Shot by Estevan Oriol
By Marisa Kakoulas
So, you can take a minute and read the Gizmodo article first. Or not.
I first asked Anna what she thought were some glaring mistakes in the post. Here’s what she said:
ANNA: By the third sentence of this “article” I knew it was going to be a doozy. The problem with this statement, “That tradition continues today, just with a much smaller chance of infection” is a) it’s incredibly melodramatic and b) it’s just not true. Many (if not most?) traditional tattoo practitioners were acutely aware of the possibility of infection, one of the reasons why we perhaps see suspension mediums in traditional tattoo “ink” recipes like alium juice or even one of my favorite rare ones, human breastmilk, both of which contain natural antibacterial agents. Rest periods for people having undergone tattooing are common cross-culturally (presumably to let the body heal and lessen the chance of infection). And with the rise of “tattoo parties” and so much home-tattooing by amateurs untrained in proper safe practices with bloodborne pathogens, there is a huge risk of all sorts of infections in the contemporary era.
Re: the image of the “Pict” “tattoos”: had the writer just done a tiny bit of searching re: this image, he might have realized this image is a fantasy and does not represent tattoos. Scholars are still not sure if the descriptions of body art on the Picts were tattoos or just body painting (leaning toward the latter), but they definitely were not 16th century French-inspired floral designs in multi-color (they were described as woad-like, which is blueish in color). The image is also not attributed to the source, and I’m guessing when the owner (Yale University) finds out it’s been used without attribution, they will have it pulled. Here are some links to some of my posts on one of the other images from the same book (John White’s equally fantastic Pict images), which mention fantasy and have more elucidation of some of these problems: Image 1 (below), Image 2, and Image 3.
Matt also noted the misinformation on Picts and cited “The Pictish Tattoo: Origins of a Myth” by Richard Dibon-Smith for reference.
As for the “These days, it’s not just sailors and ruffians that get inked” line (and the whole paragraph really), read Matt’s attack on tattoo cliches.
Above: Lars Krutak with one of the last tattooed Kalinga warriors Jaime Alos outside of Tabuk, Philippines.
I’m also grateful for the extensive critique of the article that Lars offered:
LARS: Otzi is not the oldest evidence as this article seems to purport. The oldest is a 7000-year-old male mummy of the Chinchorro culture of South America and this man wears a tattooed mustache on his upper-lip, so the earliest evidence is cosmetic. [Actually, the cited Smithsonian article had several glaring errors and I never cite it - period! - even though I work at the Smithsonian! Dr. Fletcher stated that Otzi is the oldest tattoo evidence, but she is no doubt incorrect and I like mythbusting this oft-stated "fact."]
Gizmodo: The Inuit, for example, have been tattooing themselves in the name of beauty and a peaceful afterlife since at least the 13th century.
LARS – The earliest evidence of tattooing in all of North America is a Palaeo-Eskimo ivory maskette from Devon Island, Nunavut, Canada whose face is completely covered with tattoos and it dates to -3500 BP. This object most likely represents a woman. So the practice is much older than the author presumes. For “beauty” is pretty much horseshit – see my comments below. Much circumpolar tattooing aimed to repel the advances of disease-bearing evil spirits and there were multiple forms of medicinal tattooing to relieve painful rheumatism (a la the Iceman), painful swellings, facial paralysis, and even to increase the production of a woman’s breast milk.
Gizmodo: Similarly, in the the [sic] Cree tribe, men would often tattoo their entire bodies while the women would wear ornate designs running from mid-torso to pelvis as protective wards for a safe pregnancy.
LARS: I have never heard anything about safe pregnancies in relation to Cree tattoo, although I am aware of tattoos in other parts of North America to promote fertility or ensure that the first thing a newborn saw was a thing of beauty (eg, inner thigh tattoo, Inuit region). Indeed, Cree men (Plains Cree, Wood Cree) were tattooed on their torso, but only for war honors. These tattoos had to be earned so only successful warriors would have worn such tattoos. The author makes it sounds like every man had them, but this is simply not true.
To read this full article, go to: http://www.needlesandsins.com/2014/03/tattoo-history-myths-exposed.html
Shot by Estivan Oriol
Some Quality Meat collaborated with Fitzroy Amsterdam to organize their annual new year’s bash. Kim Papanatos Rense made six classic nautical designs that are now placed on Fitzroy’s office walls, dishes and pig legs. The night ended in a huge party.
After a year & a half search, six months of construction, blood, sweat, tears, etc., we at last announce the opening of the ATAK:SF creative workspace & gallery. Located in the heart of San Francisco’s Tenderloin neighborhood within a lofty brick building, this flex creative space will allow us to peruse new & different avenues while still focusing on our core mission of tattooing. The main floor will host the gallery & creative workspace with tattooing on a private second floor loft.
To consecrate the space we are hosting an inaugural exhibition centered around the ubiquitous theme of rebirth. The event will feature over forty artists from around the globe. Come & celebrate this new beginning with us.
By Dan Henk
I want to address two things in this blog. They might seem unrelated at first, but I’ll try my best to tie them together.
The first is that people love to complain, and they have a ton of excuses on why it is someone else’s fault. You know what I’ve learned in my 41 years on this planet?
Shut the fuck up, put your nose down, and try doing some ground work for a change.
I hear all the time “I’m a good artist, but no one would give me a chance, so I bought this kit of eBay and starting tattooing out of my house.”
Unless you happen to be one of the very few who just stumble into opportunity, like Kim Kardashian or Paris Hilton, you have to go above and beyond, spending countless hours trying to realize your dreams.
I spent years doing menial jobs until, at age 28, I finally started tattooing for a living. Even then it was a touch and go at first. But after striving for so long, I was not about to give in. The guy who taught me was in Carlisle, Pennsylvania. I lived in Brooklyn, New York. Working at his shop was not an option. The first shop I worked at was way out in the ghetto in Queens. I would barely even call it a shop. The second shop I worked at was Underground Tattoos on Pitkin Avenue in Brooklyn. That is where Mike Tyson is from. We closed at dark so we didn’t get robbed, I got called “white devil”, and we had to call the cops more than once when we were being scoped out by some guy who wanted to rob us. People tried to pay with food stamps. My third shop was also a nightmare, one of slowest shops of an infamous chain in Bensonhurst, Brooklyn. I wasn’t until my fourth shop, on St. Mark’s Place in NYC that I could finally pay rent and afford 3 square meals a day.
By Kiri Westby
When I first heard there was a tattoo convention in Kathmandu, Nepal I was astounded!
I lived in Nepal as a college student, worked there as a human rights activist during the recent civil war and have spent a lot of time studying Nepali language and culture. I also married a tattoo artist seven years ago and have been on a crash course of American tattoo culture ever since. Nowhere in my mind did the tattoo scene that I had come to know and the traditional culture of Nepal mix. But there it was, website and all, and I was instantly fascinated.
My friend Eric Inksmith, a veteran of American tattooing, challenged me to take him to Kathmandu, having never really left the U.S. before. Like a butterfly suddenly wondering about the storms it’s own wings have produced, Eric was curious to follow the trail that he himself had blazed. I was honored to be enlisted for the job and to have the chance to experience alongside him what tattooing on the other side of the world has become.
At almost 70 years old, Eric recalled stories from the National Convention in Philadelphia more than 30 years ago. As I listened to tales of rival biker gangs fighting on convention room floors and people being thrown from hotel room windows, I tried to imagine how the kind, soft-spoken, Nepali people have embraced and come to celebrate tattooing. And not in a subtle, underground way either, the convention was being held at the famous Yak & Yeti hotel, one of the most iconic establishments in the Kathmandu valley.
As these things go, friends were recruited, word of the adventure spread and we soon had a posse heading East from the U.S., including: Mike Wilson, Mac Bibby, Robert Ryan, Jae Connor, Phill Bartell and Chad Koeplinger. Eric handled the longest flight of his life and no one killed each other on the way over…in fact, from the beginning, everything felt pretty magical.
Kathmandu has changed significantly since 2007. Corruption and an inefficient, newly-Democratic government have left city services under-funded and unattended. Half-finished construction projects leave gaping holes and exposed power lines, not to mention the electrical brown-outs and water shortages, which have left things feeling chaotic on the streets. But the upside to Nepal’s new political landscape is that there is also more public art and individual self-expression, and many people I spoke to were hopeful and optimistic for Nepal’s future, a far cry from my time here during the war in 2003. Part of this new self-expression has manifested in a relatively fresh and exciting tattoo scene.
Tattoos by Marco Tafuri
By Marisa Kakoulas
As we first posted back in October, the original the NYC Tattoo Convention will be taking place March 7-9, 2014 at the the historic Roseland Ballroom – before this legendary venue closes in April (hence, why the show won’t be taking place as it usually does in May).
And as always, we’re stoked for the show, particularly for its finely curated line-up of tattooers from around the world, including long-time legends, and also traditional hand-tattooing booths. There are some great sideshow performances, and tattoo competitions that really present some stellar work. Plus, the kickass vendors offer badass merch. [Literally, "badass."]
I have been attending the NYC Convention for 13 years, and it has consistently been one of the most electric shows I attend. I’ll be doing a book signing there this year for my latest monster, “Black Tattoo Art II.” Just follow the loud maniacal laugh when you get to the convention and you’ll find me.
Read the full article here: http://www.needlesandsins.com/2014/02/nyc-tattoo-convention-march-7-9.html