To Benefit the Children’s Burn Foundation
I am proud to announce the first annual “The Art of the Machine,” a charity event to be held July 11th 2014 in Downtown Long Beach at the Mai Tai Bar at the historic Long Beach Pike from 6pm – 2am.
The Art of the Machine will be a celebration of the Tattoo Machine with Custom Tattoo Machines to be auctioned off to Tattoo Artists as well as pieces by world renowned artists available to the public.
The Children’s Burn Foundation is the only known foundation that offers the Full Recovery Program for child burn survivors, locally, nationally, and internationally – a unique blend of medical care, psycho-social support services, and daily living support to help young burn survivors achieve their full potential.
The complex interplay of physical and psychological trauma resulting from severe burn injuries can profoundly affect the lives of children for years to come. Through the Foundation‘s full range of programs and services, young burn survivors receive new hope, a community of supporters who understand, and a chance at a full recovery.
Program services include:
- Medical Care & Support for Physical Recovery
- Family Emergency Assistance
- Camps & Retreats for Child Burn Survivors and Families
- Teen Support Group: Young Adult Burn Survivors & Supporters (Y.A.B.S.S.)
- Child & Family Support Groups
The night will begin at 6pm with a silent auction closing at 10pm and then followed up with live music and some special surprises until 2am.
There will be a special program highlighting the event, its donors, and sponsors with an article on the history of the Tattoo Machine and special cover art by Tattoo Artist Josh Duffy available to all attendees.
If anyone is interested in participating or sponsoring, please contact Casey Keener at firstname.lastname@example.org. We are still accepting Machine donations as well as art for auction to benefit the charity.
Current Sponsors Include: TatSoul, Eternal Tattoo Supply, Tattoo Artist Magazine, Tattoo Culture Magazine, Sullen Art Collective. Sponsorships are still available. Check out our Facebook page at: https://www.facebook.com/ArtoftheMachine
Machine Builders currently committed include: Tim Hendricks, Union Machine, Chris Quidgeon, Dewey Smith, Mike Schaeffer, John Boyd, Cory Rogers, Paco Rollins and Brandon Lewis.
Tattoo Artists donating art include: Josh Duffy, Tom Berg, Scott Richardson and Tokyo Hiro.
We will also have a website up in June, roughly a month before the event starts with profiles on the Machine Builders and Artists as well as specs on the donated machines. Anything that does not sell the night of the event will be available on the sites e-store after the event for purchase.
Thank you for your support and I look forward to everyone getting involved in this special night to benefit kids in need! If we don’t, who will?
It is with excitement and purpose that I start as the new Editor-in-Chief of Tattoo Artist Magazine. First and foremost, I am committed to continuing the culture of excellence and quality of TAM as admirably lead by outgoing Editor-in-Chief, Crash. I recognize the importance of TAM to our community & cultural progress and envision clear potential for continued growth and innovation. In conjunction with editing every issue of TAM, I also have a vision of further integrating TAM into the hands of avid tattoo collectors and artists, fully mining the educational format of TAM to better serve artists, collectors, readers and our society as a whole.
The “changing of the guard” at TAM will bring a new perspective to the magazine. With this change comes a shift in editorial emphasis to make TAM the world’s primary outlet for tattoo culture, tattoo education and tattoo art more relevant to our industry than any other magazine in our field. As the new Editor, my aim will be to increase the availability of important articles, artists, values, social and artistic advancements in our industry.
For those of you who are unfamiliar with me, I have been with TAM since it’s inception 11 years ago. Unlike Crash, I am not a tattoo artist, but have paid my dues within the industry for well over a decade. I know the ins and outs of everything tattoo and tattoo related. I am eager to start this position and see where I can help carry TAM into the future.
I invite each and every one of you who has any questions or concerns about the future of TAM and our craft to please email me to discuss our shared future and what we can build together.
You may reach me at: email@example.com
Myke Chambers is one of the most positive voices in tattooing right now, which is kinda paradoxical in a way because behind all Myke’s openness, generosity and hard-earned skill is a guy who had it pretty rough growing up. Virtually abandoned in childhood to an institution, he’s gone from time in a home to time on the streets, (and even some time behind bars); through all this it’s Tattooing that’s given Myke the maturity and stability of mind required to make positive and intentional changes in his life and, along the way, in his work.
At a young age, Myke left home with a backpack and his dog to wander the countryside by freight train in search of something he never found. Living a vagabond life he began his tattoo apprenticeship in the early 90′s…along with his schooling of hard-knocks and plenty of tough life lessons learned, he’s emerged into a well rounded tattooer and overall better person that is always there to help his fellow man when in need.
Myke’s style has strong roots in Traditional Americana, though he likes to put his own spin on the basic concepts of Old School, his style is clearly his own. Today, he’s trying to focus on painting and growing with every new endeavor he undertakes. Myke hasn’t yet shaken the wanderlust and you might find him roaming anywhere in the world, honing his craft.
By Russ Abbott
Russ Abbott: Myke Chambers, how would you describe your tattoo style?
Myke Chambers: My tattoo style? I definitely have a traditional influence but I don’t really call it traditional, some people would. I don’t really. I just call it a tattoo.
What are some of the basic elements that you try to include in your work?
Basic elements I try to include are just a solid, bold outline, I like to whip-shade a lot of stuff, heavily saturate stuff… I usually try to keep mostly primary colors, minimum blending type of stuff.
And do you like to do big tattoos?
I’d prefer big tattoos. I like tattoos that I can finish in one shot like three to five hours but I do like big projects. Lately, I’ve been having a lot of fun taking a design that should be maybe hand size and blowing it up to a full back piece, keeping it just as simple.
I just do tattoos. I don’t really even care to put my tattoos in any kind of category of realism or if I can do new school, or traditional. People say it’s traditional but I’d rather just not even be categorized in it. I just do tattoos. I like my tattoos to standout. I like people to know that I did it, make it unique, and true to myself.
What do you think makes a great tattoo as far as the structural elements?
That’s very suggestive. Having a good amount of black in a tattoo? It’s going to hold it up but then again, all the inks today; we don’t really know how they’re going to hold up. They could hold up just as well as any black ever did. With my tattoos, I like bold outlines, solid color, heavy black, but that’s all preference. I like realism tattoos. I like illustrative tattoos. I like all those types of tattoos.
Check out the AMAZING deals we are offering for Cyber Monday!
All issues $5.99 off
Gods & Warriors: The Works of Chris Treviño: $69.99
TAM Volume 1 Book: $39.99
TAM Subscriptions: $36.00
I’m working the London Tattoo Convention this weekend at the Tobacco Dock. All back issues are on sale for 10 pounds! Newest 3 issues, 15 pounds! I have Volume 1 books (our volume 1 book is the first 5 issues of TAM compiled into a nice hard cover book) on sale for 50 pounds, and Subscriptions are on sale for 36 pounds plus shipping! Stop by the Great Gallery room and check it out.
Tattoo Artist Magazine and Tattoo Culture Magazine have long believed that the key to our success in this industry is community.
By Hunter Spanks
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By Dawn Cooke
This blog is about the intricacies of the client/artist relationship. It’s sort of like any other relationship, only usually interactions happen in relatively short bursts and there are just so many of them. I try to always value this relationship and interaction. I think it is a valuable life experience for both parties, usually… (more…)
Story by Jasper Craven. Photos by Stacey Rupolo. (Story originally appears at www.VICE.com.)
This year, a 52-year-old politician named Miguel Diaz-Canel was appointed vice president of the ruling Council of State in Cuba, making him a likely future leader of the country. Some Cubans hope he will lead their country into a new era. One reason: while he was governor of Villa Clara province, he sponsored a tattoo festival… (more…)
By Melissa Fusco
At one time or another in every artist’s life, including myself, we have all experienced some type of artist block. There are many levels of creative block, from just the annoyance of interrupted flow that is short-lived or even deeper resulting in depression, lack of self-worth, loss of self-esteem and unfortunately self-destruction. An artist block or otherwise known as “creative block” is the inability to access one’s flowing stream of inspiration and creativity. What was once an overflowing well of ideas may now feel like an endless drought. It can last for days, weeks, months or even years. A feeling of loss in self may arise, and with every forward gaze stands fear, fear of not creating a worthy piece because of all the emotional strain that has occurred… (more…)
By Rick Kelsey (Story originally appears at: http://www.bbc.co.uk/.)
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Story and photos by johndotcom
Iceland… Land of the Midnight Sun… In retrospect, ending a month-long European trip in a place that has 24-hours of sunlight was probably not the best idea I’ve had. However, despite the lack of sleep and the subsequent fatigue-jetlag-exhuastion-sleep deprivation-sinus cold I’ve had since returning to the States… I’d say it was well worth it… Before I continue, I just want to thank Össur, Linda, Thomas Asher, Olafia and everyone at Reykjavik Ink for making all the madness possible… (more…)
Courtesy of The Andy Warhol Museum: The Patron Saint of White Guys That Went Tribal and Other Works, the first solo museum exhibition of work by Pittsburgh artist Nick Bubash features a recreation of the artist’s studio which focuses on a large group of found object sculptures. These sculptures reveal a playful approach to the artist’s practices and sardonic sense of humor… (more…)
By Paul Dobleman: Due to the fact I’ve been on the road, I haven’t had the chance to do a proper psychedelic story, so you are going to just have to hear one of mine… (more…)