By Crystal Morey
Sooooo… I was hoping to interview Bunshin Saikian Horimasa while racing through the Nagano mountains in his Porsche 996. He and 69 other Hemi enthusiasts have formed a “touring” club that meets once a month and just drives fast. The 69 Brothers. I was hoping for footage of me screaming obscenities and wishing I had a helmet but on the day we went it was raining. And there were police. With cameras. It was the weirdest thing… We would pull into a truck stop and the police would follow us, one would eventually come over and say how much he liked the cars and asked where were we going, while another car came around the back of us and took photos.
I’m from Texas, when cops are taking your picture on the sly it is NOT good. Back in the car I asked Horimasa if he was concerned and he laughed and said we were fine, that we weren’t ‘bōsōzoku’ (teenage gangs identified by their obscenely festooned motorcycles and cars that they race through the city causing as much noise and mayhem as possible) and we weren’t doing anything illegal. Except doubling the speed limit. He maintained that he and his crew were adults and responsible drivers therefore it was not a problem. We did slow down whenever a cop caught up, and the guys in the back quickly texted the guys in the front to let them know, but no one was pulled over or issued even a warning and, as there are no speed cameras in the tunnels, we did get a fair bit of racing in. We drove for eight hours and is seemed like three, with stops off here and there to see the Shunen no Ishi – the rock of regret*, and eat soba on the peak… (more…)
By Crystal Morey
I dropped Bunshin Horitoshi’s shop today. I adore his work, particularly his underwater creatures and I think that, for an emerging artist, he’s done a remarkable job creating a signature style for himself, while still adhering to the strict canon of wabori (Japanese traditional tattoo motifs). His work is simple yet bold and flatters the form. There is a wonderful playfulness to his illustrations, which mirror Horitoshi’s own personality and it is this levity that make his pieces so appealing and unique.