The Official Blog for Tattoo Artist Magazine

Posts tagged “Percy Waters

Jay Brown: Coeur d’Alene’s Blue Rose Tattoo – An Interview with Robert McNeill (Part III)

By Jay Brown  In Northern Idaho there is the lake town of Coeur d’Alene, actually more of a city than a town. In the sea of tattooing these days, some of the old timers really shine through as great tattooers as well as incredible artists, one of those is Robert McNeill. I recently got a chance to stop in to see him at his studio on 4th Street right in the heart of downtown Coeur d’Alene. Blue Rose Tattoo is a clean, comfortable shop, with lots of incredible artwork adorning the walls, all of which is either Japanese or American Traditional tattoo designs, all painted by Robert. And speaking of painting, Robert is incredible at that, pin-ups I think being one of his strong points, but he can do anything, all in all Robert is one of those artists that can create on skin as well as he can on paper or canvas. So after we were done with the hellos and the pleasantries, we got down to the interview, which wound up being 43 minutes long, so I am gonna edit things, cause I don’t have enough pictures to go with that many pages, and that’s a lot of pages so we’re gonna trim it down a bit, although it was a great interview all the way through, but we’re not writing a book, but I digress… Yes, so the interview. I hope you enjoy… [Editor's Note: Jay's interview, due to its length, will be broken into three weekly installments, this is Part III of III.] 

(more…)


Jay Brown: Coeur d’Alene’s Blue Rose Tattoo – An Interview with Robert McNeill (Part II)

By Jay Brown  In Northern Idaho there is the lake town of Coeur d’Alene, actually more of a city than a town. In the sea of tattooing these days, some of the old timers really shine through as great tattooers as well as incredible artists, one of those is Robert McNeill. I recently got a chance to stop in to see him at his studio on 4th Street right in the heart of downtown Coeur d’Alene. Blue Rose Tattoo is a clean, comfortable shop, with lots of incredible artwork adorning the walls, all of which is either Japanese or American Traditional tattoo designs, all painted by Robert. And speaking of painting, Robert is incredible at that, pin-ups I think being one of his strong points, but he can do anything, all in all Robert is one of those artists that can create on skin as well as he can on paper or canvas. So after we were done with the hellos and the pleasantries, we got down to the interview, which wound up being 43 minutes long, so I am gonna edit things, cause I don’t have enough pictures to go with that many pages, and that’s a lot of pages so we’re gonna trim it down a bit, although it was a great interview all the way through, but we’re not writing a book, but I digress… Yes, so the interview. I hope you enjoy…[Editor's Note: Jay's interview, due to its length, will be broken into three weekly installments, this is Part II of III.] 

(more…)


Jay Brown: Coeur d’Alene’s Blue Rose Tattoo – An Interview with Robert McNeill (Part I)

By Jay Brown In Northern Idaho there is the lake town of Coeur d’Alene, actually more of a city than a town. In the sea of tattooing these days, some of the old timers really shine through as great tattooers as well as incredible artists, one of those is Robert McNeill. I recently got a chance to stop in to see him at his studio on 4th Street right in the heart of downtown Coeur d’Alene. Blue Rose Tattoo is a clean, comfortable shop, with lots of incredible artwork adorning the walls, all of which is either Japanese or American Traditional tattoo designs, all painted by Robert. And speaking of painting, Robert is incredible at that, pin-ups I think being one of his strong points, but he can do anything, all in all Robert is one of those artists that can create on skin as well as he can on paper or canvas. So after we were done with the hellos and the pleasantries, we got down to the interview, which wound up being 43 minutes long, so I am gonna edit things, cause I don’t have enough pictures to go with that many pages, and that’s a lot of pages so we’re gonna trim it down a bit, although it was a great interview all the way through, but we’re not writing a book, but I digress… Yes, so the interview. I hope you enjoy… [Editor's Note: Jay's interview, due to its length, will be broken into three weekly installments, this is Part I of III.]  (more…)


Jay Brown Provides Inside Look at The Northwest Tattoo Museum

By Jay Brown 
The Northwest Tattoo Museum is a project that was started almost two years ago when in a conversation it was suggested that there needs to be a tattoo museum in the Northwestern US. In answer to this call myself (a longtime tattoo artist of 24 years at the time) and avid hoarder of everything tattoo, and my fiancé Jennifer DeRose, who is an anthropologist/archaeologist decided to take on the challenge. I then dug out my collection of tattoo machines, old flash and other stuff I had piled up over the years while Jennifer started building the database for the museum’s collection…  (more…)


Michael “Pogo” Kortez

Story and photos by Marco Annunziata
Jonathan Shaw couldn’t have use better words to introduce Pogo: “Michael was born in a circus tent on the outskirts of Guadalajara, Mexico. The bastard offspring of an itinerant Chicharon farmer and a mentally challenged Tattooed Lady, young Pogo became intrigued with the art of tattooing from an early age. After seeing two pigs copulating behind an abandoned brassiere factory, his first tattoo, inspired by that memorable event, was a surprisingly realistic rendition of a pair of naughty porkers, encircled by a banner reading, MAKIN’ BACON…  (more…)


For The Record: Coney Island

Courtesy of Tattoo Archive: It was nice to read recently that Coney Island, USA located at 1208 Surf Avenue has been declared a New York City landmark. It was January of 2011 that the Coney Island’s Landmark Preservation Commission made its decision to protect this early 20th century building, now decorated to look like a sideshow on a circus lot. Built in 1917 as a branch of the Childs Restaurant chain, the building is complete with curved windows, a Spanish tiled roof and mosaics covering the front of the building. The commission described the building as “a stylish building in the Spanish Revival style that was fitting for the area’s beach atmosphere.” This building is one of the few in the area that has been protected in the recent years as the neighborhood undergoes widespread razing and redevelopment to make room for high-rises and hotels… (more…)


For The Record: Percy Waters Deluxe Machine

Courtesy of Tattoo Archive: Percy Waters was one of the great tattooists/suppliers in the history of our business. Over the years he produced machines with many different frame designs and in his catalog he offered a full line of supplies. Waters was an old-school supplier and the machines that he offered were set-up to operate with connector cords. If you look at photographs of tattooists working in the early 1900s, you will notice a mass of wires on their work stands. These wires connected them machines to their power supply. The clip-cord had not been invented yet, so each machine had its own cord…  (more…)


For the Record: The Zeis Studio Flash

Courtesy of Tattoo Archive: The Zeis Studio, Milton Zeis’ supply business was set up to provide a full line of supplies for the tattooist. Many of Zeis’ ideas were taken from suppliers that preceded him in the business, especially Percy Waters. In addition, the Zeis Studio offered a home study course on tattooing which was just an expanded version of what Waters had offered decades earlier. However, to Zeis’ credit, he also offered many items that broke new ground in the tattoo supply business. The Zeis Studio was one of the first major supplier to offer machines that were set up for clip cords; the first to offer color production flash, blue line flash and a shading guide for the beginner tattooists…

(more…)


For the Record: Pigment and Mixing Colors

Courtesy of Tattoo Archive:

Pigment

In the beginning, all tattoos were done in black. Once the caveman had fire, they had soot, that when mixed with water turned into a pigment that could be pushed into the skin. Henry Ford’s comment about his Model-T comes to mind, “You could get it in any color you wanted as long as it was black.” Black was the only pigment in tattooing for centuries…

(more…)


Jay Brown: 28 Machine Builders Part IV of IV

By Jay Brown
As a machine builder these are some of the things I look for in a machine. And I am not saying that this is it, the gospel, this is just the way I look at it. So the other day I thought to myself, “Man, this would make a great article.” As I started listing candidates for the article I found that the list got long really fast. Thus, I decided that I would stop at 28, because it’s as good of a number as any, and it was enough for a broad spectrum of builders. So here it is, 28 tattoo great machine builders… (If I missed anyone don’t be offended, it’s nothing personal, I just had to think of space. Maybe there’ll be additions in a future article?) So without further ado here they are, starting with historical builders, because they were the pioneers and should be recognized first, (plus I’m a history buff) and then moving to present day. Again this is not a Top 10 list, just a list of great builders, hope you enjoy…

PART IV on expanded page…

(more…)


Jay Brown: 28 Machine Builders Part III of IV

By Jay Brown
As a machine builder these are some of the things I look for in a machine. And I am not saying that this is it, the gospel, this is just the way I look at it. So the other day I thought to myself, “Man, this would make a great article.” As I started listing candidates for the article I found that the list got long really fast. Thus, I decided that I would stop at 28, because it’s as good of a number as any, and it was enough for a broad spectrum of builders. So here it is, 28 tattoo great machine builders… (If I missed anyone don’t be offended, it’s nothing personal, I just had to think of space. Maybe there’ll be additions in a future article?) So without further ado here they are, starting with historical builders, because they were the pioneers and should be recognized first, (plus I’m a history buff) and then moving to present day. Again this is not a Top 10 list, just a list of great builders, hope you enjoy…

PART III on expanded page…

(more…)


Jay Brown: 28 Machine Builders Part II of IV

By Jay Brown
As a machine builder these are some of the things I look for in a machine. And I am not saying that this is it, the gospel, this is just the way I look at it. So the other day I thought to myself, “Man, this would make a great article.” As I started listing candidates for the article I found that the list got long really fast. Thus, I decided that I would stop at 28, because it’s as good of a number as any, and it was enough for a broad spectrum of builders. So here it is, 28 tattoo great machine builders… (If I missed anyone don’t be offended, it’s nothing personal, I just had to think of space. Maybe there’ll be additions in a future article?) So without further ado here they are, starting with historical builders, because they were the pioneers and should be recognized first, (plus I’m a history buff) and then moving to present day. Again this is not a Top 10 list, just a list of great builders, hope you enjoy…

PART II on expanded page…

(more…)


Jay Brown: 28 Machine Builders Part I of IV

By Jay Brown
The tattoo machine has been around for 135 years now, the first stencil pen by Thomas Edison was used by tattooers. Then in 1891 Samuel O’Reily came up with his version of the tattoo machine and then it has just evolved from there. The odd thing is, the basic concept of the machine hasn’t changed all that much since the turn of the century, and the inline electromagnetic coil type machine still reigns supreme in today’s modern world.

I am a tattoo artist of 25 years, but I am also a tattoo machine builder. In this day and age it seems like everyone is building or assembling machines, some who haven’t been tattooing long enough to know the nuances of the machine itself, yet others really understand the geometry, and workings of a machine due to years of experience tattooing.

A few years ago everyone had to have apprentices, and apprentices had apprentices, now it seems the fad is to build machines. I personally do it because I have had a passion for tattoo machines since the beginning, hacking off Supreme frames in the 90s to do it as a version of Paul Rogers’ Mad Bee or Mike Malone’s Rollo-matic. And then 10 years ago I began building machines,  starting out with some basic designs and bolt together-s in steel and aluminum, then cast brass only doing 13-20 a year. Now I work with steel, kind of gone full circle, all though I still do Jonesy replicas in cast brass. In the past few years I have made it more a full-time venture. Now I build 50-100 a year, all handmade and my designs and geometry. I really enjoy building good quality tattoo machines, and knowing that the artist using it gets to create beautiful skin art… So how do you know who a good machine builder is? (more…)