By Mitch Dudek
Occasionally mixed among the family photos on Dr. Tyler Koski’s cellphone are pictures of back tattoos.
Koski, a surgeon, takes pains to preserve patients’ tattoos when he fixes their spines.
He’ll slice the inked skin, spend hours tinkering with a spine, and then study the picture the way someone working on a jigsaw puzzle looks at the box.
“It’s easy if the tattoo is letters or words, but when it’s a picture, it gets trickier,” said Koski, 40, co-director of the Northwestern Medicine Spine Center.
After concentrating for hours while standing on their feet, many surgeons will use staples — a quicker, easier option and less tattoo-friendly way to close a wound.
But Koski will spend an extra 45 minutes carefully stitching tattooed skin, even if a patient tells him not to “worry about making my tattoo look good.”
“It’s an art form like anything else. And people are proud of them and they are meant to be permanent,” said Koski, who doesn’t have any tattoos.
By Kevin Miller
Earlier this week, Durb Morrison announced on Instagram that RedTree Tattoo Gallery would be opening a second location in Phoenix, Arizona. In the same announcement, Durb officially stated he would be relocating to Phoenix. This is obviously a huge announcement, as Durb is a leader in the Ohio tattoo scene and the tattoo industry as a whole.
To find out more about this news, we caught up with Durb Morrison and asked him a couple questions.
Tattoo Snob: Let’s start off with the basics Where is original location of Red Tree Tattoo, and when did it open?
Durb Morrison: The RedTree Tattoo Gallery opened in 2012 at in Italian Village connected to the Short North Arts District at 1002 N. 4th St. in Columbus, Ohio
TS: The shop is a little different than your average tattoo shop, can you tell us a little about that and why you chose to have it that way?
Port Monmouth, NJ – January 17, 2013 Nephews Skate Shop + Gallery will be hosting WILD AND FREE, a group artist exhibit on Saturday, January 25, 2014 from 6pm to 10pm. The exhibit has been guest curated by Little Chris Smith. WILD AND FREE will feature all original works of local tattoo artists Erik Schmidt, Little Chris Smith, Pete Pederson, Chuck Ordino, and Bryan Keinlen. Nephews will be opening up their doors to the public to host an evening of inspiration, conversation and enjoyment.
Erik Schmidt – “Erik has been tattooing in Neptune for several years after ‘doing time’ in Asbury Tattoo. He learned to tattoo under the guidance of Patrick Dean and Dave Shoemaker, following proudly in the tradition of those before him. His focus is clean, solid methodical tattooing, just like his mentors.”
Little Chris Smith – “Little Christopher Smith hails from Sandy Hook, New Jersey. He enjoys a radical lunch, surfing hella waves, skateboarding with buds, and entertaining hot chicks. You will usually find his best girl, Leche (his baby dog), at his side when he is not tattooing at Neptune Tattooville, where he works for the most gnarly awesome bosses Patrick Dean and Dave Shoemaker. Little Chris, or LC as his friends call him, prides himself on his ability to get wild and loves his mother like all radical dudes do.”
Pete Pedersen – “Pete has taken the long road at achieving his tattoo skills. His background in art of all mediums has proven to be vital in his development as a tattooer and as an artist. Working at print shops, screen printing factories, and in the fields of photography and graphic design all eventually lead to his discovery and love for tattooing. After spending much of the late 1990s loitering around Jersey Shore tattoo shops, Pete finally landed a job at a local shop as a body piercer. During his time working as a piercer, he started to acquire much tattoo knowledge under the guidance of Jim Weiss (now at Black Panther Tattoo). An opportunity to fulfill another dream of playing music fell in Pete’s lap right around the same time and he took a brief break from the tattoo world to peruse his passion in music, all the while still working as an artist. After a few years on the road, Pete decided he needed to get back to his original passion of becoming a tattooer. His chance came in the way of a job working as the shop manager of Neptune Tattooville complete with an apprenticeship. There he learned to tattoo under the guidance of Patrick Dean and Dave Shoemaker, following proudly in the tradition of all those before him.”
Chuck Ordino – “Chuck got his start in this shady business by apprenticing with Vinny Kapelewski, a Neptune native like himself, at Sinister Ink (now known as Revolver Tattoo) in New Brunswick. Upon completing his apprenticeship, he went on to work with Vinny and Joshua Disotell at Broken Heart Tattoo in Keyport for 5 good years before settling in at Neptune Tattoo in April of 2010. When he’s not watching the Cooking Channel, listening to sludgy doom metal or teaching his son Lucas how to “color inside the lines”, he is constantly woodshedding; trying to simplify and refine his work, and strives to apply a clean, solid tattoo.”
Bryan Keinlen - “Back in high school some friends and I started a punk band. Being the artist I naturally took on the task of inventing what would be our logo, and then went on to design all of our record covers, T-shirts and whatever other merchandise I could think up. More than 20 years of the Bouncing Souls has gone by like a million lifetimes and yet seemingly in the blink of an eye. Creating music and art has remained my means of expression all throughout. When not busy with the band, I tattoo at Neptune Tattooville in Neptune NJ.”
Nephews Skateshop + Gallery is located at 183 Main Street, Port Monmouth, NJ 07758.
By Allison B. Siegel
Fineline Tattoo opened in 1976 during the New York City ban on tattooing and is considered the longest continually running tattoo shop in Manhattan. It’s located on 1st Street and First Avenue in the East Village. Previously, Mike Bakaty, the founder and owner, operated underground for 36 years in secret back rooms and loft apartments. With the walls adorned with Bakaty’s original flash art, Fineline is definitely near and dear to our skin and to the history of NYC.
We interviewed Bakaty and asked him about tattooing and New York City:
When did you first fall in love with tattooing?
I’m still falling in love with tattooing. I got interested back in ’74 when I went to get some work covered up…I got more interested in ’75…and then by 1976 my interest was such that I started tattooing myself.
And you didn’t care that tattooing was illegal at the time in NY?
Hell yeah, I cared. Every time the phone rang I jumped thinking it was the cops looking to bust me. After 21 years eventually I got over jumping at the phone.
How do you feel at the Bowery now and all the changes going on?
Well, you know, it’s not the Bowery I lived on for 34 years, you know? Don’t know how I feel about the changes. When they first built the Whole Foods down here I thought who the hell is gonna come down here and buy food? We tried to save the building we lived in (McGurk’s Suicide Hall). I lived there for 34 years. Check out more on McGurk’s.
What’s your opinion on Mildred Hull?
Millie Hull…well she was one of the first female tattooers I ever heard of. There’s a picture of her right there (points to picture on the wall).
This piece has her in it and some other legends like Charlie Wagner.
Well, it was us (Fineline) that brought tattooing back to the Bowery and the fact of the matter is I was totally blind to the fact that the Bowery had such tattoo history. I read somewhere the first heavily tattooed person exhibition was around 1876 right across from 295 (Bowery) where we lived…
Do you call this a parlor or a shop?
It’s a studio. I don’t see a parlor anywhere in here.
Can I ask how old you are?
Well, I’m 77.
G-d Bless you, man! You don’t look a day over 60.
Well, thank you, I just passed the big 77. If I knew I was gonna get this old I’d have taken better care of myself (laughter).
Dark Age Tattoo is now open!!
Check out the shop located at:
1407 E. Madison St
Reblogged from: feeldesain.com
Russian (St. Petersburg) artist Sasha Unisex transports beautiful geometric watercolors on skin as permanent tattoos. Find her works on Facebook and instagram.
By Marisa Kakoulas
Having a Greek father who once told me that tattoos would never be accepted in the motherland, it’s with true pleasure (and a bit of “I told ya so“) to see a tattoo publication rise to international popularity, which happens to come out of Greece.
HEARTBEATINK is an online tattoo magazine in English and Greek with excellent photography and videos, and thoughtful interviews with tattooists, musicians, and collectors. I’m honored to be among those collectors interviewed by the magazine’s most excellent editor Ino Mei. Our Q &A was just posted today.
I first met Ino in person at the last NYC Tattoo Convention, where she beautifully captured the scene in her convention coverage for her mag. Then we got to hang at the London Tattoo Convention in September, for which she also took wonderful images and video. There, we found a moment to chat about a possible “tattoo gene,” the comparisons between tattooing & plastic surgery, tattoo law, and what happened when my dad did find out I was heavily tattooed (and more). It was a fun talk. Here’s a bit from it:
How did you get into tattoos?
Me: Ed Hardy once told me in an interview that he believes that there could be a “tattoo gene.” It made a lot of sense to me because, when you ask somebody who has a visceral response to tattooing — who sees tattooing and has an actual physical reaction and is attracted to it — that is something that’s ingrained; people can think back and say, “Well, I’ve always felt that way”. I remember when I was very young, looking at my mother’s National Geographic magazines and coming across tattooed tribal women, and I was instantly thinking that this is really beautiful, mysterious and bad-ass. Of course, this is an ideal way of looking at it. really, if I would be honest with myself, it is because I liked tattooed boys when I was teenager (laughs).
HEARTBEATINK: Where you then tattooed when you were a teenager?
I was a nerdy teenager, did good in school, and my parents were very conservative. I didn’t run around a lot. So when I found myself at tattoo shops at a young age, it held a kind of magic for me. Keep in mind that getting a tattoo was illegal back then, until 1997, in New York, so it was more secretive. You had to know where to go and ring the right buzzer. It was like a clandestine operation. However, when you were “inside”, it wasn’t what you’d expect, like a biker shop. At least in my experience, when I was first exposed to it, I was seeing really beautiful custom tattooing. There were art books rather than trendy flash for inspiration. I respected it so much that I felt I really wanted to wait until a had the right idea and do it at the right time. So, I didn’t get tattooed until I was in my early twenties. Actually, I got my first tattoo during the early weeks of law school. I felt I didn’t fit it, and was afraid that I’d become something that I wasn’t. I love the study of law, but I’ve never been super competitive and I’ve never felt that I had to be above somebody else to be better. It was really at that time that I started thinking about art and tattooing a lot in terms of individuation.
HEARTBEATINK: That sounds very mature…
I was a very mature kid (laughs). Now, I’m regressing. I’m like a thirteen-year-old boy (laughs). Back then, I was like a forty year old women (laughs).
Read more of this article here: http://www.needlesandsins.com/2014/01/my-chat-with-greeces-heartbeat-ink.html
Photos and Interview by Ino Mei
Unique, humble and conscious of himself, Yorg Powell spoke exclusively to HeartbeatInk, about his eighteen year-old career and traditional – classic tattooing.
What lead you to get your first tattoo?
I was born in London. My parents didn’t have any tattoos. However they were up to beat with everything. So in the summer of 1983 we were on a family trip in Mykonos and there was an English tattooist on the island working out of a rented room. It was the age of punk, we were very young and the moment we heard about him we went and got ourselves tattooed without a second thought. I didn’t even ask the price. I picked a design off the wall that was a rat with his hands behind his back holding a pool stick. It was an experience. I remember it well. Then we found out that the inhabitants of Mykonos got him, threw his things into the sea and shipped him home because he tattooed a fisherman’s daughter.
When I was sixteen, I saved up after selling an old BMX I had and went to Bugs. It was a random choice. He wasn’t known then and did his tattoos in 1,5 x 1,5 room next to the toilet of an underground retro rock n’ roll cafeteria in Camden. Nothing custom existed in those days, it was all ready-made flash designs on the wall.
What design did you choose the second time round?
I got a unicorn. I went for something classic (laughs)! Three years later, fully conscious of what we wanted, me and Mike went to Bugs again for our first official large tattoo. Bugs covered up his unicorn and the rat.
How did you and Mike meet?
We’ve been friends for many years, from before we started tattooing together. We met through a mutual friend. We had many things in common, such as our great love of tattoos and motorcycles and going out a lot. Mike had the balls and was the first of our group to dare to do a tattoo on someone, this during an era when it wasn’t cool to be a tattooist. I found it very weird sticking a needle at a person in order to make a design on him. Afterwards, I studied fine art at Wimbledon College of Art and although I designed tattoos, I hadn’t made the move to human skin yet and wasn’t even sure if I wanted to. Mike prompted me after our visit to the 1995 Amsterdam tattoo convention when he said “common man, what are you doing? I’m waiting for you!”.
Then you returned to Greece and began learning at Mike?
Yeah, I came back right away! Mike already had Tas (Danazoglou) as an apprentice for about a year. I didn’t have an entirely traditional apprenticeship. I mean I didn’t go with my portfolio and offer to be an apprentice for some tattooist. I was a bit spoiled (laughs). He was giving Tas a hard time. I feel lucky that my best with whom we talked constantly about tattoo and we were drawing on ourselves, prompted me to do this and provided me with the foundations to do so and helped me so much.
To read the rest of this article, go to: http://heartbeatink.gr/en/issues/december-2013/yorg-powell/
By Molly Kitamura
Ryan Zale is a very talented chef. He also loves tattoos! I got Ryan to write some stuff about himself the other day. Continue reading and see what makes this amazing chef tick! Plus he has a terrific recipe at the end…. A serious must try!
I am the Executive Chef at the Local Chop and Grill House in Harrisonburg VA. I work hard and play hard, haha. I love disc golf, gardening, home brewing, eating weird stuff and the Pittsburgh steelers. I grew up on a dairy farm in Ohio so fell in love with farm concept early on. My grandmother and mom were good cooks, so I learned a lot from them, but there always something about food that gave my pleasure in life, so I cooked a lot on my own.
Experimenting, trying different flavor profiles, cooking for friends late-night wasted, that kinda of stuff. I went on to culinary school right out of high school knowing I wanted explore this crazy lifestyle. I really enjoy the snout to tail concept, utilizing the entire animal. Butchering is great, and the farm to table concept is what I’m really into. My first tattoo is terrible, I was 15 and it’s a stupid tribal piece with an eye ball in the middle of it. I love the creative side of artists, the passion they have. I think it makes are industry very similar, they get a human I get an animal and we transform it into something beautiful. As for tattoo artists, Andrew Connor is my favorite artist. He’s local and he’s vegan so its fun when he comes in to dine with us
By Katy Watson
Source: BBC News, Baltimore: http://www.bbc.co.uk
A tattooist in Baltimore has built up a huge customer base because of his unusual specialty – tattooing nipples on to women who have suffered from cancer and had their breasts removed.
There is something very familiar about the suburbs of small towns across America.
The roads are big and distances long, but sooner or later you are guaranteed to come across a strip mall – a little open air shopping complex along the side of a main road.
And so there I was, 20 minutes outside Baltimore, parked outside one of these strip malls.
This one had a 24-hour pharmacy as well as a veterinary surgery, a hairdresser’s, a tanning shop and a tattoo parlour – Little Vinnie’s Tattoos, to be precise, and it was Little Vinnie I had come to meet.
He was a friendly man dressed in a tweed waistcoat, a striped shirt and a smart felt hat. Vinnie shook our hands, welcomed us in and showed us around his business.
The walls were covered in tattoo art with catalogues lined up at the back of the room, packed with thousands of designs to choose from.
A classic heart with a dagger through the middle, perhaps? Or maybe your favourite cartoon character or – if you are feeling patriotic – you could choose from a bald eagle or the American flag.
A few customers were sitting on the benches, waiting to go in one of the six studios along the side of the wall, each with a black crushed velvet curtain for a door.
But one studio on the other side of the room stood out. It had more of a structure to it and a wooden door, much like an office or a doctor’s surgery.
Rather appropriate really, because although Vinnie has no medical training, he has become a bit of a star in the medical world.
He no longer spends his day tattooing anchors on men’s biceps. In fact, most of his clients are women and they have one thing in common, they are all recovering from breast cancer.
A few years ago, a doctor in Baltimore asked Vinnie to help out with a patient who had had breast reconstruction, leaving her with no nipples.
So realistic were his skills in creating 3D nipple tattoos, patients started demanding him over doctors who typically carry out basic tattoos as the final stage of reconstruction.
Now, he says, it has taken over his life. Vinnie sees up to 1,400 patients a year and travels across the country and beyond.
To prove it, there is a map in his studio with pins in it, showing where people come from – he has clients in countries as far away as Saudi Arabia, no mean feat in a part of the world where tattoos are considered haram, or forbidden.
When I was visiting, Sarah had just finished her appointment and was beaming.
Sarah is in her mid-30s and last year was devastated to find out she had cancer – just a few months after being told she was pregnant.
Within a month of giving birth to her son, she had to have an operation to remove both her breasts. She describes the first time she took off her bandages as the hardest day of her life.
“Every time you go and take a shower you see these scars that are a permanent reminder of what you just went through,” she says.
But now she can smile.
“I have other tattoos but I never thought I would be getting my nipples done.” It is certainly a conversation starter, she jokes.
A self-confessed bad boy who learned his trade while in the army, Vinnie says there are a million people who need this done, but just a handful of people doing it.
He was even asked to fly to the United Arab Emirates recently because there were about 20 women who wanted his tattoos – but only three of their husbands would give them permission, so he could not go.
Such is his reputation, he is affectionately nicknamed “the Michelangelo of nipple tattoos”. But Vinnie plays down his talents – he says his work is not artistically challenging.
In fact, he got fed up a few years ago and decided to stop. He said enough was enough and he wanted to get back to regular tattoos.
But then one day a woman called him up to ask for an appointment. He said “No” and she sounded very upset.
Then out of the blue his sister called, telling him she had breast cancer too. It was a sign, he says, that he had to continue with this work.
“You lose the artistic satisfaction but then you gain this other satisfaction that is incredible,” he says. “I was not prepared for how it was going to make me feel.”
By Molly Kitamura
Reblogged from: http://www.knivesandneedlesblog.com
Shawn Brown. Hardcore legend. Amazing tattooer. All-around cool guy. I had the honor of meeting Shawn and his wife, Michelle, a beautiful and talented photographer. Every time we hang out its continual laughs and high adventures (Japan <3)! Shawn lives in Washington DC and used to be the singer of legendary bands Dag Nasty, Jesus Eater, and Swiz. He is currently singing for Red Hare, they are definitely worth checking out! Shawn tattoos out of Tattoo Paradise, owned by Matt Knopp, so if you are ever in the DC area, you need to stop in and get a tattoo! In the meantime, read on and check out Shawn, his work and his mouth-watering tri-tip and vegetarian recipes!!
By Nicki Kasper
“In that moment, I realized that instead of trying to be inspired, I was going to try to inspire people.”
I recently ordered two copies of Jeff Gogue’s DVD, “tattoo as I see it”… Jeff is one of my closest and most genuine friends and I wanted to support his project, something I know he and put a lot of work, time, money, energy and heart into. I bought a copy for myself, and one for a close friend of mine – an artist I thought could use some inspiration. I didn’t know exactly what the DVD would be like, but I know Jeff, and I knew it would be inspiring, as well as very giving with valuable information and advice to tattooers… I just now was able to find the time to sit down and watch it, and it doesn’t disappoint.
I know Jeff in a couple different ways… We’re friends; I know him on a personal level, and he’s fun, open, genuine, kind, generous, and hilarious. I’m also one of his clients, so I know him on that level. I know how much he cares about his clients, about the pieces he puts on our bodies, about the pain we’re feeling, etc. I know how much heart he puts into every single piece, and I’m grateful and fortunate to be covered in them. But in addition to being a friend, and a client, I’ve also had the pleasure of working with him on side projects.
I know from experience that nothing Jeff Gogue does professionally or otherwise is half-assed. He cares about the details. If he decides he’s going to do something, he wants to give all of himself to it. If it has his name on it, he wants it to be the absolute best he has to offer at that time and place. He never thinks he’s reached his full potential, which is why we see his work changing and evolving over and over. I can relate to him in many ways, which I think is part of the reason we became instant friends so many years ago.
“You’re either a taker, or you’re a giver.”
He wants to inspire others, and that is the point of this movie. It will inspire everyone who watches, artist or not. He’s honest and open about his process, what he wants, his strengths and weaknesses. It’s real, and humble and people can always relate to that.
If you’re an artist, you will be blown away at how generous Jeff is with information that will help you from laying out a piece to tips on using contrast in your work to mixing colors. It’s invaluable information that he’s learned by trial and error over the years and he’s sharing it all with you. But if you’re not an artist, and you just want to be inspired about believing in yourself and making shit happen for yourself… About not accepting failure, and instead being driven by it, you need to watch this film.
To Jeff and Ryan Moon – You guys did an incredible job on this, and now I wish I hadn’t been such a chicken about being interviewed for it! I’m proud of you both!
Shot by Estevan Oriol.
SHIGE (Shigenori Iwasaki) is a famous tattoo artist, born in 1970 in Hiroshima.
After being a mechanic for Harley-Davidson in Yokohama, he taught himself how to tattoo since 1995 and pursues original Japanese Style with a traditional inspiration.
Interview by Jordan Tinney.
Reblogged from: http://www.swallowsndaggers.com
I’m going to say this only once: don’t blink. Dusty Neal is an American tattooist based out of Ft. Wayne, Indiana at Black Anvil Tattoo. This might sound a little fan-boyish, but Dusty is one of the best and most under rated in the game today. A fastidious worker, incredible painter and even more amazing tattooer. I recently had the chance to conduct a short interview with Mr. Neal; if you’re in his area don’t sleep on this guy.
Jordan Tinney: What really got you into tattooing?
Dusty Neal: I’ve always known I wanted to make art for a living, but I never really thought about becoming a tattooer until I was already in college and getting tattooed when I could. It was really hardcore and metal that made me interested in getting tattooed though. Just being into all that stuff, seeing tattoos on bands and at shows really made me think about tattoos. I didn’t grow up with it around me in any other form and I guess that’s what attracted me to it. When I came into it finally I was so naive about what good tattoos really were, and over the few years I’ve been tattooing my tastes and thoughts on it have changed so very much.
JT: What year did you start tattooing professionally?
DN: I made my first tattoo in January of 2006.
JT: Did you have an apprenticeship in the traditional sense?
DN: I apprenticed under Donny Manco, and owe everything to him for giving me an opening into tattooing. He taught me the fundamentals of what I was actually doing, but other than that it was really not much of a passed down tradition or anything. Sometimes I wish I had a “proper” apprenticeship and was taught more traditional ideals and methods, yet by being someone’s 10th apprentice (with 5 after me), and not really being taught about flash or anything, it forced me to go out and learn what I could from serious tattooers or just by trial and error of my own experience. I would say now I do everything probably the complete opposite of what I was taught, but everyone has to find what works for them and everyone is different.
JT: Tell me about Black Anvil, and how that came to fruition?
DN: The conception of Black Anvil Tattoo is a recent happening. I met Nate (Click) my first year tattooing and have worked with him ever since he started, four years ago. He was there when Donny Manco and I started New Republic Tattoo. Over the past few years, especially after bringing in Beau Guenin, it was really our shared vision that started to shape New Republic into what it became, and also what started to create a tension between us and Donny. It was a non-dramatic split from Donny, as we just felt it was time to leave New Republic and create something that could be completely our own. With B.A.T. we wanted to pay tribute to the traditions and honor of tattooing, and create an environment that would display that pride while also being more advantageous to our clients and our shop morale.
JT: Did you do more traditional art in your past, before you started tattooing?
DN: Honestly, as much as I try to adhere to traditional principles, I still don’t even consider myself a “traditional” tattooer, but only because I feel like its disrespectful to those people who are really devoted to that mentality and lifestyle, and not just the aesthetic. Before tattooing, shamefully I had no understanding whatsoever of traditional tattooing. It took a few years before I really started to understand what my perception of it is. My perception of it is also constantly evolving.
DN: A tattooer’s life should be infused in his or her work. It’s important to me that my interests show through my work, because that’s what makes people stand apart from imitators, and will also attract like-minded artists towards each other. Having said that, classic heavy metal and “evil” imagery is probably the biggest influence over my work, but also occult symbolism, Aliester Crowley, sex, death, the supernatural, and nihilism. Aside from these things, I’m also very influenced by finding affirmation and sharing ideas with my co-workers and friends, especially, Jacob Des, Cla Wolfmeyer, Jacob Bryan, and Destroy Troy.
JT: Do you continue to find new things to keep you “into it” or are you always coming across inspiration?
DN: I find it easy to stay “into it,” but I also consider it a tattooer’s top priority to enjoy their work and be confident with it, otherwise they are only doing the craft a disservice and should find another line of work. There are too many passionate and talented people tattooing to allow room for those doing it merely to pay bills. However, it’s important to me to constantly be growing and evolving. Inspiration doesn’t always come, but I manage to seek it out and find it.
Again, I’m thankful to Dusty for entertaining me and this interview, and if your’e in Fort Wayne or Indiana in general, make sure to stop at Black Anvil and get a great tattoo, not only from Dusty but from his incredible coworkers. Dusty can be reached firstname.lastname@example.org, or http://www.dustyneal.tumblr.com. He’s on Instagram as well under @dustyneal. What we do is secret..
By Marisa Kakoulas
In The Guardian today is feature called “Painted Ladies: Why women get tattoos.” Normally, I find these types of articles banal, or even cringe worthy, for perpetuating cliches or not offering a broad spectrum of experience from our community. And so I was happily surprised to find many different voices of tattooed women in this article.
While there need not be any great miraculous reason to get tattooed, tattoos do come with a story, from an impulse to get a quick piece of historic flash to a full body project. I found the profiles of these women to be really interesting, and they made me think on the commonaIities and differences of our experiences with tattoos.
I particularly loved reading about Juanita Carberry, a merchant navy steward, who died in July at age 88. Here’s a bit from her story:
“The daughter of a renegade Irish peer, Carberry lived an extraordinarily full life. Her childhood in Kenya was difficult: her mother, a well-known aviator, died when she was three, and Carberry was often beaten by her governess. As a teenager, she was a key witness in a celebrated murder case, the 1941 shooting of the 22nd Earl of Erroll, and at 17 she joined the first aid nursing yeomanry in the Women’s Territorials during the second world war. In 1946, Carberry became one of a handful of women to join the merchant navy, remaining for 17 years. It was during this period, says photographer Christina Theisen, that she started acquiring tattoos. Her first was a small spider on the sole of her foot; it didn’t hurt, Theisen recalls Carberry saying, because the skin on her feet was so tough from walking barefoot as a child.”
Read more here.
It is the work of Christina Theisen and Eleni Stefanou that really makes this piece so engaging. Theisen and Stefanou are behind womenwithtattoos.co.uk, a photo and film endeavor that pays respect to all tattooed women. They offer this on their work: “Our project seeks to capture the personal and the individual, embracing each woman and her tattoos as one, rather than isolating or magnifying the inked parts of her body. At the same time, by using natural environments and the context of urban Western culture, we intentionally move away from the sexualised glamour model aesthetic that dominates tattoo magazines and popular culture.”
Two words: Hell. Yeah.
My regret is that I wasn’t aware of the project when it first rolled out. I will continue to follow Theisen and Stefanou’s work, and I hope that more media outlets also follow their lead in telling compelling stories without the usual pop culture hype and flash so prevalent today.
By Jared Preslar
Investing in ones self…
For years I have been purchasing instructional DVDs from amazing artists and I have always been very appreciative of their willingness to share information. I started my apprenticeship in 1994 with an artist who was self taught; as you could guess this was a very frustrating journey and my mentor did not have much to offer. I would ask questions and get answers back like “I don’t know how Filip Leu gets such large smooth gradients”. He did not have the answers to what I wanted to know. This method of apprenticeship was not ideal at all, and consequently it took me many extra years to learn what I could have learned in half the time had I searched out the proper experienced mentor.
In the meantime, I started getting on forums, talking to artists, and compiling pages and pages of conversations containing helpful information. I was so grateful to be getting some sort of help, even if it wasn’t from my mentor, because other artists from the forums, DVDs, seminars, and books ended up becoming my mentors. I started seeing that anyone could attain this information as long as they had the patience, motivation, and discipline to receive it. My mentor however, was not one of these people, and wanted me to share all of the information I was obtaining through my hard work and perseverance. I thought about this for awhile, and decided I was not willing to share with someone who was not willing to invest in themselves and take the time just like I was. If someone is not willing to take the time, spend the money to travel etc, then they are where they are because they have created that reality. Successful people, not just financially, have worked very hard to be where they are and in my experience they are always continuing to learn. Continuing education is key in any profession.
Over the years I kept buying DVDs, traveling to seminars, and buying books. I would talk to any artist whom I looked up to if given the opportunity, and soak up any information they were willing to share. I have accumulated quite the library for art and tattooing, and still have every bit of information I have collected from 1994 to today. I cannot express how appreciative I am to the artists who give back like this. Some people say this is unethical and people need to learn the old school way, I could not disagree more. People who are sharing this information, like TattooNow.com for example, are innovators in the industry. They are bringing education to people through technology. I am very impressed by how many are willing to take the time, spend the money, and offer this information to anyone who is willing to invest in themselves. I feel that Guy Aitchison is a person who truly gives back; he and www.tattooeducation.com are pioneers in this field of sharing within our industry and I highly recommend taking a look at the sites educational material; it has helped me a lot over the years.
To this day, I still spend the money to purchase the DVDs, books, webinars by TattooNow.com, and travel to seminars. I will never stop doing this, as I believe a person should improve every year, and if not then they are doing something wrong. In the past couple years I have started getting a lot of questions about my process, pigments, etc. which led to formulating a plan to create a DVD to answer these questions. I have no problem sharing this information with artists whom are willing to learn and improve. I do not believe myself to be some all knowing amazing artist, I would just like to give back, as others have done for me over the years.
I talked about doing this DVD for about a year, planned it, found the right people to help and participate. I have made my process a combination of things I have learned on my own, things I have learned from others, and things I have learned from others but have made my own. In this first DVD, which will be part of a series, I walk through my entire process of tattooing. Everything from getting a reference, stenciling, something I call color isolation, and execution. I also talk about my machines and needles of preference. I hope this DVD gives something beneficial to everyone who decides to acquire it, and I hope that it gives back even a fraction of what I have been given since I started this journey called Tattooing. I would like to thank all of the artists who share their knowledge, and the artists who give seminars, make DVDs, books, and Webinars! Any feedback is greatly appreciated for current and upcoming projects or suggestions for subjects that artists would like to hear more about etc.
The Tattooing from Life DVD is currently on Presale at a discount until after Christmas, can be purchased at www.luckybambootattoo.com/store.html and will be for sell at a couple of the reputable supply companies very soon.
Happy Continued Education,
By Marisa Kakoulas
Reblogged from: http://www.needlesandsins.com
Influencing and inspiring the international tattoo community for generations, The Leu Family transformed tattooing, pushing it further into the realm of a fine art — and they’ve done so with openness and kindness, spearheaded by their wonderful matriarch Loretta Leu aka Y Maria.
Our friend (and wine expert) Demetra Molina of The Hand of Fate Tattoo Parlor sat down with Loretta at the Montreal Art Tattoo Show in September and spoke about a myriad of topics, from Loretta’s travels, early days tattooing, her adorable dog, and the freedom of getting older. Here’s a taste from their talk:
Demetra: I asked about all of the travel she had done over the years with her husband Felix and their four children. Was that a difficult undertaking?
Loretta Leu: I had traveled a lot already in my life with my mother, I had traveled a lot with Felix before we ever got into tattooing. We didn’t start until we were thirty-five, both of us. Tattooing was really a Godsend; it saved our asses, because we always lived an alternative lifestyle, with four kids, already. So, it was always difficult finding ways of surviving. We didn’t want to go work in a shop, we found things to do, we made crafts, we went and lived in Spain, cheaper places, we would find ways of being able to carry on, the way we wanted to live with our kids…you know, without working for the man kind of thing…but it was always difficult. We got a bit of help from my mother sometimes, Felix’s mom when things were really tough, so when through sheer coincidence this chance came into our life, it seemed the perfect thing, you know, because you are your own boss, you don’t need to sell it in the sense that they come to you because they want a tattoo. You could be on a beach in Brazil with a little tattoo case, start talking to someone in a cafe, go back to your hotel room or whatever, settle on a price, and if they want a tattoo you tattoo. It is a very direct thing. We were both already artists, started that way originally, so it seemed perfect.
“Home is where the heart is….on the bus.” -Frank Zappa, Wet T-Shirt Nite
It has taken me almost exactly two months to finish writing this blog post, and I’ve thought about it every single day. After our trip to the Montreal Art and Tattoo Show held in mid September, my husband hit the road with a vengeance. Paris, London, Barcelona, Eddie toured around for two international tattoo shows in just over three weeks, plus a few guest spots with new contacts. I stayed home on this sudden European jaunt, helping to run our tattoo shop and keep things from burning down at home. Eddie had watched Filip Leu tattoo a one sitting backpiece in Montreal, and had been ready to travel, draw, and tattoo compulsively soon after. The London Convention was calling; so was Barcelona. Off he went. I was a proud tattoo wife from across an ocean.
By Bj Johnson
The meaning behind the madness…
I have been making things my entire life. I was never a conscious choice, it simply flowed naturally and automatically from my skills, my interests and my passion. For me, creating is innate. I cannot not create.
I finally made a career of my art in 1997 when I began tattooing. Tattooing is creative and experiential, but I found I still needed to build tangible things as well, so I soon gravitated to investigating the mechanics of building tattoo machines. Creating custom tattoo machines from scratch was wildly fulfilling, and naturally I wanted to set my work apart from others. To do this, I turned to other forms of metal art. I took a couple jewelry making classes at GVSU and was introduced to the metalsmithing craft. I became addicted to this new medium immediately. However the constraints of tattoo machine mechanics would not allow for exploration of all these wonderful tricks and techniques the metalsmithing world offered, so I began making little sculptures. These small scale sculptures were simply physical forms based on ideas and emotions I had, but I never went in any specific direction with them. It was just playing.
I have also always loved symbolism. Wanting my work to have deeper meaning and layers, I began researching. All the paintings of the old masters are rife with symbolism. Each element in their paintings was there for a reason. I loved this and began to search for ways to include symbolism in my own work.
All of this became a explosion of purpose when I thought of making my monster sketches into three-dimensional pieces. Through my research I found that historically,
By Omar Edmison
My wife of 18 years asked me awhile back if I was still writing a blog for Tattoo Artist Magazine. I shot her a pile of excuses about time & being busy at work, taking care of the shop & spending time with her & the kids. She looked at me with her amazingly sweet smile as if to say “Sure Omar, I love you I have your back but you’re throwing up a smoke screen.” She knows me really well, better than any other human being on the planet. Her words that she spoke next were small and to the point. she simply said ” you’re really good at what you do. you have wisdom to impart.” I am not making that part up; she really does speak like that. So here I am sitting in front of a computer trying to figure out what to “impart” on you, gentle reader. I started thinking about what I had said to my beautiful and talented better half. It wasn’t a lie I have been busy with an amazing varied rag tag bunch of folks who for what ever reason be it a bump on the head or just a history of poor life choices have asked me to mark them permanently. It is also true that -as any shop owner can attest to- when you own a tattoo shop stuff comes up, there are always fires to be put out, business needs handling. It is most decidedly true that I love spending time with her and our 3 awesome kids. I don’t know about y’all but the last time I checked there are only 24 hours in a day only 7 of those days in a week etc., etc. you know the math. You are,I am sure, by this point getting my point that there are a lot of things that come up in my day to day life that are at times pleasurable at times nerve wracking & everything in between. Much like some of you out there, I get to try to figure out how to balance business & family, which is what struck me as something to write about…
Life, Happens everyday. It comes at us pretty fast you have to keep your eyes open and your head up if you are going to get through it in one piece. How to balance work & family…
By Ino Mei
Heavy guitars, authentic attitude and a strong live presence, Orange Goblin could not but have tattoos.HeartbeatInk had the chance to “interrogate” and take photos of them before their long awaited concert in November in Athens.
Ben Ward: vocals
Joe Hoare: guitar
Martyn Millard: bass
Chris Turner: drums
How many times have you performed in Greece so far?
Ben: Tonight, it will be our sixth time and our fourth here at An Club. We always have a great time in Greece. The fans are very enthusiastic and as long as that continues we’ll keep coming back.
Chris: The thing with Greece is that it is part of Europe, but quite far out the bay; so whenever American & European bands travel, not many of them make it this far. So when a band seems to play, everyone seems to give their support.
Ben: And great food.
Chris: Terrible driving (laughs).
Are you familiar perhaps with any Greek bands?
Ben: I actually did vocals on an album for a band called “Lord 13”; good friends of mine. I also know Nightstalker who are quite big everywhere. We’ve heard things from the bands that we’re playing with; Stonerbringer tonight and Lucky Funeral tomorrow. We’re aware that there is a descent scene and there are a lot of good bands.
How’s the scene currently in London?
Ben: The scene in London is great! There’s a variety of shows every week. There’s always something on. Just this week Monster Magnet played last night and Alice in Chains and Ghost the night before. There are a lot of new good bands in London as well and many venues are doing a lot to support. Like the Black Heart in Camden; pretty much every night they put a young – new band to play live.
Martyn: The “Desert Fest” as well. It is every year the week before “Roadburn Festival” and it takes place in Camden Town for the whole week-end. It is actually quite big now.
Chris: It is basically like the British “Roadburn” but ten years ago; when it was less avant – garde and more just kind of riff based bands.
Are you preparing a follow up to your latest album “A Eulogy of the Damned”?
The plan is next year to knuckle down and do a new record. We have got a bit of time because
Martyn is getting married in May and that means that he’ll be away for his honeymoon. So if we can get stuff written, get in the studio before he gets married and goes away, we can get his parts done and the rest of us can finish it; hopefully we are looking at a midsummer release and so there is time to hit all the big summer festivals.
To read the rest of this interview, go to: http://heartbeatink.gr/en/issues/november-2013/orange-goblin/#