By Dawn Cooke
Let me tell you a little story about Jesse Stark. Jesse starting tattooing as a young man and like most of us had to struggle to learn the craft of tattooing. Jesse worked in Detroit for a while. When I say he worked in Detroit I mean in the city not the suburbs. He was shot at one too many times there and he left to work in the safer community of Ann Arbor… (more…)
Robert Ryan: So what are some things that could distract a tattooer in the application of a tattoo? And drain power from the image?
Adam Shrewsbury: Again, there are several different things. It could be the environment being real hectic, or the music could be really terrible, or maybe the customer has come with a friend who is putting off terrible vibes, or maybe the customers themselves are putting you off… I guess, probably, the biggest thing for me is when the customers themselves don’t trust you. You know? And they question every action, and every time you’re about to put red in, they’re like, “Uhhhhhh, let’s stop. Let’s not do that.” And they question you with every step. So really, I guess I feel that if a tattoo doesn’t show its strengths, it’s because the relationship between the tattooer and the customer has sort of floundered a bit…
Interview by Robert Ryan
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