By Marisa Kakoulas
Reblogged from: http://www.needlesandsins.com
One hundred years ago, Amund Dietzel (1891-1974), of Kristiania, Norway, arrived in Milwaukee with a knowledge of tattooing he picked up on a merchant shop. Deciding to make the city his home, he opened up a tattoo parlor that attracted tattoo collectors far beyond Milwaukee. Sailors and marines during two world wars came to see Dietzel before leaving for battle, choosing powerful designs from his handpainted flash that hung on the shop’s walls.
Dietzel “helped define the look of the traditional or old school tattoo,” the Milwaukee Art Museum wrote of their “Tattoo: Flash Art of Amund Dietzel” exhibition, which ran from July to October.
That wonderful archive of Dietzel’s painted flash, stencils and drawings, from the collection of Jon Reiter, will be exhibited at Great Lakes Tattoo in Chicago, from November 29th to January 5th.
During the November 29th opening, not only can you view Americana tattoo history, but also have a piece of it tattooed on you, as artists will be offering tattoos from Dietzel’s flash sheets from 12 to 10 PM that day. The opening party, with food & drink, runs from 5 to 8 PM.
Proceeds from the tattoos, as well as beautiful limited edition prints (shown below) and shirts, will go towards the hefty medical expenses Jon incurred from an ICU stay.
For more on Amund Dietzel’s life, pick up Jon’s fantastic books, These Old Blue Arms: The Life & Work of Amund Dietzel, Volumes 1 & 2.
By Anni Irish
A recent animated film featured on Vanity Fair’s website in their “Through the Decades” series showcases artist Nick Hooker’s tattoo inspired interpretation of the 1940s. The short four minute film highlights several historical events from the 1940s and is done in an Americana tattoo style. The film opens with a shot of a vintage radio that is placed next to a bottle marked “xxx”. In the background there are various tattoo inspired images which are framed. The radio is on and we hear what seems to be a speech FDR being given in regards to World War II. Over the radio address the sound of a tattoo machine buzzes and the camera pans out to a reveal simple sign that says “tattoos”. The shot widens and various flash tattoo designs become visible and the room is transformed into a tattoo parlor. An Uncle Sam type tattoo artist is tattooing sparrows onto a patron who has a larger ship and American flag scene on their stomach and chest. The image quickly shifts again. Within this shot the framed flash tattoo designs become the object of focus. It is within the confines of the framed tattoo images where Hooker’s depiction of the 1940s comes to life.
An important element to Hooker’s representation of the 1940s is his emphasis on the history of tattooing. Hooker showcases this by making the link between tattooing and sailors as well as their presence within freak show and circus culture. Tattoo artists such as Professor Charlie Wagner, Sailor Jerry and Cap Coleman are referenced which is is important. Another key detail to Hooker’s telling of the 1940s is his foregrounding of the tattooed lady through Mae Vandermark. Vandermark a former stenographer turned tattooed lady becomes the darling of Hooker’s short film. In an “Behind the Scenes Interview” about the film, Hooker and it’s co director, Drew Christie talk about the “illustrative qualities” of tattoos. It is the “illustrative qualities’ of them that both Christie and Hooker note, which capture their interpretation of this decade. It is also interesting to note that This American Lifecontributor and author Starlee Kine, wrote and narrated the piece. This talented group of artists came together to create a compelling, alternative representation of this infamous decade.
What is significant about this animation for me is how an alternative narrative of history is told through tattoo culture. In many ways, tattoos came to encompass the 1940s. This occurred through the presence of the War and the various sailors and soldiers who documented the experience if it on their bodies to the tattooed ladies and various “freaks” of circus culture. Christie and Hooker are narrating a social history which often goes overlooked. This animation is raising larger issues surrounding the social history of tattooing within the United States while also giving insight into it. It is being done in an unconventional medium through one of the most popular publications out today. As a result, a new generation is learning about this alternative historical narrative which is incredibly important.
Given the fact that it is such a short film, only a portion of this history is being told which encompasses a larger time span. While I do not want to take away from the work that I feel this animation is doing, it is only a tiny piece in this larger social puzzle. There are many other elements that construct America’s tattoo history. People such as Margot Mifflin, Amelia Klem Osterud, and others are actively working to help recuperate this larger history but there is still much to be done. Being mindful of this wider framework and the issues “The 1940s” raises perhaps it will inspire the next generation of tattoo artists and tattoo historians to begin their own investigation.
**Anni Irish is a writer and researcher who holds an MA in Performance Studies from New York University and an MA in Gender and Cultural Studies from Simmons College. Her work focuses on the representation of bodies, fetishism, and the social history of tattooing in America. She currently resides in Brooklyn, NY.2015 |Candidate The Draper Program, NYU|
By John Niederkorn
Reblogged from: http://tattoomuseum.wordpress.com
Since the closure of the Amsterdam Tattoo Museum (ATM) in Nov. 2012 the tattoo community, along with fans and followers of the museum have had many questions about its untimely closure.
Today the intention is to shed some light on this subject by presenting *bankruptcy documents levied against the museum’s main financer and location provider Mrs. Mary Jeannette Leonora Seret, and her private company by the name of Partners at Work BV…
*1.7 Cause of bankruptcy
The bankrupt company is engaged in the reintegration of long-term unemployed people and people who have trouble finding labor. The orders were to do so – after tender – awarded by the municipalities or social services.
At one point, a partnership was established between Mr. Henk Schiffmacher or the foundation Amsterdam Tattoo Museum and the bankrupt company. Mr. Schiffmacher, known tattoo artist, had the desire for its collection accessible to a wide audience in a museum and for the bankrupt company was ‘ideal’ means to place multiple people from the reintegration purposes to work in this museum.
Henk Schiffmacher and Seret agreed the Schiffmacher collection would be housed at the Plantage Middenlaan 62 location. In conjunction with this agreement Seret and her Partners at Work BV company had an agreement with the Dutch government to provide employees for museum, under which its main function was to give employment to reformed criminals and “underprivileged” individuals… Due to the nature of the Seret’s company she received financial backing from the local government.
Based on this agreement, Partners at Work BV claimed to invest 1 million Euros in the ATM…
*Housing was sought and found in the building currently in use at the Plantage Middenlaan 60-62 in Amsterdam.
From Annemarie Beers to all the ATM followers, supporters and Blue Bone Society members,
Yesterday, two years ago we opened the Amsterdam Tattoo Museum. With help from a lot friends from all over the world we managed to start a great museum and realized Henk’s dream. Opening day and night was one to remember forever! Unfortunately we had to end this in a bad way due to our “financier’s” incompetence. We were kicked out of OUR museum on Nov. 12th 2012, Henk’s collection was kidnapped in the museum. On April 1st, 2013 the museum closed its doors…
Thanks to our dear friends, followers and tattoo fans we raised enough money to pay lawyers, get the collection back and start the Pop Up store for our staff to continue in the name of the Amsterdam Tattoo Museum.
I hope we’ll have a new museum by 2014. All of you that contributed in any possible way, THANK YOU!!! The positive part of all this was that we realized how big our loving and supporting family is! Thank you all again… ATM FOREVER!
All Photos by: Bobby C. Alkabes
Reblogged from: tattoomuseum.wordpress.com
Reblogged from: www.swallowsndaggers.net
Anybody who reads this blog knows a thing or two about tattoos (or so I assume). Here’s a question for everybody: do you know who the first Caucasian tattooed woman in North America was? Well, there’s no way to be sure, but there are many people who say it was Olive Oatman.
I first heard about her on tattooblog.com, and let me tell you guys, her story is fascinating. Too lazy to click the link? Well then, let me tell you the story of Olive Oatman myself!
On July 13 NATTOO NATION’S ED HARDY will be signing his new book, followed by a TATTOO NATION ENCORE PERFORMANCE on THREE screens in HAWAII, two in OAHU one in MAUI!
Wow. I went digging through a box of old papers and drawings and found something long forgotten… (more…)