By Jeff Gogue
I call it a movie simply because it’s moving pictures as opposed to non moving pictures. I make my living making pictures, but they don’t move. I think my goal with anything is for it to actually “move” people. Pun intended. This dvd or video or whatever you want to call it is moving. My hope is that your soul would be moved and your mind would be engaged with your heart to search yourself and discover or rediscover why you do what you do. Whether you tattoo, paint, make music, or have any other creative outlet, be it business, art, management or anything else. When you stop and think about it “creativity” is just thinking outside of convention or routine; it’s coming up with a solution to whatever is perplexing you that is outside of the norm.
“Tattoo as I see it” is my message, which starts with my story, my “why” to what I’ve done in my life and what I do with each day. It presents my beginnings, my intentions and my resolutions after attaining the goals I set out for. Along the way I have learned to be an artist. I’ve learned to be a professional at expressing things visually, and I’ve discovered that the door has been opened to a wide world that goes beyond what I thought was there.
This project was not my idea, or my vision, at first. When Ryan Moon, (Film Director, director of photography, designer, and co-producer) approached me with the idea of a tattoo instructional dvd, I was of course not into it. I don’t want to be another guy trying to capitalize on the tattoo frenzy, but after talking and mulling over ideas, I was convinced to just be myself and say what I feel I need to say. After a year and a half of talking, tattooing and wondering, I am pleased with what has transpired. It’s a well rounded presentation of both ideals, and practical application of what I believe to be foundational and fundamental principles of both tattooing in general and artistic understanding that’s applicable to any medium, all of this mixed in with honest, real experience and reflection on an art based life.
The (pre sale) dvd is available currently for $39.00 plus shipping world wide with the official release date being Friday, November 29th when the price will be $49.00 plus shipping. We are also planning on releasing a limited edition collector’s edition with two DVDs, one being Tattoo As I See It, and the other containing my home videos of seven trips to Japan for a full back piece from the renown Shige, of Yellowblaze, Yokohama. I filmed over the last three years documenting my experience, all of this is the backdrop for my candid story of who Shige is to me and what the experience meant and how it affected my life. This edition will be signed, numbered and limited. I had hoped to have them out sooner than this but doing it ourselves, we of course came up against lots of hurdles and costs.
The final stages of the project were completely made possible by our sponsors, Fusion Ink, Cheyenne Tattoo Equipment, Sullen Art Collective, and Tattoonow, and Off the Map Tattoo.
I started my own art production company called Unicycle Brand in order to fund this project and all the time invested in the cameras, the computers, the filming and editing over the last year and a half. Unicycle brand will be launching over the next year, our contributing artist lines of prints by Jason Butcher and Lianne Moule of the UK, Markus Lenhard of Germany, Derek Noble, USA, and Shige, Yokohama Japan. I envision this being the start of great things to come for art and tattooing.
Special thanks to Tattoo Artist Magazine for the years of support and for keeping it real for tattooers in this ever-changing world.
Please visit http://www.unicyclebrand.com to view the Trailer and order your (pre sale) copy now.
Also please visit our sponsors’ sites:
Sullen- Tattoo as I see it, t-shirt available soon.
Check out the trailer…
Get TAM issue 10 with an interview on Scott Sylvia:
From Annemarie Beers to all the ATM followers, supporters and Blue Bone Society members,
Yesterday, two years ago we opened the Amsterdam Tattoo Museum. With help from a lot friends from all over the world we managed to start a great museum and realized Henk’s dream. Opening day and night was one to remember forever! Unfortunately we had to end this in a bad way due to our “financier’s” incompetence. We were kicked out of OUR museum on Nov. 12th 2012, Henk’s collection was kidnapped in the museum. On April 1st, 2013 the museum closed its doors…
Thanks to our dear friends, followers and tattoo fans we raised enough money to pay lawyers, get the collection back and start the Pop Up store for our staff to continue in the name of the Amsterdam Tattoo Museum.
I hope we’ll have a new museum by 2014. All of you that contributed in any possible way, THANK YOU!!! The positive part of all this was that we realized how big our loving and supporting family is! Thank you all again… ATM FOREVER!
All Photos by: Bobby C. Alkabes
Reblogged from: tattoomuseum.wordpress.com
TCM Issue 4 available now!!
Paul Booth, Miss Arianna, Dong Dong, Tattoo Archive, Tattoo History, Debra Yarian, Sean Herman, Needles and Sins, Pep Williams, Bro Safari, Artist Galleries and more…
Photos & interview by Ino Mei
Reblogged from: heartbeat ink.gr
Humble, experienced and gifted with valuable knowledge of the classic Oriental tattoo, Mike The Athens gave Heartbeatink an exclusive interview about his 24 year-old career and his presence in the international tattoo scene.
How did you come up with the name “Mike The Athens”?
It came from a typographical error, which occurred in the 90’s in Miki Vialetto’s article, on Tattoo Planet. Instead of “Mike from Athens”, he wrote “Mike The Athens” and the nickname stuck (laughs).
When was your first contact with tattoos?
Since I was very young, I thought tattoos were alluring. I was excited by the idea of tattoo from a very young age. I started as a collector. Around the age of sixteen, I used to visit Jimmys’ studio, the only one that existed back then, once or twice a month, to decide which tattoo I wanted. At some point, I made my decision and just like that, I got my first tattoo. The next one I got was done by Bugs in Camden, who was then considered to be the best tattoo artist in Central London. We were a group of friends; one of them grew up to be the future Yorg. These were the days (the 80s’) of true originality. Back then the only ones who were getting tattoos done were the bikers, the rock ’n’ rollers and the greasers. No posers and new-school guys. It wasn’t a trend. Tattooing was quite underground, even misunderstood sometimes.
From then on, I really started getting into it. I got myself a tattoo machine and I “added” some elements on the first tattoos of my friends. Ever since I was a child I loved painting, my grandfather was a painter, plus I was interested in painting and designing as far as tattoos were concerned. Then, after that, I dropped everything. I quit my studies in English Literature at the University of Athens, where I studied and right afterwards I went to the army in order to complete my “duty” there. I met a guy who had a home–made tattoo machine. From the moment I took it in my hands, I improved it with a rotring rapidograph that existed back then in order to use it as a tube and also used a bending fork as a base for the motor. The ink I used was of course rotring. That’s how they used to do it in jail, but of course I wasn’t aware of that; I was just guided by intuition and I was good at mechanics.I covered this guy up with tattoos, outlines only. He gave me some as well and that’s when I really started taking an interest in it.
When did you become a professional tattoo artist?
In 1989, after being encouraged by friends who wanted me to give them tattoos. I never went after it on my own. However, in the end I was mesmerized by the tattoo itself… I started with large cover ups and tribals. It’s really important to say that, at the time, there was no access to information when it came to tattooing. Everything was done either by books, or by visiting a tattoo place yourself, and of course there were no tattoo suppliers. I found Alex Binnie in a book; I had no idea who he was, I liked his tattoos so I sent him a letter (there was no email back then) to get him to give me a tattoo.
So, that’s how I tentatively entered “Into You” for the first time to get a tattoo done by Binnie, my first serious tattoo. We met and there was some great chemistry between us, he saw my work of the past six years, he liked it and he offered me a job as a guest (tattooer). He was planning to go to New York for a while and I would fill in for him in a way. So I moved to London and I became the main guest artist of Into You for two years. Ever since, I belong to the Into You tattoo family. There is a strong bond among us;it’s not coincidental that Tas (Danazoglou) works there now. Every time I go to London, the only studio I work for is Into You, and all of my friends and my tattoo family works there as well.
Check out TAM for more awesome interviews:
By Louise Rafkin
Article from: http://www.nytimes.com
After more than three decades, the green unicorn tattoo on my right buttock has significantly paled. At least parts of it have. The flanks of the animal, formerly outlined, are now a dotted line. The horn droops.
Thirty-six years ago I was a college freshman and away from home for the first time. Whereas in my small Californian beach town nothing seemed possible, I’d landed in a groovy city where everything seemed possible. I could stay out all night, drink and smoke whatever, skip classes or take magic mushrooms — most of my cohort did.
But ditching my high school persona of stellar student and cheerleader was a hurdle. I wanted to run fast and loose but couldn’t bear to skip a class and found the after effects of drinking unbearable. I was naïve and prudish; the boy who took me on a “date” to a hot tub was sadly surprised to find, while groping in the bubbles, my one-piece bathing suit.
Yet I deeply wanted to be edgy and artistic. I read Henry Miller and Anais Nin and Jack Kerouac with the focus of a pirate reading a treasure map.
One night, munching popcorn in my dorm, I hatched the idea of a tattoo. It was the mid-1970s and a tattoo was not what it is today. Tattoos were for sailors, bikers and Janis Joplin. It would be 20 years before they were reinvented as fake tribal indicators of urban cool.
By Sanctioned TV.
Campfires & Carbon’s mission is to have and promote real, unedited conversation with local tattooers. Here’s their podcast of a conversation with Jeff Wright…
By Andrew Goodfellow
Reblogged by: swallowsndaggers.net
There are very few tattooers working today that can lay claim to over 30 years of experience. Fewer still are those who can truly be said to have changed the course of tattooing. Bill Baker – artist, icon, entrepreneur, and now part owner of Pearl Harbor Gift Shop – is among those storied few.
In all honesty, I had no idea what to expect of my meeting with Bill when he agreed to speak with me for Swallows & Daggers. Highly regarded yet notoriously reclusive, Bill casts something of a mythical shadow over the tattoo community in Toronto. Though Pearl Harbor is among the city’s premiere shops and receives constant acclaim, he is rarely glimpsed by the clientele and is extremely selective in taking on new work. Having been tattooed there on a number of occasions, I had yet to catch sight of him even once.
Little wonder, then, that I hadn’t any notion of what my afternoon with Bill would entail. What followed was an incredibly candid and fascinating tour through Bill’s 32 year career. Part raconteur, part machine technology and tattoo history teacher, Bill has managed to remain humble and utterly genuine in his love for tattooing. I learned more from him in the course of two hours than I had in the last two years of my own pursuits in the tattoo world. I only hope that I can convey our conversation in terms that do justice to the man himself, the immense scope of his technical achievements, and to the work he has crafted since 1981. As recorded in the legendary environs atop Pearl Harbour – known simply as ‘The Hut’ – it is with tremendous respect that I relay his words to the readers of Swallows & Daggers:
“Okay, well let’s see…if you want to bust it down, I guess I’ve been tattooing 32 years. I started in ’81. So then there’s the first part, where I was learning and did my apprenticeship in Calgary.”
By Marisa Kakoulas
Reblogged from: http://www.needlesandsins.com
One of the most acclaimed tattoo gatherings – the NYC Tattoo Convention – has brought beautiful freaks worldwide to New York in spring time, as it has been held each May for 16 years. However, with the sad news that the convention’s venue, the historicRoseland Ballroom, will be shutting down in April 2014, I worried about the fate of my hometown show.
Thankfully, we’ll still be able to party in this iconic spot, if not for one last time, as the convention dates for 2014 are March 21st through the 23rd. While the news has been spread around social media, I’ve still been hearing people talk about making travel plans for May or even setting up appointments at that time, so I wanted to help get the word out there that the show will go on, but in March.
We’ll be there and hope to see you too! Check my bad camera phone pics from past shows on Flickr.
Nicki is working the Bay Area Convention of the Tattoo Arts this weekend at the Hyatt Regency San Francisco Airport Hotel! If you’re in the area, stop by and check it out. The line up at this show is amazing, and there’s some amazing limited edition art prints and merchandise you can pick up!
By Ben Shaw
I finally climbed from my car in front of the Lodge section of Colorado’s Keystone Resort and Spa after trying unsuccessfully to check into the spa section of the massive resort. The sound of running water enters my awareness, teasing, because with little to no lighting outside the lodge, I can only hear it. The whole place is quiet and sleepy, with nowhere to eat at 11pm, so I chose from a vending machine buffet offered in the reception area and then crawled into a queen size mountain of pillows in my room. It was a long day on the road…
Suddenly awakened by a beam of light burning through my eyelids, I stumbled to the window, drew back the blinds, and gasped, awestruck by the magnificent view. A vast mountain range saturated with lush, green trees and split with running streams. A pond sits center stage in front of me, between the well-constructed resort floor plan and the gorgeous landscape. I took an eight-hour pilgrimage to interview Gabe Ripley, and this looks like the Holy Land…
Gabe Ripley has spent the last 13-14 yrs. immersed in the tattoo industry, developing websites, planning events, and building tattoo studios. His Off the Map corporation has three major divisions: TattooNOW, a company that powers a network of over 150 tattoo websites; Off the Map, a trio of custom tattoo studios, one in western Massachusetts, one in Grants Pass, OR, and a third opening soon in Italy!; and finally the Paradise Tattoo Gathering, a revolutionary four-day tattoo event, which I found myself transported to on this day.
After a day of amazing education, ending with Gabe’s own “Building a Great Business” seminar, I finally got his undivided attention. Gabe is a BUSY man. Orchestrating such a beautiful convention/seminar/tattoo artist retreat took all his focus, so I carry a deep sense of gratitude for the opportunity…
Tattoos by Driz
Instagram: @drizelinink, @true_tattoo_studio
True Tattoo, Gold Coast, Australia
Photos and Interview by Ino Mei
The charismatic and one of a kind Tas Danazoglou spoke exclusively to HeartbeatInk, while tattooing at his booth at London’s “Into You” Tattoo Studio, about the art of the tattoo with absolute honesty and humour.
When did you first get involved with tattooing?
Twenty years ago, when I was 22 years old I began as an apprentice of Mike the Athens. Actually, Mike taught me everything I know. I still feel like Mike’s apprentice (laughs), because he is a such a perfectionist and even now calls me and tells me “what you did wasn’t that good, you have to do it like this”. He is also one of my best friends. We are like brothers.
What were you doing previously?
I was a radiologist’s assistant.
How did drawing come into the picture?
I have been drawing for as long as I can remember. My father was an amateur painter. Perhaps I was influenced by him. But yes, I definitely drew.
How did the transition from drawing to tattooing happen?
It’s kind of funny. Mike was my tattoo artist and because he likes music I used to record cassettes for him with death metal bands (I think he still has them) and I would paint their covers. At some point, after seeing my designs, he asked me to become his apprentice. I had never thought I would become a tatooer…
Reblogged from: http://www.pbs.org/skinstories/
The journey to receive a tattoo can follow many different roads.
When you think of someone with a tattoo, what comes to mind? A biker? A sailor? A rebellious teen? These are all stereotypes of tattoos in American culture, but in reality tattoo began in the Polynesian islands, with a cultural tradition and meaning Westerners are only beginning to understand.
Tattoo, or tatau, has deeps roots among the indigenous peoples of Polynesia. As the tradition spread through the sea-faring cultures, each island brought its own style to this physical art form.
After Captain Cook arived in the islands in the late 1700s, missionaries were soon to follow. They denounced tattoo as “the Devil’s art,” and acted swiftly to abolish tattoo, which was condemned as a symbol of superstition and sorcery. The sophisticated body art form which had developed over thousands of years was nearly destroyed in just a few decades, preserved only in old paintings and photographs.
Doc Ink is a brazilian web series of short episodes featuring some of that country’s most respected tattooers. It was introduced to us by São Paulo-based tattooer Nico Acosta. Enjoy episode #4!
Check out the IREZUMI art show at Space 15 Twenty in Hollywood, CA. The show is up until October 20th.
IREZUMI is a group art show featuring original Japanese Tattoo art works from around the world. Artists include: HORIYOSHI 3, BOB ROBERTS, HIROSHI HIRAKAWA, MUTSUO NAKABAYASHI, GANJI, NAMI CHANG, MIKE ROPER, MIYAZO, BRIAN KANEKO, SMALL PAUL & more!
TAM will have a booth at the Bay Area Convention of the Tattoo Arts October 25-27! If you’re in the San Francisco area that weekend, stop by and check out the show!
Doc Ink is a brazilian web series of short episodes featuring some of that country’s most respected tattooers. It was introduced to us by São Paulo-based tattooer Nico Acosta. Enjoy episode #3!
By Santioned TV
Huge congratulations to Henning from your friends here at TAM!!!
*Video by Lars Stig Moller
By Bob Done
Reblogged from: http://www.swallowsndaggers.net
At a time when new Tattoo Studios are popping up in towns faster and more frequently than ever, I thought it would be cool to have a chat with my mentor and 20 year veteran of the craft Phil Kyle about the situation we find ourselves collectively in, and what it was like for him “back in the day”.
This is the slightly edited version because I don’t think the internet was, nor will it ever be ready for the original.
BD – Ok, what’s your name and how long have you been tattooing for?
PK – Phil Kyle, been tattooing 21 years and been getting tattooed for almost 30 now.
Where did you start tattooing?
I served my apprenticeship at Main Street Tattoo just outside of Baltimore Maryland in Edgewood. I started actually tattooing when my mentor thought it was the right time.
How many shops were in town when you first started tattooing?
2 at most, unlike today’s carnival.
And what was the relationship like between those shops and yours?
People just did their work and got on with it.
And what would have happened if someone else moved into town and opened up a shop?
(Laughing) Well…….Back then they would’ve got a warning, and if they ignored the warning there would’ve been some action. They’d have their equipment taken maybe, or you know… But the fact was that people with no morals or ethics got served the fuck up. It’s not like today where assholes open up one street over. What’s the fucking point? And they don’t even have the nut sacks to come say, “Hey I’m opening up”, or whatever. Like we did. It’s like fast food chains popping up everywhere. Serving total shit! (laughing) People that should just be clients are opening up shops. If they really loved tattooing they should just stick to getting tattooed, and not try to be some hipster cool guy who couldn’t tattoo their way out of a paper bag. These are the people that talk way too much trash too, if they could run their tattoo machines the way they run their mouths maybe they could actually tattoo.