in pre-clinical psych, and began working at a Residential Treatment Center for youth with mental illness. In other words, for mere pennies I worked with teenage boys who liked to break shit, especially your face, and taught them how to give and receive love. This is what makes sense for me; this is what life is about, using our humanity to help others grow.

The paradox of my story is that no matter how much I healed and evolved, I still had my past written on my arms along with the judgment from others about what that means. No amount of success, forgiveness or compassion would ever make that go away. However, life with this tattoo is different. Not just myself, but others see beauty and strength where shame and secrecy once lived. In a way it removes the stigma I once felt. I don’t perceive myself as a victim or a survivor, I see myself as a person with the drive and motivation to create and sustain social justice through guiding others to lead the best possible life they can. As an Art Therapy graduate student en route towards doctoral research, I’ve found that having the permanence of this image in my skin helped ignite this fearless internal integration of my personal and professional lives. It’s closure, it’s dignity, it’s confidence, and in a huge way it is taking ownership of my body while standing grounded in authenticity and unapologetically residing in my own identity and truth.

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Tattoo by Melissa Fusco.

Embedded in the image also lies the memory of the process. To match my initial impressions, Melissa was grounded, focused, caring, calm, gentle, warm, empathic, funny, respectful, edgy, and an incredibly skilled independent female artist in a male dominated field. She made the process personal and relational, and that’s not something I got from any other tattoo artists I reached out to. I don’t know if I would have found another talented artist that I felt as comfortable with during this process, not to mention one who honored the experience. I’m grateful to have found her, and look forward to collaborating on future work.

As a symbol of the self, this phoenix of a flower holds no mythology – only truth. Coming from one of the oldest families of flowers on earth, whenever a wildfire ravages the area the King Protea is the first sign of new life. In fact, wildfires are central to their evolution – just as challenges, failures and setbacks are to ours. As I see it there is no fantasy in real life – our results come from our own hard work…or as Melissa would say, there is “no progress without sacrifice.” I couldn’t say it better myself.

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To see more work by Melissa, or to get in touch with her, go to:

www.missmelis.com


P E R S E V E R A N C E

Japanese Tattoo Tradition in a Modern World

MARCH 8 – SEPTEMBER 14, 2014

Source: www.janm.org

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About the Exhibition

Perseverance: Japanese Tattoo Tradition in a Modern World explores the artistry of traditional Japanese tattoos along with its rich history and influence on modern tattoo practices in this groundbreaking photographic exhibition.

As Japanese tattoos have moved into the mainstream, the artistry and legacy of Japanese tattooing remain both enigmatic and misunderstood. Often copied by practitioners and aficionados in the West without regard to its rich history, symbolism, or tradition, the art form is commonly reduced to a visual or exotic caricature. Conversely, mainstream Japanese culture still dismisses the subject itself as underground, associating it more with some of its clientele than with the artists practicing it. Both of these mindsets ignore the vast artistry and rich history of the practice.

Although tattooing is largely seen as an underground activity in Japan, Japanese tattoo artists have pursued their passions, applied their skills, and have risen to become internationally acclaimed artists. Through the endurance and dedication of these tattoo artists, Japanese tattooing has also persevered and is now internationally renowned for its artistry, lineage, historical symbolism, and skill.

Curated by Takahiro Kitamura and photographed and designed by Kip FulbeckPerseverance is a groundbreaking exhibition and the first of its kind. Perseverance will explore Japanese tattooing as an art form by acknowledging its roots in ukiyo-e prints. This exhibition will also examine current practices and offshoots of Japanese tattooing in the U.S. and Japan.

Perseverance features the work of seven internationally acclaimed tattoo artists, HoritakaHoritomoChris Horishiki BrandMiyazoShigeJunii, and Yokohama Horiken, along with tattoo works by selected others. Through the display of a variety of photographs, including life-sized pictures of full body tattoos, these artists will cover a broad spectrum of the current world of Japanese tattooing.

Premier Sponsor

Mariko Gordon and Hugh Cosman

Patron Sponsors

Friends
LS Tattoo Museum
Pasadena Art Alliance
UCSB Academic Senate
UCSB Department of Art

Supporters
The Japan Foundation, Los Angeles
Los Angeles County Arts Commission
Richard Ross
Samy’s Camera
Spoonflower, Inc.
Target
Atsuhiko and Ina Goodwin Tateuchi Foundation

Media Sponsor
The Rafu Shimpo


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Tattoo Decision Flow Chart

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What’s In a Name?

By Deb Yarian

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By Don Yarian

The first thing out of my mouth when a couple says “We’ve decided to have a baby” is usually “Congratulations,” not “What happens if you get a divorce?”

I wish as many obstetricians counseled their patients against having babies using the same reasoning as some tattooers do when they advise their customers against getting a partner’s name – “What happens if you break up?”
Well, what happens if you break up is that you, having made an adult decision to show your devotion to someone by getting their name tattooed on your skin must now also make another adult decision and learn to live with it, cover it, or change it.

A ludicrous comparison, yes – but the name tattoo (a foolish choice only in retrospect) seems far less permanent when compared with the really permanent – living child.

This sort of counsel is a particular pet peeve of mine… I think that when a person, for whatever reason , wishes to commemorate their love and devotion to another person by choosing to get that person’s name tattooed on their body, then that is their adult decision and they don’t need my opinion, other than possibly font or calligraphic design choice or placement.

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I’ve heard so many tattooers respond to name requests with such negativity. With mocking responses ranging from “That’s a sure way to end a relationship!” “You sure you want to do that?” To ridicule or refusal to do the name tattoo.
But why should any couple coming in to get name tattoos from me or any other tattooer have to validate anything other than their legal ability to get tattooed? Since when did the tattooer become the priest and rabbi and moral counsel of their customers?

During my 35 years of tattooing there have probably been hundreds, even thousands of tattoo designs that I have been asked to do that I, myself, would not have chosen to get. In my opinion many more ugly or foolish design choices have been made than choosing to get the name of a loved one.

I am speaking solely on my opinion of a person’s decision to get another’s name – not the aesthetics of it.
Certainly, if the aesthetics of type interferes with the look or design flow of a larger tattoo then when asked for my artistic opinion I would give my honest one. However, if asked my opinion  as to whether someone should get their partner’s name – how could I answer that?

I feel that it’s only my responsibility to advise on design choice and placement and to try and do the best job that I can regardless of my opinion of someone else’s choice of what to wear on their body.

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By Don Yarian


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What Makes Tattoos Permanent?

Claudia Aguirre

TED-Ed


CONTAMINATED TATTOO INK, NEEDLES RECALLED

By Mark Fisher

www.daytondailynews.com

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Multiple lots of tattoo inks and needles sold by a California-based company through the Internet have been recalled due to potential bacterial contamination, the U.S. Food and Drug Administration announced Monday.

The voluntary recall by White & Blue Lion Inc. includes all tattoo inks, needles and kits distributed by the company. The products are sold separately by 8Decades and White & Blue Lion through www.amazon.com.

The recalled needles and inks may cause bacterial infection and can lead to sepsis, a potentially life-threatening complication of an infection, FDA officials warned. FDA laboratory testing found microbial bacterial contamination in both the inks and needles, agency officials said. There has been one illness connected with the tattoo products.

Jeremy McGrady, a tattoo artist at Cloak and Dagger Tattoo Studio in Dayton, said the company named in the recall is not a prominent supplier of tattoo ink and needles to the industry.

“I’ve never heard of it, and I’m familiar with most of the large companies,” McGrady said. “I suspect the only people who would be impacted by this are those making the poor decision to get tattooed at their own home.”

The products recalled by White & Blue Lion include a tattoo kit of a multi-colored Chinese Dragon Image with black and white lettering with Lot No. OR20036, Batch #8, in a 5-ml bottle. Some of the recalled tattoo needles are packaged in groups of five and labeled as “CE0197 Pre-made tattoo needle.”

Consumers can call the California company for more information at (626) 586-3485 from noon to 9 p.m. Monday through Friday EST, FDA officials said.


Chuck Greenberg: Ain’t just a tat

By Chuck Greenberg

Via: www.tattoosnob.com

Most of you probably know of Chuck Greenberg, A.K.A. Chuck DeeZee. Over the past several years, Chuck has gotten an insane amount of work all over the country by artists all over the world. The list of artists that have tattooed Chuck is mind boggling. With all of the time getting tattooed, traveling to get tattoo, talking to artists, and generally being around tattooed people – Chuck has picked up a thing or two.

I’m excited to say this is the first of a regular series of columns that Chuck is going to write for Tattoo Snob. Chuck is going to tackle subjects that a simple Google search won’t find. Below is the first of many article. If you have a subject that you’re interested in hearing Chuck’s thoughts on, don’t hesitate to leave a comment below.

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My name is Charles Greenberg, and I have been a collector for as long as I can remember. I’ve collected all sorts of things over the years, from cassettes to vinyl, mountain bikes to historical and music memorabilia, and, of course, tattoos. I’ve always been a collector of art, starting with comics and collectible cards at a young age. Now I’m working on a near complete, but still in-progress double body suit that features work from some of the most highly regarded artists in the industry. You really have to want it in order to tackle such an undertaking, but I’m here to share some personal insights in the hope that maybe I can spare you some of the bumps you may encounter on your own path to great skin art.

Some of the facets of collecting tattoo work might seem relatively obvious, while others might not. The purpose of this column is to touch on many of the facets of being a tattoo collector, including, but not limited to:

  • The obvious financial element, including some bartering tactics
  • Preparing for (and scheduling) the number of hours involved in collecting tattoo work full-time
  • Working with tattoo artists
  • Tattoo artist collaborations
  • Tattoo conventions and their associated contests
  • Tattoo removal
  • Tattoo shop hygiene and cleanliness, including standards and best practices
  • Etiquette for booking with high profile artists
  • Perhaps the biggest factor involved here is the element of cost

To be honest, I hate it when people ask me how much I’ve paid for my skin art just to hear them brag about having paid less for their own work, or to have them bark at me that they think I’ve paid far too much. $150-250 an hour is standard in the industry these days for upper echelon work. Most people do not realize how much time and effort an artist puts into crafting a custom piece, and time is money. If you are going to get a big tattoo, you need to have some kind of reasonable financial stability to pay for the number of hours that piece will take to be completed.

Bragging about how you got a deal with another artist will not get you terribly far in this industry. It’s advantageous for you to do your homework and to go to an artist who’s best suited to your idea. Time and time again I have read about people going to the wrong artists because they did not do their research in finding the correct artists to suit their needs. I can’t stress enough how important it is to work with your artist. You don’t want to be the sort of person who goes to the local bio-organic artist to ask for a black and gray anime portrait of your grandmother. With that in mind, it’s best to do an in-person consultation about your idea beforehand, if you can. It just might be the difference between a good tattoo and an epic one.

Patience is the name of the game if you seek out the artists who are in the highest demand. Get pieces which will exploit their strengths and challenge them. Avoid the same old recycled ideas that are common on Pinterest and Google. Of course there are different types of tattoo collectors; many want to focus on one style, such as traditional, illustrative, bio-mech, or black and gray work. Others, like me, appreciate all styles equally, and try to collect a piece from each of them. I’ll be writing here regularly, so I’d like to encourage all readers to contribute to this column by asking me any questions about tattoo collecting or other relevant topics that you want to discuss. I’ll do my best to provide a thorough answer for all of them, time permitting. I appreciate your time, and I hope you’ll be coming back to the discussion in the future.


POLICE SHUT DOWN INK BOMB TATTOO SHOW IN SEOUL

 

By Marisa Kakoulas

www.needlesandsins.com

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This past weekend, tattoo artists from around the world traveled to Seoul for the Ink Bomb Tattoo Convention – many at the expense of the organizers — to work on excited collectors in the burgeoning South Korean tattoo community. However, that all came to a halt Saturday afternoon when the police raided the convention site and ordered that the show be shut down. Tattooing is illegal in Korea, and the government decided to enforce the ban this weekend.

I learned of the news from our friend Demetra Molina, who co-owns The Hand of Fate Tattoo Parlor in Ithaca, NY, with her tattooist husband Eddie Molina. Eddie was at the Ink Bomb convention to visit, and was giving Demetra a FaceTime play-by-play of what was going down. The police ordered the artists to clean up their booths and pack up. Many of the artists ended up taking booked clients (a number of them US military) back to their hotel rooms to work. In the end, the whole show ended up being cancelled, affecting vendors and performers as well as artists. Needless to say, a lot of money was lost.

Dave Hazzan from Groove Korea has a great post on the convention shutdown. Here’s a bit from that:

“Five police officers walked through the venue at WAV Bar and Bistro in Apgujeong, checking IDs, ordering artists to clear up their stands, and above all making sure no tattoo needles or ink were out, never mind being used. When asked to comment, a frustrated police officer only said, “Foreigners need to keep their passports on them. We need to take the ID numbers of Koreans and foreigners here, because tattooing is illegal.” He refused to comment any further or give his name or badge number…

To read the full article, go to: http://www.needlesandsins.com/2014/06/police-shut-down-ink-bomb-tattoo-show-in-seoul.html


Notes & Advice 8

By Nick Baxter

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If you’re into oil painting or realism and somehow not already a fan of Jeremy Geddes, do yourself a favor and check him out. He is a modern master of the fantastic realism genre. When I found out that he recently did an interview about his process and thoughts on realism art, I eagerly read it and found some pearls of wisdom in his humble and deftly concise responses.

Especially helpful to me as a painter were a few choice reminders about the process of completing larger or more ambitious works, including this advice:

One mistake I often catch myself in is launching into a full sized painting before I have addressed and resolved all the potential problems in small scale studies. It means I can spend days or weeks in rework for an issue that could have been sorted out in hours if I had followed the correct procedure. Tampering down enthusiasm with pragmatism can be a tricky thing to hold onto sometimes, but it is almost always worth it.

And then there’s this insight regarding the public perception of “fine art” and the communicative power, which is a timely reinforcement of some of the conclusions about modern art I described in my “What Is Art?” essay:

…the disconnect between the intended meaning of a conceptual work and the meaning that  ‘Joe Public’ will take from it is obviously huge, the work is most likely buried in decades of obscure theory that the public has no knowledge of or participation in.

You can read the entire Geddes interview (as well as interviews with three other great modern painters too!) on the noeyeddeer blog.

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How Rinsecup Cleanup Came About

By Dan Mcnab

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I’m a tattoo artist in the city of Huntington Beach, Ca. I own and work at The Tattoo Gallery with four of my very close friends. After years and years of leaking trash bags, I decided one day to put an end to it once and for all and created RinseCup CleanUp.

When I designed this product I made sure it is the best that exists and can not get any better. Also, it’s non-toxic because our trash gets put into landfills and that would only hurt the environment. I believe as a whole, us humans do enough of that! Disposing of our rinse cups and ink caps this way is the safest method and eliminates cross-contamination in our trade due to the contaminated liquids we produce.

Once in the landfill, RinseCup CleanUp slowly releases the water and improves soil conditions through aeration. It’s less expensive than using paper towels and safer than dumping it down a sink. When that method is used more toxic chemicals are needed to clean the area it was dumped in, which leads to poisoning our environment even more.

Now we are in many countries and the response is amazing. So much support from this trade! The only advertising I have done is thru IG. It’s spreading like wildfire and I’m excited to see where it goes from here. It’s only been about 6 months since I released it for sale!

For more information about Rinsecup Cleanup, email:
Rinsecup@yahoo.com


Tattoo Age: Freddy Corbin Part 1

By Vice


10 Life Lessons People with Tattoos Can Teach You

By Kayla Matthews

www.lifehack.org

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1.  Your standards are the only ones that matter

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Of course not everyone will think that your new chest piece is as gorgeous as you do, but why should that matter?

As long as you love the way it looks and feel great about yourself because of it, those stares on the street are laughable.

2. First impressions aren’t always right

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Anyone with tattoos or a heavily tattooed friend can tell you this life lesson is true. I can’t tell you how many times I’ve watched perfectly nice, loving, and intelligent people get judged because of their ink.

Having tattoos and knowing people with tattoos teaches you to not place value on appearances and, instead, spend more time getting to know new people.

3. Pain is temporary

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This, for sure, is something every tattoo-ee can attest to. Regardless of your pain tolerance, you’re bound to encounter one tattoo that hurts like a B. But making it through a painful tattooing experience just makes you more proud of the end result.

Sometimes we forget that painful things can lead to great things, but I think tattoos are a fabulous reminder of that.

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