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Posts tagged “TAM #27

Horiken Tattoo Artist Magazine Article Preview for Issue #27

           

Interview by Nicki Kasper

Nicki Kasper: Do you explore other mediums, like paint? If so, how do you approach that? Do you market and sell them?

Horiken: Yes, I like to paint very much. I usually paint with acrylics on paper. I like wooden panels as well. I do try to do different things from my tattooing, I may use the same motifs, but I lay paintings out differently. And, I guess I use different shading and coloring techniques; some that may not work in a tattoo. And… yeah, I do sell paintings, I don’t really make a huge effort to sell them, but if someone wants one, I do sell them. When I was in art school, I studied art history. I am trying to study this more and I have the thought that maybe I can paint and draw, a bit separate from tattooing and make something new…

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Adam Shrewsbury Tattoo Artist Magazine Article Preview for Issue #27

Robert Ryan: So what are some things that could distract a tattooer in the application of a tattoo? And drain power from the image?

Adam Shrewsbury: Again, there are several different things. It could be the environment being real hectic, or the music could be really terrible, or maybe the customer has come with a friend who is putting off terrible vibes, or maybe the customers themselves are putting you off… I guess, probably, the biggest thing for me is when the customers themselves don’t trust you. You know? And they question every action, and every time you’re about to put red in, they’re like, “Uhhhhhh, let’s stop. Let’s not do that.” And they question you with every step. So really, I guess I feel that if a tattoo doesn’t show its strengths, it’s because the relationship between the tattooer and the customer has sort of floundered a bit…

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Hanky Panky Tattoo Artist Magazine Article Preview for Issue #27

                

Interview by Daniel Sawyer

Daniel Sawyer: So then into the 80s you started to have a lot of contact with American tattooers, who were starting to come over, right? Leo Zelueta, Malone…

Hank Panky: Everybody eventually came over. Also, in the very early days, Bob Roberts came over. Because at the first convention, it was Hardy, it was Greg Irons, and the Leu family—Philip Leu was about seven, I think. Greg Irons, he stayed in Europe. He wanted to go travel. He stayed in Ostender, did a couple of tattoos in my shop. And Bob, who was friends with Greg, came after him. He also went to Ostender, and then stayed in Amsterdam for a long time. When Bob went back, he sent me some very young kids, a young band. They were like 19 or 20. They were called The Red Hot Chili Peppers, and I had no fucking idea who they were, or what their music sounded like. But they were very, very young. So I tattooed them, and they turned out to do whatever they do, with the socks around their dicks and all that. But so the tattoos were very much seen. Everywhere. And these kids were sending me all the rock and roll people. And together, with all of that stuff, a lot of very young tattoo artists came to Amsterdam, and wanted to work a while in the shop, as part of their training. Mike Wilson, Freddy Corbin, Eddie Deutsche. Almost everybody…

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Doug Hardy Tattoo Artist Magazine Article Preview for Issue #27

       

Interview by Katie Sellergren
Doug Hardy: I was in Hawaii for six years. I was there from April ’92 to April ’98. And it was great. I loved working with Mike. He was incredibly patient and an incredibly good teacher. I mean, he had a temper, and so did I, but he would always show me how to do something the right way. And I was not the best apprentice…

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Doug Hardy Tattoo Artist Magazine Article Preview Issue #27 (VIDEO)

[Pictures and info on expanded page] (more…)


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